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North-east view of the Great Pagoda (Shwesandaw or Temple of the Golden Hair Relic) at Prome, 1852. (photo)
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North-east view of the Great Pagoda (Shwesandaw or Temple of the Golden Hair Relic) at Prome, 1852. (photo)
5929377 North-east view of the Great Pagoda (Shwesandaw or Temple of the Golden Hair Relic) at Prome, 1852. (photo) by McCosh, John (1805-85); National Army Museum, London; (add.info.: North-east view of the Great Pagoda (Shwesandaw or Temple of the Golden Hair Relic) at Prome, 1852.
Photograph by Surgeon John McCosh (1805-1885), 1852.
This glimpse of the splendour of Prome (Pyay) is evidence of McCoshs growing skill with his calotype camera. By the time of the 2nd Burma War (1852-1853) he was able to produce larger pictures, which enabled him to take landscapes as well as portraits. This picture of artillery pieces arranged outside the Great Pagoda was taken shortly after the fall of the city in July 1852. The statues are Chinthes, mythical lion-like creatures. They are an important Burmese cultural symbol and are often found in pairs guarding the entrances to temples.
From an album of 310 photographs, 1848-1853.); © National Army Museum
Media ID 25163298
© National Army Museum / Bridgeman Images
Artillery Field Artillery Mythical Beast Pagoda
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This print showcases the majestic North-east view of the Great Pagoda, also known as Shwesandaw or Temple of the Golden Hair Relic, in Prome during 1852. Taken by Surgeon John McCosh, this image provides a glimpse into the splendor of Prome (Pyay) and highlights McCosh's growing skill with his calotype camera. During the 2nd Burma War (1852-1853), McCosh was able to produce larger pictures, allowing him to capture not only portraits but also breathtaking landscapes like this one. The photograph depicts artillery pieces strategically arranged outside the Great Pagoda shortly after the city's fall in July 1852. The statues seen in this image are Chinthes, mythical lion-like creatures that hold immense cultural significance in Burma. Often found guarding temple entrances, these statues symbolize protection and strength within Burmese culture. Part of an album containing 310 photographs taken between 1848 and 1853, this particular print exemplifies McCosh's talent for capturing both historical events and artistic beauty. It serves as a testament to his evolving expertise behind the lens. Displayed at London's National Army Museum, this remarkable print offers viewers a window into a significant moment in history while showcasing the architectural grandeur and cultural symbolism present within Burmese temples.
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