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Grand lady just dismounted from her horse
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Grand lady just dismounted from her horse
A grand lady who has just dismounted from her horse and is entering her mansion, watched by various awestruck adults and children. From R. Caldecottas Second Collection of Pictures and Songsa containing The Milkmaida, Hey Diddle Diddlea, Baby Buntinga, The Fox Jumps Over the Parsonas Gatea, A Frog He Would a-Wooing Goa, Come Lasses and Ladsa, Ride a Cock HorseaŠa, A Farmer Went TrottingaŠa, Mrs Mary Blaizea and The Great Panjandrum Himselfa. Drawn by Randolph Caldecott; engraved and printed by E. Evans. Published by George Routledge & Sons, London & New York, c1885
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Media ID 19002607
© Linda Steward
18th Century Style Upper Class Grou
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EDITORS COMMENTS
In this 18th-century style print, we witness the grandeur and elegance of a distinguished lady as she gracefully dismounts from her majestic horse. The scene unfolds in front of her opulent mansion, where both adults and children stand in awe, their eyes fixed on her every move. Dressed impeccably in the fashion of the time, this grand lady exudes an air of sophistication and refinement. Her flowing gown drapes around her like a regal cloak, while a wide-brimmed hat adorned with feathers adds to her allure. With poise and grace, she steps down from her noble steed, capturing the attention of all who behold her. The atmosphere is filled with admiration as men tip their hats respectfully and women curtsy in deference to this remarkable figure. Even the children cannot contain their excitement; their innocent faces light up with wonderment at the sight before them. This enchanting artwork by Randolph Caldecott transports us back to an era when social status was paramount and aristocracy reigned supreme. It serves as a reminder that there once existed a world where elegance and nobility were revered qualities. As we gaze upon this exquisite print from R. Caldecotta's Second Collection of Pictures and Songs, we are transported into a bygone era where beauty met privilege—a moment frozen in time for us to marvel at forevermore.
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