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Rock-cut Conduit Under Robinsons Arch, Jerusalem, 1871 (w / c & pencil on paper
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Rock-cut Conduit Under Robinsons Arch, Jerusalem, 1871 (w / c & pencil on paper
PEF316720 Rock-cut Conduit Under Robinsons Arch, Jerusalem, 1871 (w/c & pencil on paper by Simpson, William Crimea (1823-99); Palestine Exploration Fund, London, UK; (add.info.: Robinsons Arch is the remains of the entrance built by Herod to the Royal Colonnade; ); ePalestine Exploration Fund; Scottish, out of copyright
Media ID 23179558
© Palestine Exploration Fund / Bridgeman Images
Archaeological Site Archaeologist Exploring Israel Passage Spade Subterranean Tunnel Underground
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EDITORS COMMENTS
This print captures a moment frozen in time, showcasing the remarkable rock-cut conduit under Robinson's Arch in Jerusalem. Created by William Crimea Simpson in 1871, this watercolor and pencil masterpiece brings to life the subterranean passage that lies beneath the arch. Robinson's Arch is an architectural marvel, representing the remains of Herod's entrance to the Royal Colonnade. The artist skillfully portrays its grandeur and historical significance through delicate brushstrokes and intricate detailing. As we gaze upon this artwork, we are transported back to a time of exploration and archaeological discovery. The painting exudes a sense of wonder as a male explorer ventures deep into the underground tunnel with his trusty spade in hand. It serves as a testament to human curiosity and our relentless pursuit of knowledge about ancient civilizations. The composition beautifully captures both the physicality of digging and excavating while also highlighting the ethereal beauty hidden within these ancient structures. The play of light on stone creates dramatic shadows that add depth and mystery to this archaeological site. Simpson's work not only showcases his artistic talent but also pays homage to those who dedicated their lives to uncovering history buried beneath layers of earth. This piece stands as a reminder that there is always more waiting to be discovered if we dare venture into uncharted territories – both physically and metaphorically.
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