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L Assiette au beurre, numero 199, Satirique en Couleurs, 1905_2_11 : Ministere de la guerre - Maurice Berteaux (1852-1911)

L Assiette au beurre, numero 199, Satirique en Couleurs, 1905_2_11 : Ministere de la guerre - Maurice Berteaux (1852-1911)


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L Assiette au beurre, numero 199, Satirique en Couleurs, 1905_2_11 : Ministere de la guerre - Maurice Berteaux (1852-1911)

ICA4901212 L Assiette au beurre, numero 199, Satirique en Couleurs, 1905_2_11 : Ministere de la guerre - Maurice Berteaux (1852-1911) by Camara, Leal de (1877-1948); (add.info.: L Plate au beurre, number 199, Satirique en Couleurs, 1905_2_11: Ministry of War - Maurice Berteaux (1852-1911) - Illustration by Leal de Camara (1877-1948)); Photo © Caricadoc

Media ID 25214118

© Caricadoc / Bridgeman Images

Infantilisation Sabre Caricadoc Years 1900


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EDITORS COMMENTS
This print titled "L'Assiette au beurre, numero 199, Satirique en Couleurs, 1905_2_11: Ministere de la guerre - Maurice Berteaux (1852-1911)" captures a powerful political satire from the early 20th century. The image depicts Maurice Berteaux, a prominent figure in French politics and the Ministry of War during that time. The engraving showcases Berteaux as an infantilized toy soldier astride a horse, wielding a sabre. This clever caricature symbolizes the government's control over the military and their manipulation of war for political gain. The artist skillfully uses humor to highlight the absurdity of those in power. The attention to detail is remarkable; every element in this artwork serves its purpose. From the expressive portrayal of Berteaux's face to the intricate depiction of his horse, each stroke adds depth and meaning to this satirical piece. Through this print, we are reminded of how art can serve as a powerful tool for social commentary and criticism. It sheds light on historical events while challenging societal norms and questioning authority. This photograph not only captures an important moment in French history but also invites viewers to reflect on contemporary issues surrounding politics and warfare. Its timeless relevance makes it an invaluable addition to any collection or exhibition focused on political art or satire.

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