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The King Accidentally Kills a Youth from a Khamsa (Quintet), 1562-63 (opaque watercolor
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The King Accidentally Kills a Youth from a Khamsa (Quintet), 1562-63 (opaque watercolor
5932544 The King Accidentally Kills a Youth from a Khamsa (Quintet), 1562-63 (opaque watercolor, ink, and gold on paper) by Persian School, (16th century); 20.7 x 13 cm; Freer Gallery of Art, Smithsonian Institution, USA; (add.info.: by Amir Khusraw Dihlavi (d.1325) Manuscript - Persian in black nasta liq script; Iran, Astarabad); Freer Gallery of Art, Smithsonian Institution; Purchase--Smithsonian Unrestricted Trust Funds, Smithsonian Collections Acquisition Program, and Dr. Arthur M. Sackler; Persian, out of copyright
Media ID 22763786
© Freer Gallery of Art, Smithsonian Institution Purchase--Smithsonian Unrestricted Trust Funds, Smithsonian Collections Acquisition Program, and Dr. Arthur M. Sackler / Bridgeman Images
Archery Henri Vever Collection Iran Islamic Art Khamsa Nasta Liq Script Nastaliq Script Persia Safavid Safavid Period 1501 1722
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The King Accidentally Kills a Youth - A Tragic Tale Immortalized in Persian Art
EDITORS COMMENTS
. This print showcases an exquisite masterpiece from the 16th century, titled "The King Accidentally Kills a Youth from a Khamsa (Quintet)". Created by the talented Persian School, this artwork is a mesmerizing blend of opaque watercolor, ink, and gold on paper. At first glance, one is immediately drawn to the intricate details and vibrant colors that bring this scene to life. The composition depicts a solemn moment as the king's arrow unintentionally strikes down a young man during an archery competition. This tragic event unfolds against the backdrop of stunning calligraphy in black nasta liq script by Amir Khusraw Dihlavi. The painting not only captures the heart-wrenching incident but also serves as an homage to Persian literature and poetry. It belongs to Henri Vever Collection and exemplifies Safavid period artistry with its illuminated miniature style. As we delve into this evocative artwork, it becomes evident that it symbolizes more than just death; it represents themes of fate and mortality within Islamic culture. The delicate brushstrokes skillfully convey emotions while highlighting the rich cultural heritage of Persia. Now housed at Freer Gallery of Art in Smithsonian Institution, USA, this acquisition was made possible through generous contributions from Smithsonian Unrestricted Trust Funds, Smithsonian Collections Acquisition Program, and Dr. Arthur M. Sackler. Through Bridgeman Images' remarkable
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