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Sir John de la Pole, duke of Suffolk, c 1472-1491 (chromolitho)
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Sir John de la Pole, duke of Suffolk, c 1472-1491 (chromolitho)
2811917 Sir John de la Pole, duke of Suffolk, c 1472-1491 (chromolitho) by Hope, William St John (1854-1919); Private Collection; (add.info.: Sir John de la Pole, duke of Suffolk, c 1472-1491. Illustration for The Stall Plates of the Knights of the Order Of The Garter, 1348-1485 by W H St John Hope (Archibald Constable, 1901).); © Look and Learn
Media ID 23470916
© Look and Learn / Bridgeman Images
Duke Heraldic Heraldry Knighthood Knights Order Of The Garter St Georges Chapel Suffolk Windsor Castle Defensive Weapon Infantry Weapon
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This chromolitho print showcases the distinguished figure of Sir John de la Pole, duke of Suffolk, during the years 1472-1491. The artwork, created by William St John Hope in the late 19th century, is part of a private collection and captures the essence of this noble knight. Sir John de la Pole's illustrious lineage is evident through his regal attire and commanding presence. This portrait was originally commissioned as an illustration for "The Stall Plates of the Knights of the Order Of The Garter" a renowned publication by W H St John Hope that chronicles knights from 1348 to 1485. The image transports us back to a time when chivalry and heraldry were paramount. It depicts Sir John proudly displaying his coat-of-arms, symbolizing his family's heritage and allegiance to the prestigious Order of the Garter. His armor gleams with meticulous detail, emphasizing both its defensive capabilities and ornate craftsmanship. Set against a backdrop reminiscent of Windsor Castle's grandeur, this print offers a glimpse into St George's Chapel where such esteemed knights would gather for ceremonies and celebrations. Sir John holds an imposing weapon in hand—a testament to his prowess on the battlefield—while also representing power and authority. Through this remarkable piece, we are transported into an era defined by honor, knighthood, and gallantry. It serves as a reminder not only of Sir John de la Pole's legacy but also encapsulates an entire epoch steeped in medieval
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