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Drawings & Studies Collection (page 42)

2,445 items

Background imageDrawings & Studies Collection: Altarpiece at east end of north aisle of Bristol Cathedral discovered 1821

Altarpiece at east end of north aisle of Bristol Cathedral discovered 1821
2831260 Altarpiece at east end of north aisle of Bristol Cathedral discovered 1821 (pencil on paper) by O Neill, Hugh (1784-1824); Bristol Museum and Art Gallery, UK; eBristol Museums

Background imageDrawings & Studies Collection: Tiles discovered in St Jamess Church, Bristol (pencil & w / c on paper)

Tiles discovered in St Jamess Church, Bristol (pencil & w / c on paper)
2832613 Tiles discovered in St Jamess Church, Bristol (pencil & w/c on paper) by Wheatley, William W. (1811-1885); Bristol Museum and Art Gallery, UK; eBristol Museums

Background imageDrawings & Studies Collection: City Waits Badge (chain of office in corporation processions)

City Waits Badge (chain of office in corporation processions)
2832544 City Waits Badge (chain of office in corporation processions), 1825 (pencil & w/c on paper) by Manning, Joseph (c.1801-1861/1871); Bristol Museum and Art Gallery, UK; eBristol Museums

Background imageDrawings & Studies Collection: Monument in St Pauls Church (pencil & w / c on paper)

Monument in St Pauls Church (pencil & w / c on paper)
2832332 Monument in St Pauls Church (pencil & w/c on paper) by Manning, Joseph (c.1801-1861/1871); Bristol Museum and Art Gallery, UK; eBristol Museums

Background imageDrawings & Studies Collection: Gibbes Brass affixed to Wall near South Door of St James

Gibbes Brass affixed to Wall near South Door of St James
2832284 Gibbes Brass affixed to Wall near South Door of St Jamess (pencil & w/c on paper) by Manning, Joseph (c.1801-1861/1871); Bristol Museum and Art Gallery, UK; eBristol Museums

Background imageDrawings & Studies Collection: Monument of Robert, Earl of Gloucester, in South Aisle of St James

Monument of Robert, Earl of Gloucester, in South Aisle of St James
2832282 Monument of Robert, Earl of Gloucester, in South Aisle of St Jamess (pencil & w/c on paper) by Homes, Marcus H. (1803-1854); Bristol Museum and Art Gallery, UK; eBristol Museums

Background imageDrawings & Studies Collection: Six Corbels in Roof of St Jamess (pencil & w / c on paper)

Six Corbels in Roof of St Jamess (pencil & w / c on paper)
2832273 Six Corbels in Roof of St Jamess (pencil & w/c on paper) by Manning, Joseph (c.1801-1861/1871); Bristol Museum and Art Gallery, UK; eBristol Museums

Background imageDrawings & Studies Collection: 6 Corbels in Roof of St Jamess (pencil & w / c on paper)

6 Corbels in Roof of St Jamess (pencil & w / c on paper)
2832272 6 Corbels in Roof of St Jamess (pencil & w/c on paper) by Manning, Joseph (c.1801-1861/1871); Bristol Museum and Art Gallery, UK; eBristol Museums

Background imageDrawings & Studies Collection: Old Pulpit and Carvings in St Philips (pencil & w / c on paper)

Old Pulpit and Carvings in St Philips (pencil & w / c on paper)
2832218 Old Pulpit and Carvings in St Philips (pencil & w/c on paper) by O Neill, Hugh (1784-1824); Bristol Museum and Art Gallery, UK; eBristol Museums

Background imageDrawings & Studies Collection: Four corbels of a capital and other fragments of architectural detail in St Philip

Four corbels of a capital and other fragments of architectural detail in St Philip
2832216 Four corbels of a capital and other fragments of architectural detail in St Philips (pencil & w/c on paper) by O Neill, Hugh (1784-1824); Bristol Museum and Art Gallery, UK; eBristol Museums

Background imageDrawings & Studies Collection: Monuments in St Philips (pencil & w / c on paper)

Monuments in St Philips (pencil & w / c on paper)
2832213 Monuments in St Philips (pencil & w/c on paper) by Manning, Joseph (c.1801-1861/1871); Bristol Museum and Art Gallery, UK; eBristol Museums

Background imageDrawings & Studies Collection: Male head on panel from old house in castle precincts (pencil & w / c on paper)

Male head on panel from old house in castle precincts (pencil & w / c on paper)
2832200 Male head on panel from old house in castle precincts (pencil & w/c on paper) by O Neill, Hugh (1784-1824); Bristol Museum and Art Gallery, UK; eBristol Museums

Background imageDrawings & Studies Collection: Frieze in the vestibule of the Mint (now St Peters Hospital) (pencil & w / c on paper)

Frieze in the vestibule of the Mint (now St Peters Hospital) (pencil & w / c on paper)
2832155 Frieze in the vestibule of the Mint (now St Peters Hospital) (pencil & w/c on paper) by O Neill, Hugh (1784-1824); Bristol Museum and Art Gallery, UK; eBristol Museums

Background imageDrawings & Studies Collection: Stained glass in altar window of St. Marks (pencil on paper)

Stained glass in altar window of St. Marks (pencil on paper)
2832098 Stained glass in altar window of St. Marks (pencil on paper) by Manning, Joseph (c.1801-1861/1871); Bristol Museum and Art Gallery, UK; eBristol Museums

Background imageDrawings & Studies Collection: Monument of George Upton in St Marks (w / c on paper)

Monument of George Upton in St Marks (w / c on paper)
2832084 Monument of George Upton in St Marks (w/c on paper) by Manning, Joseph (c.1801-1861/1871); Bristol Museum and Art Gallery, UK; eBristol Museums

Background imageDrawings & Studies Collection: Monument of Mrs. Baynton in St Marks (w / c on paper)

Monument of Mrs. Baynton in St Marks (w / c on paper)
2832083 Monument of Mrs. Baynton in St Marks (w/c on paper) by Manning, Joseph (c.1801-1861/1871); Bristol Museum and Art Gallery, UK; eBristol Museums

Background imageDrawings & Studies Collection: Monument of Cookin in St Marks (w / c on paper)

Monument of Cookin in St Marks (w / c on paper)
2832081 Monument of Cookin in St Marks (w/c on paper) by Manning, Joseph (c.1801-1861/1871); Bristol Museum and Art Gallery, UK; eBristol Museums

Background imageDrawings & Studies Collection: Corbel head from St Marks (pencil & w / c on paper)

Corbel head from St Marks (pencil & w / c on paper)
2832064 Corbel head from St Marks (pencil & w/c on paper) by O Neill, Hugh (1784-1824); Bristol Museum and Art Gallery, UK; eBristol Museums

Background imageDrawings & Studies Collection: Four figures decorating the doors made by Clarke, on each side of the altar of St

Four figures decorating the doors made by Clarke, on each side of the altar of St
2832061 Four figures decorating the doors made by Clarke, on each side of the altar of St Marks (w/c on paper) by Manning, Joseph (c.1801-1861/1871); Bristol Museum and Art Gallery

Background imageDrawings & Studies Collection: Corbels in St Marks (w / c on paper)

Corbels in St Marks (w / c on paper)
2832058 Corbels in St Marks (w/c on paper) by Manning, Joseph (c.1801-1861/1871); Bristol Museum and Art Gallery, UK; eBristol Museums, Galleries & Archives; Bequest of William Jerdone Braikenridge

Background imageDrawings & Studies Collection: T, illustration from Divina Proportione by Luca Pacioli (c

T, illustration from Divina Proportione by Luca Pacioli (c
740356 T, illustration from Divina Proportione by Luca Pacioli (c.1445-1517), originally pub. Venice, 1509 (litho) by Vinci

Background imageDrawings & Studies Collection: S, illustration from Divina Proportione by Luca Pacioli (c

S, illustration from Divina Proportione by Luca Pacioli (c
740355 S, illustration from Divina Proportione by Luca Pacioli (c.1445-1517), originally pub. Venice, 1509 (litho) by Vinci

Background imageDrawings & Studies Collection: H, illustration from Divina Proportione by Luca Pacioli (c

H, illustration from Divina Proportione by Luca Pacioli (c
740344 H, illustration from Divina Proportione by Luca Pacioli (c.1445-1517), originally pub. Venice, 1509 (litho) by Vinci

Background imageDrawings & Studies Collection: E, illustration from Divina Proportione by Luca Pacioli (c

E, illustration from Divina Proportione by Luca Pacioli (c
740341 E, illustration from Divina Proportione by Luca Pacioli (c.1445-1517), originally pub. Venice, 1509 (litho) by Vinci

Background imageDrawings & Studies Collection: Pyramis laterata triangula inequilatera solida, illustration from

Pyramis laterata triangula inequilatera solida, illustration from
740331 Pyramis laterata triangula inequilatera solida, illustration from Divina Proportione by Luca Pacioli (c.1445-1517), originally pub

Background imageDrawings & Studies Collection: The Pieta (pen & brown ink with brown wash on white paper)

The Pieta (pen & brown ink with brown wash on white paper)
615287 The Pieta (pen & brown ink with brown wash on white paper) by Maso da San Friano, (1536-71); 16.8x17.4 cm; eThe Devonshire Collections

Background imageDrawings & Studies Collection: The Passover (pen & brown ink with brown wash on white paper)

The Passover (pen & brown ink with brown wash on white paper)
615286 The Passover (pen & brown ink with brown wash on white paper) by Zuccaro, Federico (1542-1609) (studio of); 20.3x33.2 cm; eThe Devonshire Collections

Background imageDrawings & Studies Collection: Design for a lunette, with figures of mathematicians and their students

Design for a lunette, with figures of mathematicians and their students
615284 Design for a lunette, with figures of mathematicians and their students (pen & brown ink with brown wash on paper) by Ligorio, Pirro (c.1500-83); 33x48.2 cm; eThe Devonshire Collections

Background imageDrawings & Studies Collection: The artists shoemaker (red & black chalk on paper)

The artists shoemaker (red & black chalk on paper)
615280 The artists shoemaker (red & black chalk on paper) by Dolci, Carlo (1616-86); 32.8x24 cm; eThe Devonshire Collections

Background imageDrawings & Studies Collection: Landscape with a hill town and a more distant mountain

Landscape with a hill town and a more distant mountain
615277 Landscape with a hill town and a more distant mountain (pen & brown ink with brown wash on white paper) by Grimaldi

Background imageDrawings & Studies Collection: Tiber view looking toward St Peters with the Vatican Palace and the Castel S

Tiber view looking toward St Peters with the Vatican Palace and the Castel S
615245 Tiber view looking toward St Peters with the Vatican Palace and the Castel S. Angelo (pen & brown ink with brown wash on white paper) by Vrancx

Background imageDrawings & Studies Collection: S. Maria della Febbre, with the Funerary Chapel of Sixtus IV

S. Maria della Febbre, with the Funerary Chapel of Sixtus IV
615242 S. Maria della Febbre, with the Funerary Chapel of Sixtus IV and the wall of Old St Peter s, Rome, right (pen & brown ink with brown wash on white paper) by Vrancx

Background imageDrawings & Studies Collection: Study for The Sleeper, 1863 (black chalk on paper)

Study for The Sleeper, 1863 (black chalk on paper)
617391 Study for The Sleeper, 1863 (black chalk on paper) by Whistler, James Abbott McNeill (1834-1903); 24.4x17.5 cm; Sterling and Francine Clark Art Institute, Williamstown, Massachusetts

Background imageDrawings & Studies Collection: Studies of a mans left leg, a left hand and a man

Studies of a mans left leg, a left hand and a man
615276 Studies of a mans left leg, a left hand and a mans head in profile (red chalk reinforced with pen & brown ink, on cream wire-laid paper) by Carracci

Background imageDrawings & Studies Collection: Pilgrims visiting St Jerome in the wilderness (pen & brown ink on white paper)

Pilgrims visiting St Jerome in the wilderness (pen & brown ink on white paper)
615271 Pilgrims visiting St Jerome in the wilderness (pen & brown ink on white paper) by Campagnola, Domenico (fl.1517-62); 27.5x34.9 cm; eThe Devonshire Collections

Background imageDrawings & Studies Collection: Panel from the Arch of Constantine (pen & brown ink with brown wash heightened with white

Panel from the Arch of Constantine (pen & brown ink with brown wash heightened with white
615268 Panel from the Arch of Constantine (pen & brown ink with brown wash heightened with white body colour on carta azzurra) by Pupini

Background imageDrawings & Studies Collection: Neoptolemus taking Andromache into captivity after the fall of Troy

Neoptolemus taking Andromache into captivity after the fall of Troy
615267 Neoptolemus taking Andromache into captivity after the fall of Troy (pen & brown ink on white paper) by Romano, Giulio (1492-1546); 26.2x40.4 cm; eThe Devonshire Collections

Background imageDrawings & Studies Collection: The Nativity (pen & brown ink with brown wash on white paper)

The Nativity (pen & brown ink with brown wash on white paper)
615258 The Nativity (pen & brown ink with brown wash on white paper) by Parmigianino (Francesco Mazzola) (1503-40); 25.3x21.6 cm; eThe Devonshire Collections

Background imageDrawings & Studies Collection: Back view of a woman carrying a child; a man leaning on his staff waits in a doorway

Back view of a woman carrying a child; a man leaning on his staff waits in a doorway
615255 Back view of a woman carrying a child; a man leaning on his staff waits in a doorway (black chalk with pen & brown ink & bown wash on white paper) by Parmigianino (Francesco Mazzola) (1503-40)

Background imageDrawings & Studies Collection: Scene of gallantry: four figures standing against a landscape background

Scene of gallantry: four figures standing against a landscape background
615248 Scene of gallantry: four figures standing against a landscape background (pen & brown ink on buff paper) by Romanino, Girolamo (c.1485-c.1566); 18.5x15.2 cm; eThe Devonshire Collections

Background imageDrawings & Studies Collection: Roadside inn among the ruins of an aqueduct, 1601 (pen & brown ink on white paper)

Roadside inn among the ruins of an aqueduct, 1601 (pen & brown ink on white paper)
615238 Roadside inn among the ruins of an aqueduct, 1601 (pen & brown ink on white paper) by Vrancx, Sebastian (1573-1647); 27.5x42.4 cm; eThe Devonshire Collections

Background imageDrawings & Studies Collection: A Tiber view with the ruins of the Ponte Rotto (above the Aventine)

A Tiber view with the ruins of the Ponte Rotto (above the Aventine)
615235 A Tiber view with the ruins of the Ponte Rotto (above the Aventine), the Marmorata and the Ripa Grande (pen & brown ink with brown & grey washes on white paper) by Vrancx

Background imageDrawings & Studies Collection: Future Thoughts, 1894 (chalk on paper)

Future Thoughts, 1894 (chalk on paper)
692929 Future Thoughts, 1894 (chalk on paper) by Solomon, Simeon (1840-1905); 35x52 cm; Private Collection; Photo ePeter Nahum at The Leicester Galleries, London; English, out of copyright

Background imageDrawings & Studies Collection: Head of a Woman (chalk on paper)

Head of a Woman (chalk on paper)
ALI375344 Head of a Woman (chalk on paper) by Pontormo, Jacopo (1494-1557); Galleria degli Uffizi, Florence, Tuscany, Italy; Alinari

Background imageDrawings & Studies Collection: By the Aqueduct (ink on paper)

By the Aqueduct (ink on paper)
PNH356651 By the Aqueduct (ink on paper) by Martin, John (1789-1854); 22x27.8 cm; Private Collection; Photo ePeter Nahum at The Leicester Galleries, London; English, out of copyright

Background imageDrawings & Studies Collection: Study for The Last Trek, 1895 (charcoal on brown artists board)

Study for The Last Trek, 1895 (charcoal on brown artists board)
PNH356380 Study for The Last Trek, 1895 (charcoal on brown artists board) by Millais, John Everett (1829-96); 41.5x33.5 cm; Private Collection; (add.info)

Background imageDrawings & Studies Collection: A Study of Rodins Kiss in his Studio (charcoal on paper)

A Study of Rodins Kiss in his Studio (charcoal on paper)
PNH353987 A Study of Rodins Kiss in his Studio (charcoal on paper) by John, Gwen (1876-1939); 24.1x15.5 cm; Private Collection; (add.info)

Background imageDrawings & Studies Collection: The discovery of the tomb of Punchinello (pen & ink and wash on paper)

The discovery of the tomb of Punchinello (pen & ink and wash on paper)
CH433400 The discovery of the tomb of Punchinello (pen & ink and wash on paper) by Tiepolo, Giovanni Battista (Giambattista) (1696-1770); Private Collection; Photo eChristies Images; Italian



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