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The Monument to the Third International (Tatlin's Tower), 1920 (b/w photo)
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The Monument to the Third International (Tatlin's Tower), 1920 (b/w photo)
3904356 The Monument to the Third International (Tatlin's Tower), 1920 (b/w photo) by Tatlin, Vladimir Evgrafovich (1885-1953); (add.info.: The Monument to the Third International (Tatlin'S Tower) by Vladimir Tatlin, the Model of the Proposed Tower in the Studio of Materials, Volume, and Construction (The Former Academy of Arts) in Petrograd, 1920.); Sovfoto/UIG
Media ID 38097214
© Sovfoto/UIG / Bridgeman Images
2 People 2 Persons Building Interior Communism Communist Communists Constructivism Constructivist Former Soviet Union Ladder Sign Sign Board Signage Signal Signposts Signs Soviet Russia Soviet Union Soviets Step Ladder Timber Timbers Towers Two Persons Ukrainian Soviet Socialist Republic Union Of Soviet Socialist Republics Ussr Windows Wood Material Wood Material
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EDITORS COMMENTS
This striking print captures the iconic Monument to the Third International, also known as Tatlin's Tower, designed by Vladimir Tatlin in 1920. The tower stands tall and proud in the studio of materials, volume, and construction in Petrograd, showcasing its revolutionary design that symbolizes the ideals of communism.
Two individuals are seen standing next to the tower, gazing up at its intricate structure with awe and admiration. The wooden timbers used in its construction add a sense of warmth and craftsmanship to this avant-garde piece of art.
The ladder leaning against the tower suggests ongoing work or perhaps a metaphorical climb towards progress and innovation. Through the window behind them, natural light streams into the studio, illuminating this masterpiece of early 20th-century architecture.
Signs scattered around indicate an exhibition is taking place, highlighting this sculpture as a significant cultural artifact of Soviet Russia. The Tower's presence evokes a sense of ambition and grandeur that was characteristic of the time period it was created in.
Overall, this photograph encapsulates not only Tatlin's visionary design but also serves as a reminder of an era marked by artistic experimentation and political upheaval.
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