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Attic red-figure vase depicting a Dionysian scene (pottery)
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Attic red-figure vase depicting a Dionysian scene (pottery)
XZL151569 Attic red-figure vase depicting a Dionysian scene (pottery) by Greek, (5th century BC); National Archaeological Museum, Athens, Greece; (add.info.: Komos is an assembly or banquet and can also include dance in relation with the Dionysiac procession; members are komasts; ); Greek, out of copyright
Media ID 22348378
© Bridgeman Images
Bacchanalian Bacchante Bacchus Dionysiac Dionysus Drunk Monstrous Character Red Figure Revelry Satyr Satyrs Thyrse Thyrsus Wonderful Character Fictional Character
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EDITORS COMMENTS
This print showcases an exquisite Attic red-figure vase from the 5th century BC, depicting a lively Dionysian scene. The artwork, housed in the National Archaeological Museum in Athens, Greece, beautifully captures the essence of ancient Greek culture. The image portrays a Komos, an assembly or banquet associated with Dionysus, the god of wine and revelry. The figures on the vase are known as komasts - individuals who partake in this joyous celebration. They engage in dance and merriment while paying homage to Dionysus. The intricate details on this pottery piece highlight the skillful craftsmanship of its creator. Each figure is meticulously rendered with precision and artistry. From satyrs holding thyrsi (staffs topped with pine cones) to bacchantes dancing with wild abandon, every element contributes to the overall dynamic composition. Dionysus himself stands tall amidst this festive gathering, his presence commanding attention as he embodies both divine power and intoxication. This portrayal reflects his dual nature as a deity associated with both pleasure and chaos. As we gaze upon this remarkable artifact through Bridgeman Images' lens, we are transported back in time to witness firsthand the mythical world of ancient Greece. It serves as a testament to their rich cultural heritage and reminds us of our shared human fascination with celebration and revelry throughout history.
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