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Giovanni Battista Pergolesi (Jean Baptiste Pergolese, Jean-Baptiste) (1710-1736) strikes at the head with an orange spear from one of the galleries in the hall of the Teatro Tor di Nona in Rome in January 1735
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Giovanni Battista Pergolesi (Jean Baptiste Pergolese, Jean-Baptiste) (1710-1736) strikes at the head with an orange spear from one of the galleries in the hall of the Teatro Tor di Nona in Rome in January 1735
XEE4151661 Giovanni Battista Pergolesi (Jean Baptiste Pergolese, Jean-Baptiste) (1710-1736) strikes at the head with an orange spear from one of the galleries in the hall of the Teatro Tor di Nona in Rome in January 1735, during the premiere of the opera Olimpiade (Olympus) - engraving in " Popular Music" illustrious weekly newspaper - 1882 by Unknown Artist, (19th century); Private Collection; (add.info.: Giovanni Battista Pergolesi (Jean Baptiste Pergolese, Jean-Baptiste) (1710-1736) strikes at the head with an orange spear from one of the galleries in the hall of the Teatro Tor di Nona in Rome in January 1735, during the premiere of the opera Olimpiade (Olympus) - engraving in " Popular Music" illustrious weekly newspaper - 1882)
Media ID 25906346
© Bridgeman Images
Cruelty Disgrace Draughtsman Humiliation Illustrating Lyric Singer Singer Spectator A Journal
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EDITORS COMMENTS
The caption for the print of Giovanni Battista Pergolesi striking at the head with an orange spear from one of the galleries in the hall of the Teatro Tor di Nona in Rome in January 1735 would read as follows: "This engraving captures a remarkable moment during the premiere of the opera Olimpiade (Olympus) at Teatro Tor di Nona in Rome, back in January 1735. The talented composer and lyric singer, Giovanni Battista Pergolesi, is seen here wielding an orange spear to strike at a spectator's head. This audacious act caused quite a stir among both audience members and critics alike. It symbolizes not only Pergolesi's frustration but also his defiance towards those who disapproved or criticized his work. The image perfectly encapsulates the artist's determination to challenge conventional norms and push boundaries within Italian opera. Published as an engraving in "Popular Music" an illustrious weekly newspaper from 1882, this artwork serves as a testament to Pergolesi's enduring legacy and impact on music history. It highlights themes of disgrace, cruelty, humiliation, and press scrutiny that artists often face throughout their careers. As we admire this intriguing piece by an unknown artist from the 19th century, let us reflect on how art can provoke emotions and spark conversations even centuries after its creation. This print stands as a powerful reminder of Pergolesi's artistic prowess and his willingness to defy societal expectations. "
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