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Portrait of Antonio Vivaldi (oil on canvas)

Portrait of Antonio Vivaldi (oil on canvas)


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Portrait of Antonio Vivaldi (oil on canvas)

XAL159319 Portrait of Antonio Vivaldi (oil on canvas) by Italian School, (18th century); Civico Museo Bibliografico Musicale, Bologna, Italy; (add.info.: one of the only three known portraits of Antonio Lucio Vivaldi (1678-1741) (see also 135253 and 485165); ); Italian, out of copyright

Media ID 12733244

© www.bridgemanart.com

Italian Composer Quill Score Sheet Violin


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EDITORS COMMENTS
This print showcases the renowned "Portrait of Antonio Vivaldi" painted by an anonymous Italian artist in the 18th century. Displayed at the Civico Museo Bibliografico Musicale in Bologna, Italy, this oil on canvas masterpiece is one of only three known portraits of the esteemed composer. Antonio Lucio Vivaldi, a prominent Italian composer and violinist, comes to life through this exquisite portrayal. The painting captures his dignified presence and artistic essence with remarkable precision. Dressed in elegant attire adorned with a powdered wig, Vivaldi holds a quill pen delicately poised above a score sheet – symbolizing his immense contribution to classical music composition. The artist skillfully emphasizes Vivaldi's passion for music as he gazes intently into the distance. Every brushstroke reveals intricate details that bring forth both admiration and curiosity about this musical genius who lived from 1678 to 1741. This exceptional portrait not only immortalizes Antonio Vivaldi but also provides invaluable insight into his persona and era. It serves as a testament to his enduring legacy within the world of classical music. As we delve into history through this image, we are reminded of Vivaldi's profound impact on composition techniques and his unparalleled ability to evoke emotions through melodies. With its rich historical significance and artistic brilliance, this print invites us to explore the life and works of Antonio Vivaldi while celebrating his immeasurable contributions to music.

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