1484 Collection

PROLOGUE: THE KNIGHT. Woodcut from the Prologue to Geoffrey Chaucers Canterbury Tales, from William Caxtons second edition, c1484

Fable / Fox & Grapes
THE FOX AND THE GRAPES The fox spies juicy ripe grapes and tries to reach them but in vain; eventually he gives up, proclaiming the grapes to be probably sour

Aesop / Juno and Peacock
Of Juno the goddess and of the Peacock and the Nightingale - illustration to Caxtons 1484 edition of Aesops Fables

Schleicher K-6E CEM, (msn 4212, BGA No.1484), at Lasham for a regional gliding competition in the 1980s. Date: circa 1981

Statue of Guillaume de Bibra. 1484 (engraving)
672165 Statue of Guillaume de Bibra. 1484 (engraving) by English School, (19th century); Private Collection; (add.info.: Statue of Guillaume de Bibra. 1484)

John II, king of Portugal, 1482-c 1484 and 1488-1495 (chromolitho)
2811922 John II, king of Portugal, 1482-c 1484 and 1488-1495 (chromolitho) by Hope, William St John (1854-1919); Private Collection; (add.info.: John II, king of Portugal, 1482-c 1484 and 1488-1495)

From the Missale Romanum, 1484 (engraving)
5210570 From the Missale Romanum, 1484 (engraving) by English School, (19th century); Private Collection; (add.info.: From the Missale Romanum, 1484)

From the Subtyl Historyes of Esope, printed by Caxton at Westminster, 1484 (litho)
2787003 From the Subtyl Historyes of Esope, printed by Caxton at Westminster, 1484 (litho) by English School, (19th century); Private Collection; (add.info.: From the Subtyl Historyes of Esope)

Diogo Cao discovers the mouth of the Zaire River
Portuguese Colonial History Series - The mouth of the Zaire River discovered by Diogo Cao in 1484 - the erection of a Portuguese standard column. Date: 1484

Portrait Frans Overrijn van Schoterbosch c 1484
Portrait of Frans Overrijn van Schoterbosch (c. 1484-?), Portrait of Frans Overrijn van Schoterbosch (born ca. 1484). Half-length, standing behind a balustrade, a ring in the right hand

Crucifixion Giuliano Amadei Italian active 1446
The Crucifixion; Giuliano Amadei (Italian, active 1446 - died 1496); Rome, Italy; 1484 - 1492; Tempera colors and gold on parchment; Leaf: 39.7 x 24.1 cm (15 5, 8 x 9 1, 2 in.)

Seven Acts Mercy Ransoming Prisoners Pieter Cornelisz
The Seven Acts of Mercy: Ransoming Prisoners; Pieter Cornelisz. (Kunst) (Dutch, about 1484 - 1560, 1561); 1532; Pen and black ink over black chalk; 23 x 16.8 cm (9 1, 16 x 6 5, 8 in.)

Christ Canaanite Woman Bagnacavallo Bartholomeo Ramenghi
Christ and the Canaanite Woman; Bagnacavallo (Bartholomeo Ramenghi) (Italian, 1484 - 1542); Italy; about 1530; Black chalk, pen and brown ink, and brown and gray wash; 45.1 x 31.8 cm (17 3, 4 x 12 1)

Allegory Justice Georg Pencz German 1484 1485
Allegory of Justice; Georg Pencz (German, 1484, 1485 - 1545); Germany; 1533; Pen and brown ink over black chalk; 19.2 x 14.9 cm (7 9, 16 x 5 7, 8 in.)

Initials Job Francesco di Antonio del Chierico
Initial S: Job; Francesco di Antonio del Chierico (Italian, 1433 - 1484); Florence, Italy; third quarter of 15th century; Tempera and gold on parchment; Ms. 74.1, recto

Reverse Initials Francesco di Antonio del Chierico
Reverse of Initial S; Francesco di Antonio del Chierico (Italian, 1433 - 1484); Florence, Italy; third quarter of 15th century; Tempera and gold on parchment; Ms. 74.1, verso

Music Text Francesco di Antonio del Chierico
Music Text; Francesco di Antonio del Chierico (Italian, 1433 - 1484); Florence, Italy; third quarter of 15th century; Tempera and gold on parchment; Ms. 74.2.d, recto

Decorative Border Francesco di Antonio del Chierico
Decorative Border; Francesco di Antonio del Chierico (Italian, 1433 - 1484); Florence, Italy; third quarter of 15th century; Tempera and gold on parchment; Ms. 74.2.b, recto

Bifolium antiphonal Francesco di Antonio del
Bifolium from an antiphonal; Francesco di Antonio del Chierico (Italian, 1433 - 1484); Florence, Italy; early 1460s; Tempera, gold, and ink on parchment; Leaf: 57.7 x 40 cm (22 11, 16 x 15 3, 4 in.)

Adam Eve 1514 Hans Baldung German 1484 85-1545
Adam and Eve, c. 1514. Hans Baldung (German, 1484/85-1545). Woodcut

Bewitched Groom 1544 Hans Baldung German 1484
The Bewitched Groom, 1544. Hans Baldung (German, 1484/85-1545). Woodcut

Conversion St. Paul Hans Baldung German 1484
The Conversion of St. Paul. Hans Baldung (German, 1484/85-1545). Woodcut

St. John Baptist ca 1518-19 Hans Baldung German
St. John the Baptist, ca. 1518-19. Hans Baldung (German, 1484/85-1545). Woodcut

Monk Preaching Hans Baldung Grien German 1484
A Monk Preaching; Hans Baldung Grien (German, 1484, 1485 - 1545); Germany; about 1505; Pen and brown ink and black chalk; 30.8 x 22.4 cm (12 1, 8 x 8 13, 16 in.)

Christ Carried Heaven Angels 1515-1517 Hans Baldung
Christ Carried to Heaven by Angels, c. 1515-1517. Hans Baldung (German, 1484/85-1545). Woodcut

Christ Cross Mary St. John Mary Magdalen St. Stephen
Christ on the Cross with Mary, St. John, Mary Magdalen and St. Stephen, 1505. Hans Baldung (German, 1484/85-1545). Woodcut

Two Mothers Hans Baldung German 1484 85-1545
The Two Mothers. Hans Baldung (German, 1484/85-1545). Woodcut

Nicolas Manuel
NICOLAS MANUEL Swiss reformer, painter and poet Date: 1484 - 1530

CHAUCER: CANTERBURY TALES. The beginning of the Prologue to Geoffrey Chaucer s
CHAUCER: CANTERBURY TALES. The beginning of the Prologue to Geoffrey Chaucers Canterbury Tales in William Caxtons second edition, c1484

Enthroned Maria with Child with John the Baptist and John th
Sandro Botticelli (1445-1510). Italian painter. Enthroned Maria with Child with John the Baptist and John the Evangelist, 1484-1485, Gemaldegalerie. Berlin. Germany

Stephen 1V / Niamtzo / 1484
Stephen IV (the Great), prince of Moldavia, approaches a castle at Niamtzo with his troops. Date: 1484

Joachim Vadianus - 3
JOACHIM VADIANUS Swiss humanist, friend of Zwingli Date: 1484 - 1551

Charles Duke Suffolk
CHARLES BRANDON, DUKE OF SUFFOLK statesman, son-in-law of Henry VII Date: CIRCA 1484 - 1545

Mino Da Fiesole
MINO DA FIESOLE Italian sculptor from Fiesole, holding a sample of his handiwork. Date: 1431 - 1484

Girolamo Romanino, Italian (1484-1487), c. 1560, The Madonna and Child with Saint Anthony Abbot and Saint Francis Introducing a Patron, c

Fra Carnevale, Italian (active c. 1445-1484), The Annunciation, c. 1445-1450, tempera on panel

Guiseppe Nicolo Vicentino after Giovanni Antonio Pordenone (Italian, probably 1484 - 1539), Saturn, 1525-1530, chiaroscuro woodcut in four violets

German 15th Century, Miracle at Seefeld, 1484, woodcut, hand-colored in red, blue, yellow, purple, brown, gray, and lavender

Frans Overrijn van Schoterbosch, c. 1484-?, attributed to Cornelis Engelsz. c. 1525

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In the year 1484, history witnessed a myriad of captivating events and remarkable individuals. From the enchanting tales of Geoffrey Chaucer's Canterbury Tales to the timeless fable of the Fox and Grapes by Aesop, this year was filled with literary treasures that continue to captivate readers today. Meanwhile, in Switzerland, Ulrich Zwingli began his journey as a prominent religious figure, shaping the course of Protestant Reformation. His teachings would leave an indelible mark on European history. Artistic expressions flourished during this time as well. Nicolas Manuel's fresco depicting Blessed Simon of Trent in 1484 showcased his mastery over colors and brushstrokes. Similarly, Martial de Paris's miniature illustration portrayed Joan of Arc valiantly leading troops at the siege of Orleans. The world also witnessed pivotal moments in exploration and discovery. Christopher Columbus offered his services to the King of Portugal in 1484, setting forth on a voyage that would forever change our understanding of geography and navigation. Amidst all these historical milestones, everyday life continued its rhythm. The Siege of Rouen unfolded through vivid illustrations found within Vigiles de Charles VII manuscript from 1484 – a testament to both human resilience and strife during times of conflict. Even architecture bore witness to innovation as Giovanni Maria Platina crafted a magnificent wooden choir in 1484 – an exquisite masterpiece that harmonized artistry with functionality. Lastly, Guillaume de Bibra stood tall through an engraving immortalizing him in stone - symbolizing strength and leadership amidst turbulent times. As we delve into the annals of history surrounding 1484, we uncover stories woven together by diverse threads: literature enthralls us; religion shapes beliefs; art captures emotions; exploration expands horizons; conflict tests humanity; craftsmanship showcases ingenuity; statues honor legacies left behind.