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The Birth of Dionysus, Proto-Apulian red-figure krater, late 5th century BC - early 4th
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The Birth of Dionysus, Proto-Apulian red-figure krater, late 5th century BC - early 4th
BEN209265 The Birth of Dionysus, Proto-Apulian red-figure krater, late 5th century BC - early 4th century BC (ceramic) (detail of 153339) by Greek; height: 87.5cm cm; Museo Archeologico Nazionale, Taranto, Apuglia, Italy; (add.info.: born out of Zeus right thigh; ); Photo eRaffaello Bencini; Greek, out of copyright
Media ID 23200908
© Raffaello Bencini / Bridgeman Images
Bacchus C04th C05th Dionysos Drapery God Of Wine Red Figure Tarente Zeus
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EDITORS COMMENTS
This print showcases "The Birth of Dionysus" a stunning Proto-Apulian red-figure krater dating back to the late 5th century BC or early 4th century BC. The ceramic artwork, standing at an impressive height of 87.5cm, is housed in the Museo Archeologico Nazionale in Taranto, Apuglia, Italy. In this detailed close-up shot by photographer Raffaello Bencini, we are transported into the mythical world of ancient Greece. The scene depicted on the krater tells the story of Dionysus' birth from Zeus' right thigh. This divine moment is beautifully captured through intricate drapery and delicate figures rouges technique. Dionysus, known as the god of wine and celebration, emerges from Zeus' thigh with grace and power. His nude form symbolizes his vulnerability yet also his strength as he enters the mortal realm. The mythological significance of this event resonates throughout history. Bencini's photograph allows us to appreciate every nuance and detail present on this remarkable vase. From Zeus' regal presence to Dionysus' youthful beauty, each element contributes to a visual narrative that has captivated audiences for centuries. As we gaze upon this image, we are reminded not only of its artistic brilliance but also its cultural importance in understanding ancient Greek mythology and beliefs surrounding gods like Dionysus. It serves as a testament to human creativity and imagination across time.
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