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Musical notation. 10th century (manuscript of Gregorian chant of Tutilo's Trope 'Hodie Cantandus', written in Neums notation which was superseded by Staff notation)

Musical notation. 10th century (manuscript of Gregorian chant of Tutilo's Trope 'Hodie Cantandus', written in Neums notation which was superseded by Staff notation)


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Musical notation. 10th century (manuscript of Gregorian chant of Tutilo's Trope 'Hodie Cantandus', written in Neums notation which was superseded by Staff notation)

528013 Musical notation. 10th century (manuscript of Gregorian chant of Tutilo's Trope 'Hodie Cantandus', written in Neums notation which was superseded by Staff notation); (add.info.: Tutilo or Tuathal (d915) Irish Benedictine monk, musician and poet at the Abbey of St Gall, Switzerland.); Universal History Archive/UIG

Media ID 38064518

© Universal History Archive/UIG / Bridgeman Images

10 10th 10th X 10th Century 10 10th X Xth Century 10 Century 10 X X X X X 10th 10th Century Abbey Benedictine C10th Chant Gall Notation Sacred Staff Tenth Century Vocal Written X Century Xth Century


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EDITORS COMMENTS
This print showcases a 10th-century manuscript of Gregorian chant, specifically Tutilo's Trope 'Hodie Cantandus', written in Neums notation. The intricate and delicate markings on the page give us a glimpse into the musical practices of the time, before staff notation became the standard. The manuscript is attributed to Tutilo, an Irish Benedictine monk known for his talents as a musician and poet at the Abbey of St Gall in Switzerland. His work exemplifies the sacred and meditative nature of Gregorian chant, which was an integral part of religious ceremonies in medieval Europe. The transition from Neums to Staff notation marked a significant evolution in music theory and composition. While Neums provided a basic framework for vocal music, Staff notation allowed for more precise representation of pitch and rhythm. As we admire this ancient artifact, we are reminded of the rich cultural heritage that has been passed down through generations. The meticulous craftsmanship and attention to detail evident in this manuscript serve as a testament to the dedication and skill of musicians like Tutilo who sought to elevate their craft to new heights. This print is not just a visual representation of musical notation; it is a window into history, inviting us to explore the beauty and complexity of medieval music-making.

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