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Oven set in the wood for the making of bread, destined for the many lumberers working on the drill throughout the day, the maintenance and use of the oven is done by women and children
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Oven set in the wood for the making of bread, destined for the many lumberers working on the drill throughout the day, the maintenance and use of the oven is done by women and children
LSE4328980 Oven set in the wood for the making of bread, destined for the many lumberers working on the drill throughout the day, the maintenance and use of the oven is done by women and children. Engraving to illustrate the memories of travel among the southern Slavs, by Georges Perrot, in 1868, published in " Le tour du monde" 1870-1871, edited by Edouard Charton, edition Hachette, Paris. Selva Collection. by Unknown Artist, (19th century); Private Collection; (add.info.: Oven set in the wood for the making of bread, destined for the many lumberers working on the drill throughout the day, the maintenance and use of the oven is done by women and children. Engraving to illustrate the memories of travel among the southern Slavs, by Georges Perrot, in 1868, published in " Le tour du monde" 1870-1871, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.); Photo © Leonard de Selva
Media ID 26407228
© Leonard de Selva / Bridgeman Images
Antler Bosnia Bread Bucheron Child At Work Loaves Oven White Bread Woman At Work C European Economic Community C European Union Gravure Engraving
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EDITORS COMMENTS
This print captures a scene from the 19th century, showcasing an oven set in the wood for the purpose of making bread. The bread is intended to nourish the hardworking lumberers who spend their days on the drill. However, what makes this image truly remarkable is that it highlights the important role played by women and children in maintaining and using this oven. In a time when gender roles were often rigidly defined, it is heartening to see women and children taking charge of such a vital task. Their dedication and skill are evident as they ensure that fresh bread is readily available for those laboring in the woods. The engraving itself was created by an unknown artist but published in "Le tour du monde" edited by Edouard Charton in 1870-1871. It serves as a powerful illustration of travel memories among the southern Slavs, offering viewers a glimpse into their daily lives and cultural practices. Leonard de Selva's photograph beautifully captures this historical moment, preserving it for future generations to appreciate. Through his lens, we are transported back in time to witness not only the physical labor involved but also the communal spirit that exists within these communities. Overall, this print serves as a testament to both human resilience and unity amidst challenging circumstances.
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