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Two-line letters in shade typefaces from Vincent Figgins, c. 1835

Two-line letters in shade typefaces from Vincent Figgins, c. 1835


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Two-line letters in shade typefaces from Vincent Figgins, c. 1835

XJF3038035 Two-line letters in shade typefaces from Vincent Figgins, c.1835 by English School, (19th century); Private Collection; (add.info.: Vincent Figgins (1766-1844) English punch-cutter and type-founder, first to use term sans serif when in 1832 he designed Two-Line Great Primer sans-serif. ); English, out of copyright

Media ID 12800537

© www.bridgemanimages.com

Capital Capitals Font Graphics Latin Lettering Nonpareil Pearl Pica Printing Shade Specimen Type Typeface Types Typography


EDITORS COMMENTS
This print showcases the exquisite craftsmanship of Vincent Figgins, a renowned English punch-cutter and type-founder from the 19th century. The image features two-line letters in shade typefaces, meticulously designed by Figgins around 1835. Figgins was not only a pioneer in his field but also responsible for coining the term "sans serif" when he introduced his groundbreaking Two-Line Great Primer sans-serif font in 1832. His innovative approach revolutionized typography and left an indelible mark on the world of printing. The print captures a stunning array of capital letters, showcasing Figgins' mastery over form and design. Each letter is meticulously crafted with precision and elegance, highlighting the artist's attention to detail. From nonpareil to pearl, brevier italic to English ornamented, long primer to pica, great primer to shade – this collection represents an impressive range of typefaces that would have been used during that era. Displayed against a neutral background, these letters stand out as works of art in their own right. Their beauty lies not only in their aesthetic appeal but also in their historical significance as symbols of innovation and creativity within the realm of typography. This print serves as a testament to Vincent Figgins' enduring legacy and offers viewers an opportunity to appreciate the timeless beauty found within each carefully crafted letterform.

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