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Romans playing the mora, (or die) ancestral game, which consists in guessing the sum
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Romans playing the mora, (or die) ancestral game, which consists in guessing the sum
LSE4328473 Romans playing the mora, (or die) ancestral game, which consists in guessing the sum obtained by adding the fingers of the hands of the two opponents, the game is practiced hand stretched and has a signal given, players indicate a number with their fingers and at the same time pronounce a number between 2 and 10; the particularity of the Italian mora remains in the fact that both players are intimidating themselves by screaming. Engraving to illustrate the voyage to Rome, by Francis Wey, in 1864-1868, published in " Le tour du monde, nouveau journal des voyages", under the direction of Edouard Charton, 1868, Paris. Selva Collection. by Unknown Artist, (19th century); Private Collection; (add.info.: Romans playing the mora, (or die) ancestral game, which consists in guessing the sum obtained by adding the fingers of the hands of the two opponents, the game is practiced hand stretched and has a signal given, players indicate a number with their fingers and at the same time pronounce a number between 2 and 10; the particularity of the Italian mora remains in the fact that both players are intimidating themselves by screaming. Engraving to illustrate the voyage to Rome, by Francis Wey, in 1864-1868, published in " Le tour du monde, nouveau journal des voyages", under the direction of Edouard Charton, 1868, Paris. Selva Collection.); Photo eLeonard de Selva; out of copyright
Media ID 23728476
© Leonard de Selva / Bridgeman Images
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This print captures a moment in history as Romans engage in the ancient game of mora, or die. The game involves guessing the sum obtained by adding the fingers of both opponents' hands. With their hands stretched out and a signal given, players indicate a number with their fingers while simultaneously pronouncing a number between 2 and 10. What sets apart the Italian version of mora is the intense intimidation tactics employed by both players through screaming. The engraving, part of Francis Wey's voyage to Rome illustrated in "Le tour du monde" offers us a glimpse into this traditional Roman pastime. Published under the direction of Edouard Charton in Paris during 1868, it showcases an unknown artist's talent for capturing cultural practices from centuries ago. The image transports us back to that era when games were not just about entertainment but also served as social interactions and displays of skill. It reminds us that throughout history, people have found joy and connection through shared activities like this ancestral game. Preserved within a private collection today, this photograph serves as a testament to our human desire for playfulness and camaraderie across time. Leonard de Selva beautifully presents this piece from Fine Art Finder, allowing us to appreciate its historical significance and artistic value beyond commercial use restrictions.
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