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M. Lecocq getting his rents, engraved by Charles Gilbert (19th century

M. Lecocq getting his rents, engraved by Charles Gilbert (19th century


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M. Lecocq getting his rents, engraved by Charles Gilbert (19th century

CHT287007 M. Lecocq getting his rents, engraved by Charles Gilbert (19th century) illustration from the Revue Pittoresque, 1843 (engraving) (b/w photo) by Beaumont, Charles Edouard de (1812-88); Bibliotheque Nationale, Paris, France; (add.info.: M. Lecocq recevant ses loyers; ); eArchives Charmet; French, out of copyright

Media ID 22658424

© Archives Charmet / Bridgeman Images

Apron Feather Duster Giving Glasses Greed Greedy Housekeeping July Monarchy Landlord Monarchie De Juillet Owner Parisians Rich Tenant Term Terms Top Hat


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> Arts > Pop art > Satire > Satirical artwork

> Europe > France > Paris > Related Images

> Fine Art Finder > Artists > Charles Edouard de Beaumont

> Fine Art Finder > Cartoons, Caricatures & Humour

> Popular Themes > Money


EDITORS COMMENTS
The captivating print titled "M. Lecocq getting his rents" takes us back to the 19th century, capturing a moment of social commentary through the art of engraving. Created by Charles Gilbert and featured in the Revue Pittoresque in 1843, this illustration offers a satirical glimpse into Parisian society during the July Monarchy. In this scene, we witness M. Lecocq, an affluent landlord adorned with a top hat and glasses, receiving his rents from tenants who appear downtrodden and impoverished. The image cleverly portrays the stark contrast between wealth and poverty as M. Lecocq greedily collects money while holding a feather duster symbolizing his role as both housekeeper and exploitative landlord. This caricature serves as a scathing critique of the societal divide prevalent during that era. It highlights themes such as greed, inequality, and power dynamics within French society under the July Monarchy rule. Through its intricate details and sharp satire, this artwork invites viewers to reflect on issues still relevant today: class disparities, tenant-landlord relationships, and economic exploitation. As we gaze upon this historical piece captured by Charles Edouard de Beaumont's lens at Bibliotheque Nationale in Paris, France; we are reminded how art can transcend time to provoke thought about our own contemporary challenges surrounding wealth distribution and social justice.

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