1480 Collection (page 4)

Shepherd Flute Giovanni Girolamo Savoldo Italian
Shepherd with a Flute; Giovanni Girolamo Savoldo (Italian (Lombard), about 1480 - after 1548); about 1525; Oil on canvas; 98.4 × 79.4 cm (38 3, 4 × 31 1, 4 in.)

Madonna Child Two Donors Lorenzo Lotto Italian
Madonna and Child with Two Donors; Lorenzo Lotto (Italian (Venetian), about 1480 - 1556); about 1525 - 1530; Oil on canvas; 87.6 × 118.1 cm (34 1, 2 × 46 1, 2 in.)

Portrait Young Woman Attributed Andrea Previtali
Portrait of a Young Woman; Attributed to Andrea Previtali (Italian, about 1480 - 1528); about 1520 - 1525; Black chalk, heightened with white chalk; 34.8 x 25.9 cm (13 11, 16 x 10 3, 16 in.)

Esther Ahasuerus Frans Crabbe van Espleghem Flemish
Esther before Ahasuerus; Frans Crabbe van Espleghem (Flemish, about 1480 - 1552); about 1525; Pen and dark brown ink, with touches of gray-brown wash, over black chalk

Saint Paul Giovanni Girolamo Savoldo Italian
Saint Paul; Giovanni Girolamo Savoldo (Italian (Lombard), about 1480 - after 1548); Italy; 1533; Black, white and red chalk on blue paper; top corners trimmed; 28.4 x 22.5 cm (11 3, 16 x 8 7, 8 in.)

Nude Woman Mirror Hans von Kulmbach German 1480
Nude Woman with a Mirror; Hans von Kulmbach (German, about 1480 - 1522); Germany; about 1500 - 1505; Pen and brown ink; 17 × 10.5 cm (6 11, 16 × 4 1, 8 in.)

Judgment Solomon Hans von Kulmbach German 1480
The Judgment of Solomon; Hans von Kulmbach (German, about 1480 - 1522); Germany; about 1510 - 1515; Pen and brown ink and gray wash; 27.6 cm (10 7, 8 in.)

Satyr Playing Aulos Bernardo Parentino Italian
Satyr Playing an Aulos; Bernardo Parentino (Italian, 1437 - 1531); Italy; about 1480 - 1490; Pen and brown ink; 20.2 x 10.3 cm (7 15, 16 x 4 1, 16 in.)

Christ Carrying Cross Albrecht Altdorfer German
Christ Carrying the Cross; Albrecht Altdorfer (German, about 1480 - 1538); about 1513; Pen and black ink and gray wash over black chalk; 30.3 cm (11 15, 16 in.)

Christ Taking Leave Mother Hans Schaufelein
Christ Taking Leave of His Mother; Hans Schaufelein (German, 1480, 1485 - 1540); 1510; Pen and brown ink and black chalk; 27.5 x 21.1 cm (10 13, 16 x 8 5, 16 in.)

Conversion Saint Paul Wolf Huber German 1480
The Conversion of Saint Paul; Wolf Huber (German, 1480, 1485 - 1553); 1531; Pen and black ink; 18.3 x 12.9 cm (7 3, 16 x 5 1, 16 in.)

Saint Martin Dividing Cloak Beggar Lorenzo Lotto
Saint Martin Dividing His Cloak with a Beggar; Lorenzo Lotto (Italian (Venetian), about 1480 - 1556); about 1530; Brush with gray-brown wash, heightened with white and cream-colored gouache

Christ Carrying Cross Norfolk perhaps written
Christ Carrying the Cross; Norfolk perhaps (written), East Anglia, England; about 1190 - 1200 and text about 1480 - 1490; Tempera colors and gold leaf on parchment; Leaf: 11.9 × 17 cm (4 11)

Scourging Christ York perhaps illuminated Northern
The Scourging of Christ; York perhaps (illuminated), Northern, England; about 1190 - 1200 and text about 1480 - 1490; Tempera colors and gold leaf on parchment; Leaf: 11.9 × 17 cm (4 11, 16 × 6 11)

Christ Herod Norfolk perhaps written East Anglia
Christ Before Herod; Norfolk perhaps (written), East Anglia, England; about 1190 - 1200 and text about 1480 - 1490; Tempera colors and gold leaf on parchment; Leaf: 11.9 × 17 cm (4 11, 16 × 6 11)

Mercenary Soldier Landscape Circle Wolf Huber
Mercenary Soldier in a Landscape; Circle of Wolf Huber (German, 1480, 1485 - 1553); Germany; about 1515; Pen and black ink; 14.5 × 10.8 cm (5 11, 16 × 4 1, 4 in.)

Initial D Saint John Baptist Attributed Cosme Tura
Initial D: Saint John the Baptist; Attributed to Cosme Tura (Italian (Ferrarese), about 1430 - 1495); Ferrara, Italy; about 1470 - 1480; Tempera and gold on parchment; Leaf: 35 x 29.8 cm (13 3)

Initial A Saints Maurice Theofredus Frate Nebridio
Initial A: Saints Maurice and Theofredus; Frate Nebridio (Italian, died before 1503, active second half of the 15th century); Cremona

Christ Mount Olives Netherlandish Netherlands
Christ on the Mount of Olives; Netherlandish; Netherlands; about 1480 - 1500; Colorless glass, vitreous paint, and silver stain; 27.2 × 1 cm (10 11, 16 × 3, 8 in.)

Fragment Martyrdom Ten Thousand South Netherlandish
Fragment from the Martyrdom of the Ten Thousand; South Netherlandish; Netherlands; about 1480 - 1490; Colorless glass, vitreous paint, and silver stain; 12 x 9.4 x 1 cm (4 3, 4 x 3 11, 16 x 3, 8 in.)

Head Woman Saint Anne? English Norwich England
Head of a Woman (Saint Anne?); English; Norwich (?), England; about 1480; Colorless glass, vitreous paint, and silver stain; 31 x 26 x 1 cm (12 3, 16 x 10 1, 4 x 3, 8 in.)

Heraldic Roundel arms Ebra German Augsburg Germany
Heraldic Roundel with the arms of Ebra; German; Augsburg (?), Germany; about 1480 - 1490; Brown oxide glass paint and silver stain on tint glass, purple and blue pot metal

Decorated Initial P Antonio da Monza Italian
Decorated Initial P; Antonio da Monza (Italian, active about 1480 - 1505); Rome, Lazio, Italy; late 15th or early 16th century; Tempera colors, gold leaf

Decorated Initial U Antonio da Monza Italian
Decorated Initial U; Antonio da Monza (Italian, active about 1480 - 1505); Rome, Lazio, Italy; late 15th or early 16th century; Tempera colors, gold leaf

Saint Bernard Vision Virgin Child Simon Marmion
Saint Bernards Vision of the Virgin and Child; Simon Marmion (Flemish, active 1450 - 1489); Northern France, France; about 1475 - 1480; Tempera colors and gold on parchment; Leaf: 11.6 x 6.3 cm (4 9)

Initial A Women Tomb Bartolomeo Rigossi da Gallarate
Initial A: The Women at the Tomb; Bartolomeo Rigossi da Gallarate (Italian, active about 1460 - 1480); Lombardy, Italy; about 1465; Tempera colors, gold leaf

Soldiers Leading Prisoner Walled City Attributed
Soldiers Leading a Prisoner from a Walled City; Attributed to Maitre Francois (French, active about 1460 - 1480); Paris, France; about 1460 - 1470; Tempera colors, gold leaf

Inhabited Initial A Northern Italy Italy 1460
Inhabited Initial A; Northern Italy, Italy; about 1460 - 1480; Tempera colors and gold leaf on parchment; Leaf: 60.3 x 44 cm (23 3, 4 x 17 5, 16 in.)

Saint Mary Magdalen Sepulchre Giovanni Girolamo
Saint Mary Magdalen at the Sepulchre; Giovanni Girolamo Savoldo (Italian (Lombard), about 1480 - after 1548); Italy; about 1530s; Oil on canvas; 92.7 × 79.4 cm (36 1, 2 × 31 1, 4 in.)

Gospel Book Evangelist Portraits 1480 Hausbuch Master
Gospel Book with Evangelist Portraits, c. 1480. Hausbuch Master (German). Ink, tempera, and gold on vellum; original blind stamped leather binding; codex

Gospel Book Evangelist Portraits Saint Mark 1480
Gospel Book with Evangelist Portraits: Saint Mark, c. 1480. Hausbuch Master (German). Ink, tempera, and gold on vellum; original blind stamped leather binding; codex: 23 x 17 cm (9 1/16 x 6 11/16 in.)

Gospel Book Evangelist Portraits Saint John 1480
Gospel Book with Evangelist Portraits: Saint John, c. 1480. Hausbuch Master (German). Ink, tempera, and gold on vellum; original blind stamped leather binding; codex: 23 x 17 cm (9 1/16 x 6 11/16 in.)

Gospel Book Evangelist Portraits Saint Matthew
Gospel Book with Evangelist Portraits: Saint Matthew, c. 1480. Hausbuch Master (German). Ink, tempera, and gold on vellum; original blind stamped leather binding; codex

Gospel Book Evangelist Portraits Decorated Initial
Gospel Book with Evangelist Portraits: Decorated Initial, c. 1480. Hausbuch Master (German). Ink, tempera, and gold on vellum; original blind stamped leather binding; codex

Knight Lansquenet 1512 Hans Wechtlin German 1480
The Knight and Lansquenet, c. 1512. Hans Wechtlin (German, 1480/85-aft 1526). Chiaroscuro woodcut (in blue and black); sheet: 27 x 18 cm (10 5/8 x 7 1/16 in.)

Jesus Calling St. Peter St. Andrew 1523 Dirk Vellert
Jesus Calling to St. Peter and St. Andrew, 1523. Dirk Vellert (Netherlandish, 1480/85-1547). Engraving

Temptation Christ 1525 Dirk Vellert Netherlandish
Temptation of Christ, 1525. Dirk Vellert (Netherlandish, 1480/85-1547). Engraving; sheet: 11.2 x 7.6 cm (4 7/16 x 3 in.)

Christus im Halbfigur 1480 Germany 15th century
Christus im Halbfigur, c. 1480. Germany, 15th century. Woodcut

Study Head Bearded Man Giovanni Girolamo Savoldo
Study of the Head of a Bearded Man; Giovanni Girolamo Savoldo (Italian (Lombard), about 1480 - after 1548); Italy; about 1533; Black and white chalk on gray-green paper; 30.6 x 22.9 cm (12 1)

Passion Christ Limbo 1480 Martin Schongauer German
The Passion: Christ in Limbo, c. 1480. Martin Schongauer (German, c.1450-1491). Engraving; sheet: 16.5 x 11.7 cm (6 1/2 x 4 5/8 in.)

Leaf Antiphonary Text verso 1480 South Germany
Leaf from an Antiphonary: Text (verso), c. 1480. South Germany, Augsburg (?), 15th century. Ink, tempera and gold on vellum; leaf: 62.5 x 41 cm (24 5/8 x 16 1/8 in.)

Leaf Antiphonary Initial H Nativity recto Text
Leaf from an Antiphonary: Initial H with the Nativity (recto) and Text (verso), c. 1480. South Germany, Augsburg (?), 15th century

Leaf Antiphonary Initial H Nativity recto 1480
Leaf from an Antiphonary: Initial H with the Nativity (recto), c. 1480. South Germany, Augsburg (?), 15th century. Ink, tempera and gold on vellum; leaf: 62.5 x 41 cm (24 5/8 x 16 1/8 in.)

Leaf Excised Book Hours Nativity 1480 Master
Leaf Excised from a Book of Hours: The Nativity, c. 1480. Master of the First Prayerbook of Maximillian (Flemish, c. 1444-1519)

Faith, Between 1500 And 1610, Carpi, Ugo Da, 1480-approximately 1532

Christ At The Table Of Simon The Pharisee, Carpi, Ugo Da, 1480-approximately 1532

The Miraculous Draught Of Fishes, Between 1500 And 1530, Printed 1609, Carpi, Ugo Da, 1480-approximately 1532

Ferraresischer Maler. Painter, 15th century. Family portrait. 1480. Alte Pinakotheka. Munich. Germany

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"Unveiling the Mysteries of 1480: A Journey through Time and Symbolism" Step into a world where ancient Egypt meets biblical prophecies, where heavenly battles unfold and saints come to life. In 1480, a year filled with intrigue and artistic marvels, history reveals its enigmatic secrets. The Eye of Horus gazes upon us, an emblem of protection and divine power. As we venture further, the False Door of Senenmut beckons us to explore hidden realms beyond our mortal existence. Amidst celestial turmoil in the War in Heaven, the Beast emerges from Revelation's pages. Melozzo da Forli's angelic lute-playing resonates with ethereal melodies that echo through time. Behold Saint Barbara, her beauty captured by the Master of the Statues of Koudewat. Her story intertwines with Balaam's ass who perceives an unseen angel—a reminder that even animals can sense divine presence. Ferdinand Magellan sets sail on his daring expedition across uncharted waters while French artists depict miracles unfolding before our eyes. The Workshop of Master Cologne Arms immortalizes Saint Roche as he offers solace during times of plague. Saint Michael the Archangel stands tall alongside two generous donors—his sword raised against evil forces. Castilian School portrays Saint Jerome immersed in study; his wisdom transcends centuries within intricate details. And finally, The Colleoni Statue guards Venice's streets—an enduring symbol of strength and leadership amidst turbulent times. In this tapestry woven by history itself, 1480 invites us to unravel its enigmas and immerse ourselves in a world where artistry merges with spirituality—a captivating journey through time like no other.