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Harold II (1022 - 1066) was proclaimed king at the death of Edward the Confessor in 1066

Harold II (1022 - 1066) was proclaimed king at the death of Edward the Confessor in 1066


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Harold II (1022 - 1066) was proclaimed king at the death of Edward the Confessor in 1066

GIA4765937 Harold II (1022 - 1066) was proclaimed king at the death of Edward the Confessor in 1066 but soon died at the Battle of Hastings. Bayeux tapestry or Embroidery by Queen Mathilde, 1077. Bibl. de Bayeux. by Unknown Artist, (11th century); Musee de la Tapisserie, Bayeux, France; (add.info.: Harold II (1022 - 1066) was proclaimed king at the death of Edward the Confessor in 1066 but soon died at the Battle of Hastings. Bayeux tapestry or Embroidery by Queen Mathilde, 1077. Bibl. de Bayeux.); eGiancarlo Costa; out of copyright

Media ID 22473906

© Giancarlo Costa / Bridgeman Images

11 11th 11th Xi 11th 11th Century William I The Conqueror 1027 1087


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EDITORS COMMENTS
This print showcases a remarkable piece of history - the Bayeux tapestry or Embroidery by Queen Mathilde, created in 1077. The tapestry depicts the story of Harold II, who was proclaimed king of England upon the death of Edward the Confessor in 1066. However, his reign was tragically short-lived as he soon met his fate at the Battle of Hastings. The intricate details and vibrant colors captured in this photograph bring to life Queen Mathilde's masterful embroidery work. Each stitch tells a tale of power struggles and conquests that shaped medieval England. As we gaze upon this ancient artifact, we are transported back to a time when kingdoms were won and lost on blood-soaked battlefields. Harold II's legacy is forever intertwined with William I, also known as William the Conqueror. Their clash at Hastings marked a pivotal moment in British history, forever altering its course. This photograph serves as a visual testament to their epic struggle for power. Preserved within Musee de la Tapisserie in Bayeux, France, this extraordinary artwork continues to captivate audiences centuries after its creation. It stands not only as an artistic masterpiece but also as an invaluable historical document that sheds light on one of England's most tumultuous periods. As we admire this print by Giancarlo Costa, let us reflect on how art has always been intertwined with human stories and how it can transport us through time to witness significant moments like Harold II's ill

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