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A poor father and his son from Lights of Canopus, 1847 (ink and pigment on paper)

A poor father and his son from Lights of Canopus, 1847 (ink and pigment on paper)


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A poor father and his son from Lights of Canopus, 1847 (ink and pigment on paper)

3619838 A poor father and his son from Lights of Canopus, 1847 (ink and pigment on paper) by Persian School, (19th century); 35x21.5 cm; Walters Art Museum, Baltimore, USA; (add.info.: Folio 17b from Ms. W.599, a copy of Anvar-i Suhayli (the Lights of Canopus) Persian version by Mirza Rahim of Kalilah wa-Dimnah (The Fables of Bidpay) an ancient Indian collection of animal fables (Panchatantra) which follow the Persian physician Burzuyah on a mission to India where he finds a book of stories collected by anthropomorphized animals who live there); Persian, out of copyright

Media ID 22448004

© Bridgeman Images

Anthropomorphize Behaviour Bidpai Canopus Folio Iran Iranian Lesson Moral Morality Painted Panchatantra Persia Qajar Star Fable


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EDITORS COMMENTS
This print titled "A poor father and his son from Lights of Canopus, 1847" transports us to a world of ancient Persian tales and moral lessons. The image showcases an intricate ink and pigment painting on paper, created by the talented Persian School in the 19th century. In this scene, we witness a lesson unfolding before our eyes. A humble man with a long beard bows respectfully before a shining star that illuminates the night sky. His young son stands beside him, absorbing the wisdom being imparted. The artist skillfully anthropomorphizes these characters, blurring the line between human and animal. The story behind this artwork is equally fascinating. It originates from Anvar-i Suhayli (the Lights of Canopus), a Persian version of Bidpay's Fables collected by Mirza Rahim. These ancient Indian animal fables known as Panchatantra have been beautifully illustrated here. As we delve deeper into this mesmerizing piece, we are reminded of the importance of morality and behavior in shaping our lives. The rich symbolism depicted through weapons and other elements adds depth to the narrative. Displayed at the Walters Art Museum in Baltimore, USA, this Iranian masterpiece captures both cultural heritage and artistic excellence. Its timeless message continues to resonate with viewers today as it did centuries ago when it was first painted by an unknown Qajar artist.

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