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Temple of Esculapio, c. 1787

Temple of Esculapio, c. 1787


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Temple of Esculapio, c. 1787

LRI4626611 Temple of Esculapio, c. 1787 by Asprucci, Antonio (1723-1808); Villa Borghese, Rome, Italy; (add.info.: Tempio di Esculapio (Temple of Esculapio) realized by Antonio Asprucci (1723-1808), 1787 approximately lake of Villa Borghese, Rome, Lazio, Italy); Luisa Ricciarini; Italian, out of copyright

Media ID 25176412

© Luisa Ricciarini / Bridgeman Images

Latium Villa Borghese


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> Architecture > Country > Italy > Related Images

> Architecture > Country > Italy > Rome

> Architecture > Temples

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> Europe > Italy > Lazio > Related Images

> Europe > Italy > Lazio > Rome

> Fine Art Finder > Artists > Antonio Asprucci

> Fine Art Finder > Artists > Xavier Gose


EDITORS COMMENTS
This print captures the timeless beauty of the Temple of Esculapio, a masterpiece created by Antonio Asprucci in 1787. Located within the stunning Villa Borghese in Rome, Italy, this architectural wonder stands as a testament to both art and history. The Temple of Esculapio is an exquisite example of 18th-century Italian design, showcasing intricate details and impeccable craftsmanship. Its elegant structure harmoniously blends with the surrounding landscape, creating a serene atmosphere that invites contemplation and reflection. Antonio Asprucci's vision comes to life through Luisa Ricciarini's lens, capturing every nuance and essence of this magnificent temple. The photograph showcases not only its grandeur but also highlights its significance as a cultural landmark. As you gaze upon this image, you are transported back in time to an era where beauty was celebrated through architecture. The play of light and shadow accentuates each column and archway, revealing the mastery behind Asprucci's creation. Whether you are an admirer of art or simply captivated by historical landmarks, this print serves as a visual feast for your senses. It allows you to immerse yourself in the rich heritage that Rome has to offer while appreciating the talent behind both Asprucci's design and Ricciarini's photography.

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