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Entry of Louis VIII and the Papal Legate, Cardinal St. Angelo into Avignon in 1226
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Entry of Louis VIII and the Papal Legate, Cardinal St. Angelo into Avignon in 1226
KW478266 Entry of Louis VIII and the Papal Legate, Cardinal St. Angelo into Avignon in 1226, from Military and Religious Life in the Middle Ages by Paul Lacroix, published London c.1880 (litho) by French School, (19th century); Private Collection; (add.info.: Entry of Louis VIII (1187-1226), King of France, and the Papal Legate, Cardinal St. Angelo into Avignon in 1226. The city had just capitulated after a 3 month siege during the Albigensian Crusade or Cathar Crusade (1209a'1255) initiated by Pope Innocent III to stamp out Catharism in Languedoc.); Ken Welsh; French, out of copyright
Media ID 12911084
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Angelo Avignon Capitulation Emissary French King Gate Gates Louis Viii Opening Papal Legate Siege Surrender Walled Walls C13th
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EDITORS COMMENTS
The print captures a significant moment in history, depicting the Entry of Louis VIII and the Papal Legate, Cardinal St. Angelo into Avignon in 1226. The city had just surrendered after a grueling three-month siege during the Albigensian Crusade, also known as the Cathar Crusade. Initiated by Pope Innocent III to eradicate Catharism in Languedoc, this military campaign aimed to stamp out heresy. In this scene, we witness the gates of Avignon opening wide as Louis VIII and Cardinal St. Angelo lead a triumphant procession through the city walls. The soldiers accompanying them reflect the medieval military might that brought about this capitulation. This lithograph from Paul Lacroix's book "Military and Religious Life in the Middle Ages" offers us a glimpse into an important historical event that shaped both religious and political landscapes at that time. It showcases not only King Louis VIII but also highlights Cardinal St. Angelo's role as an emissary for Pope Innocent III. As we admire this artwork from French School dating back to the 19th century, it reminds us of how art can preserve moments frozen in time. This particular image serves as a testament to power dynamics between church and state during one of Europe's most turbulent periods – an era where religion played a central role in shaping society and politics alike.
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