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Pre-raphaelites & Neo-classical Collection (#11)

863 Items

Background imagePre-raphaelites & Neo-classical Collection: Profile portrait of John Everett Millais, c. 1854 (plaster of Paris)

Profile portrait of John Everett Millais, c. 1854 (plaster of Paris)
1217267 Profile portrait of John Everett Millais, c.1854 (plaster of Paris) by Munro, Alexander (1825-71); Ashmolean Museum, University of Oxford

Background imagePre-raphaelites & Neo-classical Collection: I am Half Sick of Shadows, said the Lady of Shalott, 1915 (oil on canvas)

I am Half Sick of Shadows, said the Lady of Shalott, 1915 (oil on canvas)
ONT90443 I am Half Sick of Shadows, said the Lady of Shalott, 1915 (oil on canvas) by Waterhouse, John William (1849-1917); 100.3x73.7 cm; Art Gallery of Ontario, Toronto

Background imagePre-raphaelites & Neo-classical Collection: The Toilet, 1912 (oil on canvas)

The Toilet, 1912 (oil on canvas)
AFR97154 The Toilet, 1912 (oil on canvas) by Shannon, Charles Haslewood (1863-1937); 22.5x108.5 cm; South African National Gallery, Cape Town

Background imagePre-raphaelites & Neo-classical Collection: Acacias (oil on canvas)

Acacias (oil on canvas)
HTL93685 Acacias (oil on canvas) by Moore, Albert Joseph (1841-93); 58.4x38.1 cm; Private Collection; By courtesy of Julian Hartnoll; English, out of copyright

Background imagePre-raphaelites & Neo-classical Collection: The Seller of Statuettes, 1874 (w / c on paper)

The Seller of Statuettes, 1874 (w / c on paper)
HTL93682 The Seller of Statuettes, 1874 (w/c on paper) by Linton, James Dromgole (1840-1916); 61x76.2 cm; Private Collection; By courtesy of Julian Hartnoll; English, out of copyright

Background imagePre-raphaelites & Neo-classical Collection: The Wilderness of Gizeh, 1854 (oil on canvas)

The Wilderness of Gizeh, 1854 (oil on canvas)
HTL93676 The Wilderness of Gizeh, 1854 (oil on canvas) by Hunt, William Holman (1827-1910); 25.4x71.1 cm; Private Collection; By courtesy of Julian Hartnoll; English, out of copyright

Background imagePre-raphaelites & Neo-classical Collection: King Renes Honeymoon (w / c on paper)

King Renes Honeymoon (w / c on paper)
HTL93674 King Renes Honeymoon (w/c on paper) by Brown, Ford Madox (1821-93); 25.4x17.8 cm; Private Collection; By courtesy of Julian Hartnoll; English, out of copyright

Background imagePre-raphaelites & Neo-classical Collection: Mary Magdalene, 1862 (oil on canvas)

Mary Magdalene, 1862 (oil on canvas)
NCM95474 Mary Magdalene, 1862 (oil on canvas) by Sandys, Anthony Frederick Augustus (1829-1904); 29.2x24.8 cm; Norwich Castle Museum and Art Gallery; eNorwich Castle Museum & Art Gallery; English

Background imagePre-raphaelites & Neo-classical Collection: The Painters Vision: Angela Dorothea, 1903 (w / c on paper)

The Painters Vision: Angela Dorothea, 1903 (w / c on paper)
CW94850 The Painters Vision: Angela Dorothea, 1903 (w/c on paper) by Wilmer, John Riley (1883-1941); 67.3x43.8 cm; Private Collection; eChristopher Wood Gallery, London, UK; English, out of copyright

Background imagePre-raphaelites & Neo-classical Collection: Head of a Girl, c. 1905 (red chalk on paper)

Head of a Girl, c. 1905 (red chalk on paper)
CW94847 Head of a Girl, c.1905 (red chalk on paper) by Waterhouse, John William (1849-1917); 38.1x30.5 cm; Private Collection; eChristopher Wood Gallery, London, UK; English, out of copyright

Background imagePre-raphaelites & Neo-classical Collection: Chaucers Dream of Fair Women, 1865 (oil on canvas)

Chaucers Dream of Fair Women, 1865 (oil on canvas)
HTL94048 Chaucers Dream of Fair Women, 1865 (oil on canvas) by Burne-Jones, Edward Coley (1833-98); 27.9x38.1 cm; Private Collection; By courtesy of Julian Hartnoll; English, out of copyright

Background imagePre-raphaelites & Neo-classical Collection: The Toilet of a Roman Lady, 1869 (oil on canvas)

The Toilet of a Roman Lady, 1869 (oil on canvas)
HTL94042 The Toilet of a Roman Lady, 1869 (oil on canvas) by Solomon, Simeon (1840-1905); 111.8x96.5 cm; Private Collection; By courtesy of Julian Hartnoll; English, out of copyright

Background imagePre-raphaelites & Neo-classical Collection: The Somnambulist, 1871 (oil on canvas)

The Somnambulist, 1871 (oil on canvas)
BOL93947 The Somnambulist, 1871 (oil on canvas) by Millais, John Everett (1829-96); 151.8x90.9 cm; Private Collection; (add.info)

Background imagePre-raphaelites & Neo-classical Collection: The Belvedere

The Belvedere
Ma55344 The Belvedere by Godward, John William (1861-1922); Private Collection; Photo eThe Ms Gallery, London; English, out of copyright

Background imagePre-raphaelites & Neo-classical Collection: Tying Sandals

Tying Sandals
WH48544 Tying Sandals by Ryland, Henry (1856-1924); Private Collection; Photo eWhitford & Hughes, London, UK; English, out of copyright

Background imagePre-raphaelites & Neo-classical Collection: The Weaving of the Enchantress

The Weaving of the Enchantress
WH48532 The Weaving of the Enchantress by Rooke, Thomas Matthews (1842-1942); Private Collection; Photo eWhitford & Hughes, London, UK; English, out of copyright

Background imagePre-raphaelites & Neo-classical Collection: 'By a Clear Well with a Little Field', 1883 (w / c & gouache on paper)

"By a Clear Well with a Little Field", 1883 (w / c & gouache on paper)
HTL55315 " By a Clear Well with a Little Field", 1883 (w/c & gouache on paper) by Stillman, Marie Spartali (1844-1927); 53.3x48.3 cm; Private Collection; (add.info)

Background imagePre-raphaelites & Neo-classical Collection: Fiammetta Singing, 1879 (oil on canvas)

Fiammetta Singing, 1879 (oil on canvas)
HTL45923 Fiammetta Singing, 1879 (oil on canvas) by Stillman, Marie Spartali (1844-1927); 76.2x101.6 cm; Private Collection; By courtesy of Julian Hartnoll; English, out of copyright

Background imagePre-raphaelites & Neo-classical Collection: A Study for a Naiad

A Study for a Naiad
BON57674 A Study for a Naiad by Waterhouse, John William (1849-1917); 29.2x24.1 cm; Private Collection; Photo eBonhams, London, UK; English, out of copyright

Background imagePre-raphaelites & Neo-classical Collection: Sir Tristram and La Belle Iseult

Sir Tristram and La Belle Iseult
Ma55745 Sir Tristram and La Belle Iseult by Stillman, Marie Spartali (1844-1927); Private Collection; Photo eThe Ms Gallery, London; English, out of copyright

Background imagePre-raphaelites & Neo-classical Collection: The Briar Rose Series, 4: The Sleeping Beauty, 1870-90 (oil on canvas)

The Briar Rose Series, 4: The Sleeping Beauty, 1870-90 (oil on canvas)
RA11917 The Briar Rose Series, 4: The Sleeping Beauty, 1870-90 (oil on canvas) by Burne-Jones, Edward Coley (1833-98); 122x229 cm; Faringdon Collection, Buscot, Oxon, UK; English, out of copyright

Background imagePre-raphaelites & Neo-classical Collection: The March Marigold, c. 1870 (oil on canvas)

The March Marigold, c. 1870 (oil on canvas)
MH11905 The March Marigold, c.1870 (oil on canvas) by Burne-Jones, Edward Coley (1833-98); Piccadilly Gallery, London, UK; eMartin Harrison; English, out of copyright

Background imagePre-raphaelites & Neo-classical Collection: Last Judgement, west window (stained glass)

Last Judgement, west window (stained glass)
MH11897 Last Judgement, west window (stained glass) by Burne-Jones, Edward Coley (1833-98); St.Phillips Cathedral, Birmingham, West Midlands, UK; eMartin Harrison; English, out of copyright

Background imagePre-raphaelites & Neo-classical Collection: King Charles Spaniel

King Charles Spaniel
BAL11015 King Charles Spaniel by Cunliffe, David (fl.1826-55); Private Collection; Roy Miles Fine Paintings; English, out of copyright

Background imagePre-raphaelites & Neo-classical Collection: Twilight Fantasies, 1911 (w / c)

Twilight Fantasies, 1911 (w / c)
Ma54993 Twilight Fantasies, 1911 (w/c) by Hughes, Edward Robert (1851-1914); 76.7x107.9 cm; Private Collection; Photo eThe Ms Gallery, London; English, out of copyright

Background imagePre-raphaelites & Neo-classical Collection: Horatio Discovering the Madness of Ophelia

Horatio Discovering the Madness of Ophelia
OLD37294 Horatio Discovering the Madness of Ophelia by Rossetti, Dante Gabriel Charles (1828-82); Gallery Oldham, UK; eGallery Oldham; English, out of copyright

Background imagePre-raphaelites & Neo-classical Collection: The Sun May Shine A We Be Cold, 1848 (pen & brown ink on paper)

The Sun May Shine A We Be Cold, 1848 (pen & brown ink on paper)
BAL44928 The Sun May Shine A We Be Cold, 1848 (pen & brown ink on paper) by Rossetti, Dante Gabriel Charles (1828-82); 16x14 cm; Private Collection; (add.info)

Background imagePre-raphaelites & Neo-classical Collection: Pectoral ornament of the Calima region, Colombia, c. AD 500-1500 (gold)

Pectoral ornament of the Calima region, Colombia, c. AD 500-1500 (gold)
BAL7794 Pectoral ornament of the Calima region, Colombia, c. AD 500-1500 (gold) by Pre-Columbian; Museo del Oro, Bogota, Colombia; South American, out of copyright

Background imagePre-raphaelites & Neo-classical Collection: Dreamers, 1882 (oil on canvas)

Dreamers, 1882 (oil on canvas)
BIR3818 Dreamers, 1882 (oil on canvas) by Moore, Albert Joseph (1841-93); 69x119 cm; Birmingham Museums and Art Gallery; English, out of copyright

Background imagePre-raphaelites & Neo-classical Collection: The Blue Bower, 1865 (oil on canvas)

The Blue Bower, 1865 (oil on canvas)
BI88604 The Blue Bower, 1865 (oil on canvas) by Rossetti, Dante Gabriel Charles (1828-82); 84x70.9 cm; The Henry Barber Trust, The Barber Institute of Fine Arts

Background imagePre-raphaelites & Neo-classical Collection: Study for Ophelia, c. 1870 (panel)

Study for Ophelia, c. 1870 (panel)
Ma88179 Study for Ophelia, c.1870 (panel) by Watts, George Frederic (1817-1904); 20.3x20.3 cm; Private Collection; Photo eThe Ms Gallery, London; English, out of copyright

Background imagePre-raphaelites & Neo-classical Collection: The Harp Player, a study of Annie Miller, 1872 (w / c and gouache)

The Harp Player, a study of Annie Miller, 1872 (w / c and gouache)
Ma88176 The Harp Player, a study of Annie Miller, 1872 (w/c and gouache) by Rossetti, Dante Gabriel Charles (1828-82); 33x25.4 cm; Private Collection; Photo eThe Ms Gallery, London; English

Background imagePre-raphaelites & Neo-classical Collection: The Pained Heart, or Sigh No More, Ladies, 1868 (oil on canvas)

The Pained Heart, or Sigh No More, Ladies, 1868 (oil on canvas)
Ma88174 The Pained Heart, or Sigh No More, Ladies, 1868 (oil on canvas) by Hughes, Arthur (1832-1915); 94x109.9 cm; Private Collection; (add.info.: Act II Scene 3 l.62; ); Photo eThe Ms Gallery

Background imagePre-raphaelites & Neo-classical Collection: Night Scene in the Parc Royal, Brussels, 1897 (pastel on paper)

Night Scene in the Parc Royal, Brussels, 1897 (pastel on paper)
PWI83602 Night Scene in the Parc Royal, Brussels, 1897 (pastel on paper) by Degouve de Nuncques, William (1867-1935); 65x50 cm; Musee d Orsay, Paris

Background imagePre-raphaelites & Neo-classical Collection: The Doom Fulfilled (Perseus Slaying the Sea Serpent) c. 1882 (gouache on paper)

The Doom Fulfilled (Perseus Slaying the Sea Serpent) c. 1882 (gouache on paper)
SOU80771 The Doom Fulfilled (Perseus Slaying the Sea Serpent) c.1882 (gouache on paper) by Burne-Jones, Edward Coley (1833-98); 153.8x138.4 cm; Southampton City Art Gallery, Hampshire

Background imagePre-raphaelites & Neo-classical Collection: Perseus and the Graiae, 1877 (mixed media on paper)

Perseus and the Graiae, 1877 (mixed media on paper)
SOU80764 Perseus and the Graiae, 1877 (mixed media on paper) by Burne-Jones, Edward Coley (1833-98); 152.5x170 cm; Southampton City Art Gallery, Hampshire

Background imagePre-raphaelites & Neo-classical Collection: The Call of Perseus, c. 1876 (gouache)

The Call of Perseus, c. 1876 (gouache)
SOU80763 The Call of Perseus, c.1876 (gouache) by Burne-Jones, Edward Coley (1833-98); 152.5x127 cm; Southampton City Art Gallery, Hampshire

Background imagePre-raphaelites & Neo-classical Collection: Flowing to the Sea, 1871 (oil on canvas)

Flowing to the Sea, 1871 (oil on canvas)
SOU80727 Flowing to the Sea, 1871 (oil on canvas) by Millais, John Everett (1829-96); 143x188 cm; Southampton City Art Gallery, Hampshire, UK; eSouthhampton City Art Gallery; English, out of copyright

Background imagePre-raphaelites & Neo-classical Collection: 'With blossoms bare bedecked daintily;/ Whose tender locks do tremble everie one / At

"With blossoms bare bedecked daintily;/ Whose tender locks do tremble everie one / At
Ma80675 " With blossoms bare bedecked daintily; /Whose tender locks do tremble everie one/At everie little breath that under heaven is blowne", 1894 (w/c) by Phillott

Background imagePre-raphaelites & Neo-classical Collection: Study for Mariana in the Moated Grange (oil on panel) (see MAK 618)

Study for Mariana in the Moated Grange (oil on panel) (see MAK 618)
MAK79771 Study for Mariana in the Moated Grange (oil on panel) (see MAK 618) by Millais, John Everett (1829-96); 13.3x11.8 cm; The Makins Collection; English, out of copyright

Background imagePre-raphaelites & Neo-classical Collection: Finished Study for The Thorny Way, c. 1897 (chalk)

Finished Study for The Thorny Way, c. 1897 (chalk)
WDM77260 Finished Study for The Thorny Way, c.1897 (chalk) by Morgan, Evelyn De (1855-1919); De Morgan Collection, courtesy of the De Morgan Foundation; eDe Morgan Foundation; English

Background imagePre-raphaelites & Neo-classical Collection: The Young Bride, 1883 (oil on canvas)

The Young Bride, 1883 (oil on canvas)
BAL7206 The Young Bride, 1883 (oil on canvas) by Robaudi, Alcide Theophile (1850-1928); Private Collection; Roy Miles Fine Paintings; French, out of copyright

Background imagePre-raphaelites & Neo-classical Collection: Master James Watts on a Rocking Horse

Master James Watts on a Rocking Horse
BAL7189 Master James Watts on a Rocking Horse by Scott, William Wallace (1819-1905); Private Collection; Roy Miles Fine Paintings; American, out of copyright

Background imagePre-raphaelites & Neo-classical Collection: A Roman Widow, 19th century (pen & brown ink on paper)

A Roman Widow, 19th century (pen & brown ink on paper)
AMO117202 A Roman Widow, 19th century (pen & brown ink on paper) by Rossetti, Dante Gabriel Charles (1828-82); Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; English, out of copyright

Background imagePre-raphaelites & Neo-classical Collection: The Roman Widow, 1874 (oil on canvas)

The Roman Widow, 1874 (oil on canvas)
NUL116733 The Roman Widow, 1874 (oil on canvas) by Rossetti, Dante Gabriel Charles (1828-82); 105.4x92.7 cm; Museo de Arte de Ponce, Puerto Rico; English, out of copyright

Background imagePre-raphaelites & Neo-classical Collection: Elizabeth Siddal, 1855 (pen and ink on paper)

Elizabeth Siddal, 1855 (pen and ink on paper)
AMO104085 Elizabeth Siddal, 1855 (pen and ink on paper) by Rossetti, Dante Gabriel Charles (1828-82); Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; English, out of copyright

Background imagePre-raphaelites & Neo-classical Collection: Monna Rosa, 19th century (pencil on paper)

Monna Rosa, 19th century (pencil on paper)
AMO101427 Monna Rosa, 19th century (pencil on paper) by Rossetti, Dante Gabriel Charles (1828-82); 24.5x21.3 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; English

Background imagePre-raphaelites & Neo-classical Collection: The Knights Farewell, 1858 (pen and ink on paper)

The Knights Farewell, 1858 (pen and ink on paper)
AMO101406 The Knights Farewell, 1858 (pen and ink on paper) by Burne-Jones, Edward Coley (1833-98); 15.9x19.1 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; English



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