1375 Collection (page 3)

Angels receiving the bowls. Apocalypse of Angers
BATAILLE, Nicolas (14th c.). The angels Receiving the bowls. 1375 - 1382. Golden vials (bowls) filled with the Wrath of God

5th trumpet: Locusts. Apocalypse of Angers
BATAILLE, Nicolas (14th c.). Fifth Trumpet. The Locusts. 1375 - 1382. The infernal locusts led by Exterminating Angel. Scene of the tapestry number 2 from the series Apocalypse of Angers commissioned

7th trumpet. Apocalypse of Angers
BATAILLE, Nicolas (14th c.). The Seventh Trumpet: announce of Victory. 1375-1382. Seventh Scene of the tapestry number 3 from the series Apocalypse of Angers commissioned by Louis I, Duke of Anjou

Manuscript Illumination Birth Virgin Initial G
Artokoloro

Initial Q: A Priest Stabbed by a Soldier; Bute Master, Franco-Flemish, active about 1260 - 1290; France, Northeastern (illuminated)

Initial D: David Pointing to His Mouth; Bute Master, Franco-Flemish, active about 1260 - 1290; France, Northeastern (illuminated)

Initial D: The Anointing of David; Bute Master, Franco-Flemish, active about 1260 - 1290; France, Northeastern (illuminated)

Initial S: The Lord Appearing to David in the Water; Bute Master, Franco-Flemish, active about 1260 - 1290; France, Northeastern (illuminated)

Initial E: David Playing the Harp; Bute Master, Franco-Flemish, active about 1260 - 1290; France, Northeastern (illuminated)

Initial M: Davids Theft of the Spear and Chalice; Bute Master, Franco-Flemish, active about 1260 - 1290; France, Northeastern (illuminated)

Initial I: A Martyr Saint; Lippo Vanni, Italian, active about 1340 - about 1375; Siena, Italy, Tuscany, Europe; third quarter of 14th century; Tempera colors, gold leaf

TOWER OF BABEL, 1375. Nimrod building the Tower of Babel: German ms. illumination, c1375

Drawing Room
circa 1860: A Victorian drawing room with pictures in heavy frames and ornately covered furniture. (Photo by Hulton Archive/Getty Images)

Saint Mary Magdalene with a Crucifix, 1375. Mary, in a scarlet robe, holds a cricifix with the image of Christ crucified. Around her are angels playing musical instruments

BOCCACCIO, Giovanni (1313-1375). Italian writer, author of the Decameron. Decoration of an ark with a scene of the ninth

LOPEZ DE AYALA, Pero (1332-1407); BOCCACCIO, Giovanni (1313-1375). Spanish poet, politician and chronicler.;

LANGLAND: MANUSCRIPT, c1375. A manuscript page from the Middle English poem The Vision of Piers Plowman by William Langland, c1375

Boccaccio (Vico)
GIOVANNI BOCCACCIO Italian author, with a matching portrait of his beloved, known as La Fiammetta. Date: 1313 - 1375

Boccaccio (De Brij)
GIOVANNI BOCCACCIO DI CETALDO The Italian author of Il Decamerone et alia. Date: 1313 - 1375

Boccaccio (Auber)
GIOVANNI BOCCACCIO Italian writer, best known for Il Decamerone. Date: 1313 - 1375

Boccaccio (Drawing)
GIOVANNI BOCCACCIO The Italian author of Il Decamerone et alia. Date: 1313 - 1375

Boccaccio (Dall acqua)
GIOVANNI BOCCACCIO Italian author of Il Decamerone et alia. Date: 1313 - 1375

Boccaccio (Medallion)
Messer GIOVANNI BOCCACCIO, the father of Tuscan eloquence and the vivacious depictor of the lifestyle of his times. Date: 1313 - 1375

Italian Soldiers / 14th C
Italian soldiers Date: circa 1375

Book / Boccaccio / Decameron
DECAMERON First published in 1353 Giovanni Boccaccio 1313-1375 Illustration : Boccaccios garden

Giovanni Boccaccio / Dalen
GIOVANNI BOCCACCIO Italian writer

Giovanni Boccaccio / Esme
GIOVANNI BOCCACCIO Italian writer

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"Exploring the Cultural Treasures of 1375: A Journey through Art and Literature" Step back in time to the 14th century, specifically the year 1375, and immerse yourself in a world rich with cultural treasures. From illuminated manuscripts to breathtaking artworks, this era offers a glimpse into the creativity and imagination of our ancestors. One remarkable artifact from this period is the Catalan Atlas, a masterpiece of cartography that showcases detailed maps and geographical knowledge of its time. It serves as a testament to human curiosity and exploration during an age when travel was limited but dreams were boundless. In literature, we encounter "LANGLAND: PIERS PLOWMAN, " an enchanting Middle English poem penned by William Langland around 1375. This manuscript page from "The Vision of Piers Plowman" transports us to a realm where allegory meets social commentary, inviting us to reflect on timeless themes such as morality and justice. Nicolas Bataille's "Apocalypse of Angers" series captivates with its vivid illustrations depicting biblical scenes. From Christ wielding his sword to the pouring out of cups symbolizing divine wrath or redemption, these images evoke both awe and contemplation. Rafael's Missal of St. Eulalia takes us closer to religious rituals in C. 1403 with its intricate illuminations adorning liturgical texts. The delicate brushstrokes bring sacred stories alive while honoring centuries-old traditions. Meanwhile, monumental brasses like those depicted in color lithographs transport us directly into medieval churches where they adorned tombs as lasting memorials for nobles long gone but not forgotten. For history enthusiasts fascinated by military prowess, engravings showcasing archers et arbaletriers d'environ 1375 offer glimpses into medieval warfare tactics—a testament to strategic thinking during times marked by conflict. As we explore these artistic marvels from 1375 together today, let us appreciate the enduring legacy of human creativity and imagination.