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Drawings & Studies Collection (page 8)

2,445 items

Background imageDrawings & Studies Collection: Torso and head of a man, from 42 Studies of Heads after Raphael (pencil on paper)

Torso and head of a man, from 42 Studies of Heads after Raphael (pencil on paper)
WAG451505 Torso and head of a man, from 42 Studies of Heads after Raphael (pencil on paper) by Fidanza, Paolo (1731-1819); 43.2x28.3 cm; Wolverhampton Art Gallery, West Midlands

Background imageDrawings & Studies Collection: An Idyll (charcoal on paper)

An Idyll (charcoal on paper)
451296 An Idyll (charcoal on paper) by Burne-Jones, Edward Coley (1833-98); Birmingham Museums and Art Gallery; eBirmingham Museums Trust; English, out of copyright

Background imageDrawings & Studies Collection: A Foregathering of Witches, 4 (w / c with wash & ink over graphite on paper)

A Foregathering of Witches, 4 (w / c with wash & ink over graphite on paper)
FIT450370 A Foregathering of Witches, 4 (w/c with wash & ink over graphite on paper) by Romney, George (1734-1802); 40.4x54.8 cm; Fitzwilliam Museum, University of Cambridge

Background imageDrawings & Studies Collection: A drover urging a team of bullocks to swim the Tiber at the Ponte Milvio Crossing

A drover urging a team of bullocks to swim the Tiber at the Ponte Milvio Crossing
449355 A drover urging a team of bullocks to swim the Tiber at the Ponte Milvio Crossing (pen & brown ink with brown wash on paper) by Vrancx

Background imageDrawings & Studies Collection: A dredger on a canal (pen & ink over wash on paper)

A dredger on a canal (pen & ink over wash on paper)
449345 A dredger on a canal (pen & ink over wash on paper) by Savery, Roelandt Jacobsz. (1576-1639); 19x32.8 cm; eThe Devonshire Collections

Background imageDrawings & Studies Collection: Detail of The Poplar Grove, Lord Burlingtons Chiswick Villa

Detail of The Poplar Grove, Lord Burlingtons Chiswick Villa
449336 Detail of The Poplar Grove, Lord Burlingtons Chiswick Villa (pen & ink with w/c on paper) by Rigaud, Jacques (1681-1754); eThe Devonshire Collections

Background imageDrawings & Studies Collection: Lord Burlingtons Chiswick Villa, from the south-east (pen & ink with wash on paper)

Lord Burlingtons Chiswick Villa, from the south-east (pen & ink with wash on paper)
449333 Lord Burlingtons Chiswick Villa, from the south-east (pen & ink with wash on paper) by Rigaud, Jacques (1681-1754); 36x70 cm; eThe Devonshire Collections

Background imageDrawings & Studies Collection: Souls on the bank of the Styx (pencil on paper)

Souls on the bank of the Styx (pencil on paper)
PNH452502 Souls on the bank of the Styx (pencil on paper) by Burne-Jones, Edward Coley (1833-98); 24.1x16.5 cm; Private Collection; (add.info)

Background imageDrawings & Studies Collection: Conway Castle (pencil & w / c on paper)

Conway Castle (pencil & w / c on paper)
473910 Conway Castle (pencil & w/c on paper) by Alexander, William (1767-1816); 28.3x20.5 cm; Laing Art Gallery, Newcastle-upon-Tyne

Background imageDrawings & Studies Collection: Profile portrait (self portrait?) of a bearded man (red chalk on paper)

Profile portrait (self portrait?) of a bearded man (red chalk on paper)
CTS404485 Profile portrait (self portrait?) of a bearded man (red chalk on paper) by Italian School, (16th century); 23.5x17.8 cm; eThe Devonshire Collections

Background imageDrawings & Studies Collection: A dream of human life, after Michelangelo Buonarroti

A dream of human life, after Michelangelo Buonarroti
CTS404462 A dream of human life, after Michelangelo Buonarroti (fine chalk crayon on paper) by Buonarroti, Michelangelo (1475-1564) (follower of); 39.5x27.5 cm; eThe Devonshire Collections

Background imageDrawings & Studies Collection: St. Paul let down by night in a basket from the walls of Damascus

St. Paul let down by night in a basket from the walls of Damascus
CTS366768 St. Paul let down by night in a basket from the walls of Damascus (pen & brown ink with wash on paper) by Vaga, Perino del (Pietro Buonaccorsi) (1501-47)

Background imageDrawings & Studies Collection: Head of an elderly man wearing a cap (metal-point on bluish grey prepared paper)

Head of an elderly man wearing a cap (metal-point on bluish grey prepared paper)
CTS366759 Head of an elderly man wearing a cap (metal-point on bluish grey prepared paper) by Lippi, Filippino (c.1457-1504); 19x14 cm; eThe Devonshire Collections

Background imageDrawings & Studies Collection: Two studies of a man suspended by his left leg (red chalk on cream paper)

Two studies of a man suspended by his left leg (red chalk on cream paper)
CTS366724 Two studies of a man suspended by his left leg (red chalk on cream paper) by Sarto, Andrea del (1486-1530); 20.6x19.2 cm; eThe Devonshire Collections

Background imageDrawings & Studies Collection: Two putti supporting a medallion on which the cloud-borne Christ is represented

Two putti supporting a medallion on which the cloud-borne Christ is represented
CTS366719 Two putti supporting a medallion on which the cloud-borne Christ is represented (red chalk on white paper) by Correggio

Background imageDrawings & Studies Collection: Head and shoulders of the Virgin (grey chalk on white paper)

Head and shoulders of the Virgin (grey chalk on white paper)
CTS366717 Head and shoulders of the Virgin (grey chalk on white paper) by Cignani, Carlo (1628-1719); 14.6x14.6 cm; eThe Devonshire Collections

Background imageDrawings & Studies Collection: Head of a boy looking down, 1583 (black, red & white chalks on paper)

Head of a boy looking down, 1583 (black, red & white chalks on paper)
CTS366711 Head of a boy looking down, 1583 (black, red & white chalks on paper) by Barocci or Baroccio, Federico Fiori (c.1535-1612); 20.6x19.4 cm; eThe Devonshire Collections

Background imageDrawings & Studies Collection: Hexaedron planum solidum, illustration from Divina Proportione

Hexaedron planum solidum, illustration from Divina Proportione
740393 Hexaedron planum solidum, illustration from Divina Proportione by Luca Pacioli (c.1445-1517), originally pub. Venice, 1509 (litho) by Vinci

Background imageDrawings & Studies Collection: V, illustration from Divina Proportione by Luca Pacioli (c

V, illustration from Divina Proportione by Luca Pacioli (c
740357 V, illustration from Divina Proportione by Luca Pacioli (c.1445-1517), originally pub. Venice, 1509 (litho) by Vinci

Background imageDrawings & Studies Collection: Q, illustration from Divina Proportione by Luca Pacioli (c

Q, illustration from Divina Proportione by Luca Pacioli (c
740353 Q, illustration from Divina Proportione by Luca Pacioli (c.1445-1517), originally pub. Venice, 1509 (litho) by Vinci

Background imageDrawings & Studies Collection: P, illustration from Divina Proportione by Luca Pacioli (c

P, illustration from Divina Proportione by Luca Pacioli (c
740352 P, illustration from Divina Proportione by Luca Pacioli (c.1445-1517), originally pub. Venice, 1509 (litho) by Vinci

Background imageDrawings & Studies Collection: N, illustration from Divina Proportione by Luca Pacioli (c

N, illustration from Divina Proportione by Luca Pacioli (c
740349 N, illustration from Divina Proportione by Luca Pacioli (c.1445-1517), originally pub. Venice, 1509 (litho) by Vinci

Background imageDrawings & Studies Collection: L, illustration from Divina Proportione by Luca Pacioli (c

L, illustration from Divina Proportione by Luca Pacioli (c
740347 L, illustration from Divina Proportione by Luca Pacioli (c.1445-1517), originally pub. Venice, 1509 (litho) by Vinci

Background imageDrawings & Studies Collection: G, illustration from Divina Proportione by Luca Pacioli (c

G, illustration from Divina Proportione by Luca Pacioli (c
740343 G, illustration from Divina Proportione by Luca Pacioli (c.1445-1517), originally pub. Venice, 1509 (litho) by Vinci

Background imageDrawings & Studies Collection: D, illustration from Divina Proportione by Luca Pacioli (c

D, illustration from Divina Proportione by Luca Pacioli (c
740340 D, illustration from Divina Proportione by Luca Pacioli (c.1445-1517), originally pub. Venice, 1509 (litho) by Vinci

Background imageDrawings & Studies Collection: Columna laterata exagona solida, illustration from Divina Proportione

Columna laterata exagona solida, illustration from Divina Proportione
740329 Columna laterata exagona solida, illustration from Divina Proportione by Luca Pacioli (c.1445-1517), originally pub

Background imageDrawings & Studies Collection: Bridge and Cows, c. 1803-04 (pencil with wash on paper)

Bridge and Cows, c. 1803-04 (pencil with wash on paper)
780557 Bridge and Cows, c.1803-04 (pencil with wash on paper) by Cotman, John Sell (1782-1842); Leeds Museums and Galleries (Leeds Art Gallery) U.K.; eLeeds Museums and Galleries; English

Background imageDrawings & Studies Collection: The Repulse of Attila (brown wash heightened with gouache on paper)

The Repulse of Attila (brown wash heightened with gouache on paper)
622885 The Repulse of Attila (brown wash heightened with gouache on paper) by Raphael (Raffaello Sanzio of Urbino) (1483-1520) (after); 38.8x58 cm; Ashmolean Museum, University of Oxford

Background imageDrawings & Studies Collection: A street scene (graphite, pen and Indian ink and watercolour washes on paper)

A street scene (graphite, pen and Indian ink and watercolour washes on paper)
424026 A street scene (graphite, pen and Indian ink and watercolour washes on paper) by Orpen, William (1878-1931); 18x16 cm; Fitzwilliam Museum, University of Cambridge

Background imageDrawings & Studies Collection: Girl playing a violin (pen & brown ink on paper)

Girl playing a violin (pen & brown ink on paper)
423996 Girl playing a violin (pen & brown ink on paper) by Sickert, Walter Richard (1860-1942); 17.7x12.2 cm; Fitzwilliam Museum, University of Cambridge, UK; eFitzwilliam Museum; English

Background imageDrawings & Studies Collection: Cafe Vernet (pen & brown ink on paper)

Cafe Vernet (pen & brown ink on paper)
423994 CafeVernet (pen & brown ink on paper) by Sickert, Walter Richard (1860-1942); 27.5x21.1 cm; Fitzwilliam Museum, University of Cambridge, UK; (add.info.: pen and brown ink on paper)

Background imageDrawings & Studies Collection: Girl seated on a bed (pen & blue ink on paper)

Girl seated on a bed (pen & blue ink on paper)
423983 Girl seated on a bed (pen & blue ink on paper) by Sickert, Walter Richard (1860-1942); 20.4x17.1 cm; Fitzwilliam Museum, University of Cambridge, UK; eFitzwilliam Museum; English

Background imageDrawings & Studies Collection: Head and shoulders of a woman in a hat, in lost profile, to right (graphite on paper)

Head and shoulders of a woman in a hat, in lost profile, to right (graphite on paper)
423960 Head and shoulders of a woman in a hat, in lost profile, to right (graphite on paper) by Sickert, Walter Richard (1860-1942); 14.5x10 cm; Fitzwilliam Museum, University of Cambridge

Background imageDrawings & Studies Collection: Two studies of a horses head (black, white & brown chalks on blue paper)

Two studies of a horses head (black, white & brown chalks on blue paper)
CTS441466 Two studies of a horses head (black, white & brown chalks on blue paper) by Boeckhorst, Jan (1605-68); 26.4x39.1 cm; eThe Devonshire Collections

Background imageDrawings & Studies Collection: Country Man Standing and Doffing his Cap (pen & ink on paper)

Country Man Standing and Doffing his Cap (pen & ink on paper)
CTS441463 Country Man Standing and Doffing his Cap (pen & ink on paper) by Baur, Johann Wilhelm (fl.c.1600-40); eThe Devonshire Collections

Background imageDrawings & Studies Collection: Landaknechten, Battle on a Bridge (pen & ink with gouache on paper)

Landaknechten, Battle on a Bridge (pen & ink with gouache on paper)
CTS441459 Landaknechten, Battle on a Bridge (pen & ink with gouache on paper) by Altdorfer, Albrecht (c.1480-1538); eThe Devonshire Collections

Background imageDrawings & Studies Collection: An Old Man Gesticulating (pen & ink on paper)

An Old Man Gesticulating (pen & ink on paper)
CTS441457 An Old Man Gesticulating (pen & ink on paper) by DAorer or Duerer, Albrecht (1471-1528); eThe Devonshire Collections

Background imageDrawings & Studies Collection: Female nude seen from behind, 1889 (drypoint)

Female nude seen from behind, 1889 (drypoint)
MMT414902 Female nude seen from behind, 1889 (drypoint) by Morisot, Berthe (1841-95); 13x9 cm; Musee Marmottan Monet, Paris, France; (add.info.: nu de dos; pointe seche; inv)

Background imageDrawings & Studies Collection: A seated youth wearing a cap (chalk on paper)

A seated youth wearing a cap (chalk on paper)
CTS413050 A seated youth wearing a cap (chalk on paper) by Pontormo, Jacopo (1494-1557); 26.4x18.7 cm; eThe Devonshire Collections

Background imageDrawings & Studies Collection: Half-length of a seated woman (pen & ink on paper)

Half-length of a seated woman (pen & ink on paper)
CTS413049 Half-length of a seated woman (pen & ink on paper) by Parmigianino (Francesco Mazzola) (1503-40); 14.2x10.2 cm; eThe Devonshire Collections

Background imageDrawings & Studies Collection: Head of a beardless man looking downward (red chalk on paper)

Head of a beardless man looking downward (red chalk on paper)
CTS413048 Head of a beardless man looking downward (red chalk on paper) by Lodi, Giovanni Agostino da (fl.1490-1520); 12.2x10.4 cm; eThe Devonshire Collections

Background imageDrawings & Studies Collection: Bust of a man wearing a chaperon (metalpoint heightened with white on paper)

Bust of a man wearing a chaperon (metalpoint heightened with white on paper)
CTS413047 Bust of a man wearing a chaperon (metalpoint heightened with white on paper) by Credi, Lorenzo di (1456-1536); 21.7x18.6 cm; eThe Devonshire Collections

Background imageDrawings & Studies Collection: Baron Philip von Stosch showing an antique gem to Sabbatini (pen & ink on paper)

Baron Philip von Stosch showing an antique gem to Sabbatini (pen & ink on paper)
CTS413035 Baron Philip von Stosch showing an antique gem to Sabbatini (pen & ink on paper) by Ghezzi, Pier Leone (1674-1755); 36.5x25.5 cm; eThe Devonshire Collections

Background imageDrawings & Studies Collection: Back view of a water carrier, another figure beyond him

Back view of a water carrier, another figure beyond him
CTS413028 Back view of a water carrier, another figure beyond him (pen & ink with wash over chalk on paper) by Rosa, Salvator (1615-73); 14.4x10 cm; eThe Devonshire Collections

Background imageDrawings & Studies Collection: Francesco Maria della Rovere (red & black chalks on paper)

Francesco Maria della Rovere (red & black chalks on paper)
ALI412338 Francesco Maria della Rovere (red & black chalks on paper) by Barocci or Baroccio, Federico Fiori (c.1535-1612); 11.7x10.2 cm; Galleria degli Uffizi, Florence, Tuscany

Background imageDrawings & Studies Collection: Profile bust of a woman and studies of draperies (ink & wash heightened with white)

Profile bust of a woman and studies of draperies (ink & wash heightened with white)
XIR391433 Profile bust of a woman and studies of draperies (ink & wash heightened with white) by Parmigianino (Francesco Mazzola) (1503-40); 21.2x17.5 cm; Musee Bonnat, Bayonne

Background imageDrawings & Studies Collection: Segura Union Natural, 1819-28 (black chalk on paper)

Segura Union Natural, 1819-28 (black chalk on paper)
3251556 Segura Union Natural, 1819-28 (black chalk on paper) by Goya y Lucientes, Francisco Jose de (1746-1828); 19.2x15 cm; Fitzwilliam Museum, University of Cambridge

Background imageDrawings & Studies Collection: Mule-drivers from Tetuan, 1833 (litho)

Mule-drivers from Tetuan, 1833 (litho)
3245290 Mule-drivers from TetuAan, 1833 (litho) by Delacroix, Ferdinand Victor Eugene (1798-1863); 23.8x31.6 cm; Minneapolis Institute of Arts, MN



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