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Polyptic of the Chartreuse of Pavia: "Tobie and the Archangel Gabriel"
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Polyptic of the Chartreuse of Pavia: "Tobie and the Archangel Gabriel"
LRI4609645 Polyptic of the Chartreuse of Pavia: " Tobie and the Archangel Gabriel" Painting by Pietro Vannucci dit il Perugino (The Perugin, 1446 - 1523) 1499 approx. Sun. 126x58 cm London, National Gallery by Perugino, Pietro (c.1445-1523); National Gallery, London, UK; (add.info.: Polyptic of the Chartreuse of Pavia: " Tobie and the Archangel Gabriel" Painting by Pietro Vannucci dit il Perugino (The Perugin, 1446 - 1523) 1499 approx. Sun. 126x58 cm London, National Gallery); Luisa Ricciarini; Italian, out of copyright
Media ID 22847712
© Luisa Ricciarini / Bridgeman Images
Archangel Gabriel Archangel Quattrocento
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EDITORS COMMENTS
This print showcases the exquisite painting "Polyptic of the Chartreuse of Pavia: Tobie and the Archangel Gabriel" by Pietro Vannucci, also known as il Perugino. Created around 1499, this Renaissance masterpiece measures approximately 126x58 cm and is currently housed in the National Gallery in London. The artwork depicts a scene from the biblical story of Tobit, where young Tobie encounters the archangel Gabriel. The delicate brushwork and vibrant colors bring to life this divine encounter between a child and an angelic being. Perugino's attention to detail is evident in every stroke, capturing both innocence and spirituality with great precision. As we gaze upon this painting, we are transported back to quattrocento Italy, immersing ourselves in its rich cultural heritage. The artist's mastery of composition draws our eyes towards Tobie's youthful face as he gazes up at Gabriel with awe and wonder. Through his artistry, Perugino invites us to reflect on themes of faith, childhood innocence, and divine intervention. This print by Luisa Ricciarini beautifully captures all these elements while preserving the essence of this iconic artwork for generations to come. It serves as a testament to Perugino's contribution to Italian Renaissance art and reminds us of the enduring power that religious paintings hold over our imagination.
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