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The Pantchami naga, or snake feast, in Bombay, to ensure protection against their deadly
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The Pantchami naga, or snake feast, in Bombay, to ensure protection against their deadly
LSE4329093 The Pantchami naga, or snake feast, in Bombay, to ensure protection against their deadly bites, long processions of women cross the streets to the outskirts of the temples, or they will find offerings of rice and sugar to the god Krishna, who killed the python snake Bindrabund, on the banks of the river Djumna. Engraving to illustrate the voyage in India of the Rajahs, by Louis Rousselet, in 1864-1868, published in " Le tour du monde" 1870-1871, edited by Edouard Charton, edition Hachette, Paris. Selva Collection. by Unknown Artist, (19th century); Private Collection; (add.info.: The Pantchami naga, or snake feast, in Bombay, to ensure protection against their deadly bites, long processions of women cross the streets to the outskirts of the temples, or they will find offerings of rice and sugar to the god Krishna, who killed the python snake Bindrabund, on the banks of the river Djumna. Engraving to illustrate the voyage in India of the Rajahs, by Louis Rousselet, in 1864-1868, published in " Le tour du monde" 1870-1871, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.); Photo eLeonard de Selva; out of copyright
Media ID 23728538
© Leonard de Selva / Bridgeman Images
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This print captures the Pantchami naga, also known as the snake feast, in Bombay. The image showcases a long procession of women crossing the streets towards the outskirts of temples. These devoted individuals are on a mission to ensure protection against deadly snake bites by making offerings of rice and sugar to the god Krishna. The tradition of Pantchami naga holds deep significance in Indian culture, stemming from an ancient tale where Krishna defeated the python snake Bindrabund on the banks of the river Djumna. To honor this victory and seek divine intervention, women participate in these processions with unwavering faith. Taken from an engraving that illustrated Louis Rousselet's voyage through India between 1864-1868, this photograph offers a glimpse into a rich cultural practice during that era. Published in "Le tour du monde" edited by Edouard Charton and published by Hachette Paris in 1870-1871, it is now part of Leonard de Selva's private collection. The image exudes both mysticism and devotion as it transports us back to a time when rituals like these were deeply ingrained within society. It serves as a reminder of how traditions can shape communities and provide solace amidst life's uncertainties. This remarkable piece invites viewers to appreciate not only its artistic value but also reflect upon our own beliefs and customs passed down through generations.
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