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The Times. Plate II 1762, by William Hogarth
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The Times. Plate II 1762, by William Hogarth
3521493 The Times. Plate II 1762, by William Hogarth by Hogarth, William (1697-1764); (add.info.: The Times. Plate II 1762, by William Hogarth (1697 - 1764). English painter, printmaker, pictorial satiriSaint First published in 1790 after Hogarth's death, Plate II of The Times depicts a more peaceful and prosperous Britain. Plants are nourished by water spouting from the monument of George III, with the elegant Lord Bute as the chief gardener of the State); Universal History Archive/UIG
Media ID 32179086
© Universal History Archive/UIG / Bridgeman Images
18th Centuries Hogarth William 1697 1764 Lord Bute Printmaker Prosperity Satirist The Times William Hogarth Britisch Britisch Egnland Uk United Kingdom
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The Times. Plate II 1762, by William Hogarth captures a moment of tranquility and prosperity in 18th century Britain. In this print, Hogarth depicts a scene where plants thrive under the nourishment of water spouting from the monument of George III. The elegant Lord Bute takes on the role of chief gardener, symbolizing his influence over the state. This artwork was first published posthumously in 1790 and showcases Hogarth's mastery as an English painter and printmaker. Known for his satirical works, Hogarth uses this piece to portray a more peaceful society, contrasting with some of his earlier depictions that highlighted social issues and moral decay. The image reflects a united kingdom enjoying wealth and progress during this period. It serves as a testament to the artist's ability to capture not only societal realities but also aspirations for better times. Through intricate details and symbolism, Hogarth invites viewers to contemplate the relationship between power, prosperity, and society at large. The print stands as an important historical document that sheds light on British culture in the early 18th century. 'The Times' Plate II offers us a glimpse into both artistic brilliance and societal dynamics of its time – reminding us that art has always been intertwined with politics.
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