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The Masque of Queens and a dedicatory epistle to Henry, Prince of Wales

The Masque of Queens and a dedicatory epistle to Henry, Prince of Wales


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The Masque of Queens and a dedicatory epistle to Henry, Prince of Wales

KDC441069 The Masque of Queens and a dedicatory epistle to Henry, Prince of Wales, 1609 (pen & ink on paper) by Jonson, Ben (c.1572-1637); Private Collection; (add.info.: third masque written for Queen Anne of Denmark (1574-1619) consort of James I and containing the first antimasque of 12 wicked witches contrasting with the 12 virtuous queens led by Queen Anne and eleven aristocratic ladies; dedication to Queen Annes eldest son, Henry, Prince of Wales (1594-1619) who commissioned a printing of the masque immediately after the first performance at Whitehall Palace on 2 February, 1609; facsimile from Facsimiles of Royal, Historical & Literary Autographs in the Department of Manuscripts, British Museum, 4th series, printed for the Trustees, 1898; Royal MS.18A.xlv.; ); English, out of copyright

Media ID 22674476

© Bridgeman Images

Autograph Courtiers Courtly Dedication Henry Holograph Masque Pageant Prince Of Wales Queens Stuart Theatrical Masques Queen Anne Of Denmark


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EDITORS COMMENTS
This print showcases "The Masque of Queens and a dedicatory epistle to Henry, Prince of Wales" by Ben Jonson. Created in 1609, this pen and ink masterpiece is held in a private collection. The masque was the third one written for Queen Anne of Denmark, wife of James I, and it features an intriguing contrast between twelve wicked witches and twelve virtuous queens led by Queen Anne herself. The dedication within the masque is addressed to Queen Anne's eldest son, Henry, Prince of Wales. Immediately after its first performance at Whitehall Palace on February 2nd, 1609, the prince commissioned a printing of this remarkable work. This particular print is a facsimile from "Facsimiles of Royal, Historical & Literary Autographs in the Department of Manuscripts" printed for the Trustees in 1898. With courtly elegance and theatrical flair characteristic of the Stuart era, this manuscript transports us back to a time when pageants were grand spectacles enjoyed by royalty and courtiers alike. The intricate handwriting reveals Jonson's artistry as he brings his imaginative characters to life on paper. Immerse yourself in this enchanting piece that captures both the essence of Renaissance entertainment and the royal patronage bestowed upon it. Experience firsthand how art transcends time with this exquisite representation from Fine Art Finder courtesy Bridgeman Images.

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