Napoleon I in the Pesthouse at Jaffa touching plague victims, 11 March 1799. 19th century (french popular hand-coloured woodcut)

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Napoleon I in the Pesthouse at Jaffa touching plague victims, 11 March 1799. 19th century (french popular hand-coloured woodcut)

543831 Napoleon I in the Pesthouse at Jaffa touching plague victims, 11 March 1799. 19th century (french popular hand-coloured woodcut); (add.info.: Propaganda story putting him on the same plane as annointed kings who could effect miraculous cures through divine intervention.); Universal History Archive/UIG

Media ID 38453592

© Universal History Archive/UIG / Bridgeman Images

1799 Aero Plane Aeroplane Aeroplanes Airplane Airplanes Bonaparte Bonaparte (1769 1821) Bonaparte Family Cures Disease Divine Effect Emperor Napoleon I Hand Coloured Intervention Jaffa March Miraculous Napoleon Napoleon 1st Napoleon Empereur Napoleon I Napoleon I (1769 1821) Napoleon I Of France Napoleon Ist Napoleon Ist Of France Plague Plane Popular Propaganda Putting Revolutionary Touching Victims Wars

EDITORS COMMENTS
The print of Napoleon I in the Pesthouse at Jaffa touching plague victims on 11 March 1799 is a powerful depiction of the French leader's supposed divine intervention. This 19th-century hand-colored woodcut portrays Napoleon as a figure akin to annointed kings, capable of miraculous cures through his touch. This image serves as propaganda, elevating Napoleon to a status beyond that of a mere mortal ruler. By placing him in the midst of suffering plague victims and showing him reaching out to them with compassion and healing intent, the artist seeks to portray Napoleon as a savior figure. The historical context of this scene adds depth to its interpretation. The Napoleonic Wars were marked by widespread death and disease, making any act of mercy or healing all the more significant. By depicting Napoleon in this light, the artist not only glorifies his leadership but also underscores his supposed ability to transcend human limitations. Overall, this print captures a moment that blurs the lines between reality and myth, showcasing how power can be wielded through both political authority and perceived divine favor. It is a striking reminder of how images can shape our understanding of history and influence our perceptions of those who hold positions of power.

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