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George IV half-tester bed, c. 1830 (parcel-gilt oak & silk)

George IV half-tester bed, c. 1830 (parcel-gilt oak & silk)


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George IV half-tester bed, c. 1830 (parcel-gilt oak & silk)

2645272 George IV half-tester bed, c.1830 (parcel-gilt oak & silk) by English School, (19th century); 305x201x219 cm; Private Collection; (add.info.: In the manner of William Porden, in the Gothic taste, the tester applied with leaf-carved bosses and Gothic cusps with a pleated terracotta silk roof, supported on 2 full-height cluster columns, conforming half-columns to footboard); Photo eChristies Images; English, out of copyright

Media ID 22761156

© Christie's Images / Bridgeman Images

Curtains Cusped Drapery George Iv Gothic Revival Gothick Luxurious Luxury Neo Gothic Orange Roof Victorian Gothic Beds William Porden


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EDITORS COMMENTS
This print showcases the exquisite George IV half-tester bed, dating back to around 1830. Crafted with meticulous attention to detail, this opulent piece is made of parcel-gilt oak and adorned with luxurious silk drapery. The bed measures an impressive 305x201x219 cm and belongs to a private collection. In the style of renowned architect William Porden, this bed exemplifies the Gothic taste that was prevalent during the 19th century. The intricately carved bosses and Gothic cusps on the tester add a touch of elegance to its overall design. The pleated terracotta silk roof creates a stunning visual contrast against the rich woodwork. Supported by two full-height cluster columns and complemented by conforming half-columns at the footboard, this bed exudes grandeur in every aspect. Its ornate curtains further enhance its neo-Gothic aesthetic, transporting us back to an era of Victorian gothic revival. The George IV half-tester bed is not only a testament to exceptional craftsmanship but also serves as a symbol of luxury and sophistication. With its orange-hued textiles and elegant presence, it becomes an undeniable focal point within any space it occupies. This print captures all these elements flawlessly, allowing us to appreciate both the artistry behind this remarkable piece of furniture and its historical significance within the gothic art movement.

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