Skip to main content

Print of Pattern 1854 sword

Framed Print : Print of Pattern 1854 sword
Framed Print : Print of Pattern 1854 sword
Framed Print : Print of Pattern 1854 sword
Size Guide
Size Guide
Size Guide
Close

Viewer Controls

  • Rotate: Left-click + drag
  • Pan: Right-click + drag
  • Zoom: Scroll wheel

3d_rotation Open 3D Preview



capture
Framed Prints
photo_prints
Prints
extension
Jigsaw Puzzles
photo_prints
Poster Prints
local_florist
Canvas Prints
palette
Fine Art Prints
local_florist
Metal Prints
 
Home Decor

Framed Prints From Fine Art Finder


 

Framed Print of Pattern 1854 sword, Lieutenant Walton Thomas Cecil Fogg-Elliot, Welsh Guards (sword, foot guards, pattern 1854)

NAM5928949 Pattern 1854 sword, Lieutenant Walton Thomas Cecil Fogg-Elliot, Welsh Guards (sword, foot guards, pattern 1854) by English School, (20th century); National Army Museum, London; (add.info.: Pattern 1854 sword, Lieutenant Walton Thomas Cecil Fogg-Elliot, Welsh Guards.
Walton Fogg-Elliot served with the 3rd Battalion, The Welsh Guards during the Second World War (1939-1945). He was killed in action in fighting around Perugia, Italy on 21 June 1944, aged 26.
The 3rd Battalion, The Welsh Guards had arrived in Italy in February 1944. It was swiftly deployed to positions against the German's formidable Gustav Line. Here it experienced bitter mountain warfare on Mount Cerasola and the grim battle in the ruined town of Cassino. When the Allies finally broke through the Gustav Line in May, the Welsh Guards were incorporated into 6th Armoured Division and tasked with exploiting the breakout and driving the Germans back northwards.
Perugia was an important town on their line of advance and the Division arrived in the area in mid-June. The town was cited on the southern edge of a ridge of high ground to the east of Lake Trasimeno. By nightfall on 19 June important ground surrounding Perugia had been taken and the Germans were compelled to withdraw from the town into the hills to the north. The following day, the Welsh Guards, working in concert with tanks of the 16th/5th Lancers, were ordered to advance beyond the town to capture the village of San Marco, two miles to the north.
The fight for San Marco raged most of the day. The battle took the form of a series of vicious actions against small, widely dispersed and determinedly held fortified positions which were supported by shell fire from the surrounding countryside. By four o'clock the village had been secured and No.4 Company, under Captain F L Egerton, was then tasked with occupying Montione Hill, a mile to the north west. The Company succeeded in establishing itself on the summit, but the surrounding country was still thick with enemy troops and this made their position highly precarious. That night, the Company's reserve platoon set out from the village to bring them up supplies, but, on encountering resistance, was forced to abandon the attempt and dump the supplies at random on the hillside. These were fortuitously found by the men of 4 Company the next day.
Unaware that the supplies had in fact got through, Battalion HQ presumed 4 Company's situation to be desperate and resolved to make another attempt the following day. To this end, a party led by Fogg-Elliot and Captain J R Roberts was dispatched to try and make contact. To avoid the enemy that the previous party had encountered Fogg-Elliot led his men on a more circuitous route, but this was to no avail and they still encountered fierce resistance from an enemy position at the base of the hill. In the ensuing fire fight Fogg-Elliot's party suffered many casualties, including Captain Roberts, and was forced to withdraw. Fogg-Elliot resolved to return at once with a full platoon and attack again. But, by the time they got back they found that the enemy had been re-enforced and so they encountered even tougher resistance. In the battle that followed both Fogg-Elliot and his second in command, Lt J Ds Nicholl-Carne, were killed and the Guards were forced to retreat once more. Following this setback it became apparent that 4 Company's position was now untenable and it was ordered to withdraw.
Despite the valiant failure of Fogg-Elliot and his men to reach their comrades on Montione Hill, capture of San Marco was a notable victory for the Guards. This they had achieved in difficult country against a formidable enemy. In the days that followed the hill was taken and the Germans were driven out of the surrounding area. With the sector secure, the Allied forces in the area were free to continue their advance northward.
Walton Fogg-Elliot is buried at Assisi War Cemetery, Italy and is commemorated on a plaque in St James's Church, Hamsterley, Durham.); National Army Museum, London, UK.

Artwork supplied by Fine Art Finder (www.bridgemanimages.com)

Your chosen combination is quickly and professionally made to order, our shipping page has more details

If you are not entirely happy with your items, simply return them to us within 30 days for a replacement or full refund. Please read our full returns policy.

Media ID 51449900


Pattern 1854 Sword , Welsh Guards , Second World War Artifacts , British Army Officer , Italian Campaign WWII , National Army Museum London UK , Welsh Guards History

local_shipping Fast Delivery
volunteer_activism Great Value
credit_card_heart 100% Payment Secure
undo 30 Days Return

Premium Frame A1 (A2 Poster)

Ready to Hang Contemporary Framed Prints adds style, protection, and a polished touch to your space - effortlessly.

Your artwork will be printed as shown in the preview. To adjust please select Edit Printed Image under the Buy button

Premium Paradise Wooden Range A1 Premium Poster Frame (86x62cm) with A2 Poster (59x42cm) and mounted behind a white matt board to make your photo really stand out. FSC Certified and Rainforest Alliance Certified for environmental, social, and economic sustainably. High transparency tempered glass window with a smooth finished frame. Great for filling empty walls, decorating blank spaces, or creating eye-catching gallery walls. Frames arrive ready to hang. Sent with secure, protective packaging. Smooth wooden veneer mimics the real wood look and feel with ultra-durable scratch resistance tempered glass. Note: measurements provided are estimated outer dimensions, which include both the image and the frame. While we aim to keep sizing consistent, exact dimensions may vary slightly due to differences in print size or production requirements, which may result in a variation in the overall size (up to approximately 2.5cm (1"))

These are individually made so all sizes are approximate

Estimated Image Size (if not cropped) is 58.8cm x 41.4cm (23.1" x 16.3")

Estimated Product Size is 86.6cm x 62cm (34.1" x 24.4")


Features In These Collections

> Europe > Italy > Related

> Europe > United Kingdom > England > London > Museums > National Army Museum

> Fine Art Finder > Artists > British School

> Fine Art Finder > Artists > English School

Gallery Wall Inspiration

Fine Art Print of 1775 Proclamation by British School
Atalanta Monoplane Print
Plan of Canterbury Cathedral Print, c.1150 (vellum)
Plug Bayonet Print, War of the Spanish Succession (1702)
Regency Era Window Curtains Print (1814-1830)
Fine Art Finder Print of Broad Quay, Bristol, c. 1760
The Coldstream Guards Changing Guard Print 1905
Passage Of The Biddasoa Print, 1908 (Oil on canvas)
Regency Boudoir Window Curtains Print, 1800
Elizabeth Woodville Print, British School, 16th century
Will Somers, Court Jester to King Henry VIII (1868 Print)
British Royal Navy Sailor's Grog Ration Print, 1800-1901
Greenwich from Blackwall Reach, c.1830-40 Print
1892 Derby Winner Oil on Canvas Print
British School Print: Portrait of John Birtill, c.1800
View near Clifton, 1843 Print (oil on canvas)
British School, 18th Century - Kings Colour Print (5926515)
Memorial to the Prince Imperial, 1881 Black and White Print
Print of Ruins at Crozant Castle in Oil on Canvas
Print of Cavalry Cape, 1911
Print of a Horse-racing Shirt, circa 1912
Nose Bag Print, 1918
Print of a horse clipping machine head, circa 1950
Print of Officer's Field Boots, 1917 Leather Boot
Cavalry Sketching Board Print, 1913
Horse-racing shirt print, circa 1912 satin
Print of 1918 Nose Bag in Fabric

Discover Our Collections


Italy RelatedItaly Related
National Army MuseumNational Army Museum
English SchoolEnglish School
British SchoolBritish School


 
© Copyright Media Storehouse, All Rights Reserved 2003 - 2026
We accept all major payment options so you can pay for the things you need in the way that is most convenient for you
Reviews IO     Facebook     Pinterest