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Tlemcen en agery au 19th century - engraving in "La France illustree: geographie

Tlemcen en agery au 19th century - engraving in 'La France illustree: geographie


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Tlemcen en agery au 19th century - engraving in "La France illustree: geographie

XEE4160338 Tlemcen en agery au 19th century - engraving in " La France illustree: geographie, histoire, administration statistique" by V.A. Malt-Brown. 1884 by French School, (19th century); Private Collection; (add.info.: Tlemcen en agery au 19th century - engraving in " La France illustree: geographie, histoire, administration statistique" by V.A. Malt-Brown. 1884); Stefano Bianchetti; French, out of copyright

Media ID 23708368

© Stefano Bianchetti / Bridgeman Images

Algeria Algeria Algerian Algerian Algerians Algerie Maghreb Maghrebi Maghrebian Maghrebin Maghrebine Arab Civilization Sudan


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EDITORS COMMENTS
This print showcases a historical engraving titled "Tlemcen en agery au 19th century" from the renowned publication "La France illustree: geographie, histoire, administration statistique" by V. A. Malt-Brown in 1884. The engraving offers a fascinating glimpse into the colonial era of North Africa, specifically Algeria. The image depicts a view of Tlemcen, an Algerian city rich in Arab civilization and heritage. Its inclusion in this French publication highlights the influence of colonialism during that time period. The intricate details captured in this engraving allow us to immerse ourselves in the bustling streets and architectural wonders of Tlemcen. As we explore this historical artwork, it is impossible not to appreciate its significance within African history. It serves as a reminder of both the cultural diversity present within Algeria and the impact of French colonization on the region. Stefano Bianchetti's expert preservation has allowed us to experience this piece firsthand through his private collection. This particular photograph print evokes a sense of nostalgia for an era long gone while also sparking curiosity about how Tlemcen may have evolved since then. Overall, this remarkable engraving transports us back to 19th-century Algeria and invites contemplation on themes such as colonialism, African identity, and cultural exchange between nations.

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