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Corset (view E), 1840-50 (cotton, metal, leather & satin)
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Corset (view E), 1840-50 (cotton, metal, leather & satin)
3073123 Corset (view E), 1840-50 (cotton, metal, leather & satin) by Unknown Artist, (19th century); height: 39 cm; Manchester Art Gallery, UK; (add.info.: Black cotton satin lined with khaki twilled cotton. Fronts each in one piece, shaped to bust by two gussets, two vertical and two diagonal bones, remainder quilted, front edges boned and laced through thirteen metal eyelet holes, metal eyelet hole at top edge; very straight back in one piece, shaped to hip by two gussets each side, fourteen vertical bones, remainder quilted; top edge cut away at underarm, bound with petersham at front and brown leather at back, lower edge bound with navy blue tape; leather patch at centre back inside hem; decorative red stitching along outside waistline and at base of gusset.
Length (front)
height: 39cm
Length (back)
height: 36cm
Quilting is a craft or technique so old that its origins seem to stretch into deepest history. Basic quilting consists of two layers of outer fabric stitched over a lining of softer padding, although cord or thick thread can also be used to form the raised pattern. It was certainly known to the Romans, and the noun "quilt" is derived from the latin "culcita" meaning mattress filled with feathers or soft wool. In the Europe of the Middle Ages, quilting was much used for jerkins or vests worn under heavy armour, or as an actual padded lining to it. By the eighteenth century, quilted garments were popular for warmth and as protection against draughts. Women's decorative petticoats were particularly common, but also cloaks, caps and sleeveless bodices or jumps, as well as bed covers, men's waistcoats, children's caps and staybands and baby's robes. Some items were ready-made in workshops or by outworkers, particularly bed quilts and women's silk petticoats. The London Tradesman (1747) wrote that "quilted petticoats are made mostly by women, and some men, who are employed by the shops but earn little." Designs tended to be either simple geometrics like diamond panes, or more fluid stylised flowers, leaves and feathers; and cotton, linen or silk could provide the outer layer. Sometimes quilted pieces could also be printed or painted to add another decorative veneer, as in the main image from a quilted cloak. In essence, it is a technique which perfectly marries the decorative with the practical.); © Manchester Art Gallery
Media ID 32119662
© Manchester Art Gallery / Bridgeman Images
1840s Boned Corset Corsica Laced Stays Underwear Womens
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EDITORS COMMENTS
This print showcases a stunning corset from the 19th century, known as "Corset (view E)". Crafted with meticulous attention to detail, this corset is made of cotton, metal, leather, and satin materials. Its black cotton satin exterior is lined with khaki twilled cotton for added comfort. The front of the corset features two gussets and diagonal bones that shape it perfectly to the bust. The quilted design adds an exquisite touch to the overall aesthetic. Thirteen metal eyelet holes allow for lacing at the front edges. The back of the corset follows a very straight design shaped to fit the hips using gussets and fourteen vertical bones. The top edge is cut away at underarm and bound with petersham at the front and brown leather at the back. A navy blue tape binds its lower edge. Notably, decorative red stitching adorns both outside waistline and base of gussets, adding a pop of color against its dark fabric. Quilting has been used since ancient times for various purposes such as warmth or protection against draughts. In medieval Europe, quilting was commonly employed in garments worn under armor or as padded linings. By the eighteenth century, quilted pieces became popular among women's clothing items like petticoats. This remarkable corset exemplifies how quilting can seamlessly blend practicality with artistic beauty in fashion throughout history.
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