1485 Collection (page 5)

Wolf Huber, Saint George Killing the Dragon, German, c. 1485-1490-1553, 1520, woodcut on laid paper

Hieronymus Bosch (Netherlandish, c. 1450-1516), Death and the Miser, c. 1485-1490, oil on panel

Cariani, Italian (1485-1490-1547 or after), Portrait of a Man with a Dog, c. 1520, oil on canvas

Cariani, Italian (1485-1490-1547 or after), A Concert, c. 1518-1520, oil on canvas

Circle of Urs Graf I (Swiss, c. 1485 - 1527-1529), A Soldier Walking with a Camp Follower, 1523, pen and black ink on laid paper

Jean Duvet (French, 1485 - c. 1570), Saint John Sees the Four Horsemen, 1546-1556, engraving

Jean Duvet (French, 1485 - c. 1570), The Deposition, c. 1550, engraving

Domenico Beccafumi (Italian, c. 1485 - 1551), Study for The Four Doctors of
Domenico Beccafumi (Italian, c. 1485 - 1551), Study for " The Four Doctors of the Church", pen and brown ink with brown wash and red chalk heightened with white on laid paper

Neroccio de Landi, Portrait of a Lady, Italian, 1447 - 1500, c. 1485, tempera on panel

Urs Graf I after Martin Schongauer, A Bust Figure of a Foolish Virgin Holding Her Inverted Lamp, Swiss, c. 1485 - 1527-1529, engraving

Urs Graf I, Christ and the Apostles and the Holy Women, Swiss, c. 1485 - 1527-1529, woodcut

Adoration of the Christ Child, circle of Jacopo del Sellaio, 1485 - 1520

The Adoration of the Christ Child, Cosimo Rosselli, c. 1485 - c. 1507

A Donor and his two Sons with Saint John the Evangelist, inner left wing of a triptych, workshop of The (Bruges) Master of the Legend of Saint Ursula, c. 1480 - c. 1485

Last Supper, circle of Master of the Amsterdam Death of the Virgin, c. 1485 - c. 1500

The Adoration of the Magi, Geertgen tot Sint Jans, c. 1480 - c. 1485

Resurrection of Christ, circle of Master of the Amsterdam Death of the Virgin, c. 1485 - c. 1500

Cartoon for the Head of Saint James; Sebastiano del Piombo, Italian, about 1485 - 1547; Italy, Europe; about 1520; Black and white chalk

Mary Magdalen Transported by Four Angels; Unknown maker, German, 15th century; about 1485 - 1490; Pen and black ink with white gouache highlights on reddish-brown grounded paper; 17 x 16.2 cm

Study of an Angel and of Drapery; Innocenzo da Imola, Italian, 1485 - 1550; Italy, Europe; about 1520; Black chalk and brown wash, with white gouache heightening on brown tinted paper

View of a Walled City in a River Landscape; Attributed to Workshop of Master LCz, German, active 1480 - 1505; Germany, Europe; about 1485; Brown ink, colored washes

Standing man wearing a turban; Attributed to Giovanni Bellini, Italian, about 1431/1436 - 1516; Venice, Italy, Veneto, Europe; about 1485; Pen and brown ink; 11.6 x 5.2 cm (4 9/16 x 2 1/16 in.)

The Story of Joseph; Biagio d Antonio, Italian (Florentine), 1446 - after 1508; about 1485; Tempera and gold leaf on panel; Unframed: 66.7 x 149.2 cm (26 1/4 x 58 3/4 in.)

Pope Clement VII; Sebastiano del Piombo, Italian, about 1485 - 1547; Italy, Europe; about 1531; Oil on slate; Unframed: 105.4 x 87.6 cm (41 1/2 x 34 1/2 in.)

Initial O: Saint Christopher; Master of the Dresden Prayer Book or workshop, Flemish, active about 1480 - 1515; Bruges, Belgium, Europe; about 1480 - 1485

Initial J: Saint John the Evangelist; Master of the Dresden Prayer Book or workshop, Flemish, active about 1480 - 1515; Bruges, Belgium, Europe; about 1480 - 1485

Initial O: Saint James the Greater; Master of the Dresden Prayer Book or workshop, Flemish, active about 1480 - 1515; Bruges, Belgium, Europe; about 1480 - 1485

Arms of Lois de la Fontaine; Unknown; Bruges, Belgium, Europe; about 1480 - 1485 ?; Tempera colors and gold on parchment; Leaf: 20.5 x 14.8 cm (8 1/16 x 5 13/16 in.)

Arms of Marguerite Crohin; Unknown; Bruges, Belgium, Europe; about 1480 - 1485 ?; Tempera colors and gold on parchment

Initial O: Madonna of Humility; Master of the Dresden Prayer Book or workshop, Flemish, active about 1480 - 1515; Bruges, Belgium, Europe; about 1480 - 1485

Initial I: Saint Mark; Master of the Dresden Prayer Book or workshop, Flemish, active about 1480 - 1515; Bruges, Belgium, Europe; about 1480 - 1485

Initial I: Saint Luke; Master of the Dresden Prayer Book or workshop, Flemish, active about 1480 - 1515; Bruges, Belgium, Europe; about 1480 - 1485

The Virgin and Child Enthroned; Master of the Dresden Prayer Book or workshop, Flemish, active about 1480 - 1515; Bruges, Belgium, Europe; about 1480 - 1485

Initial P: Saint Peter and the Conversion of Saint Paul; Master of the Dresden Prayer Book or workshop, Flemish, active about 1480 - 1515; Bruges, Belgium, Europe; about 1480 - 1485

Initial I: Saint John the Baptist in the Wilderness; Master of the Dresden Prayer Book or workshop, Flemish, active about 1480 - 1515; Bruges, Belgium, Europe; about 1480 - 1485

Initial I: Saint John on Patmos; Master of the Dresden Prayer Book or workshop, Flemish, active about 1480 - 1515; Bruges, Belgium, Europe; about 1480 - 1485

Initial E: Saint Sebastian; Master of the Dresden Prayer Book or workshop, Flemish, active about 1480 - 1515; Bruges, Belgium, Europe; about 1480 - 1485

Initial A: Saint Adrian; Master of the Dresden Prayer Book or workshop, Flemish, active about 1480 - 1515; Bruges, Belgium, Europe; about 1480 - 1485

Initial S: The Stigmatization of Saint Francis; Master of the Dresden Prayer Book or workshop, Flemish, active about 1480 - 1515; Bruges, Belgium, Europe; about 1480 - 1485

Initial G: Mary Magdalene; Master of the Dresden Prayer Book or workshop, Flemish, active about 1480 - 1515; Bruges, Belgium, Europe; about 1480 - 1485

Initial B: Saint Nicholas; Master of the Dresden Prayer Book or workshop, Flemish, active about 1480 - 1515; Bruges, Belgium, Europe; about 1480 - 1485

Initial O: Saint Anthony Abbot; Master of the Dresden Prayer Book or workshop, Flemish, active about 1480 - 1515; Bruges, Belgium, Europe; about 1480 - 1485

Initial G: Saint George and the Dragon; Master of the Dresden Prayer Book or workshop, Flemish, active about 1480 - 1515; Bruges, Belgium, Europe; about 1480 - 1485

Initial G: Saint Barbara; Master of the Dresden Prayer Book or workshop, Flemish, active about 1480 - 1515; Bruges, Belgium, Europe; about 1480 - 1485

Initial G: Saint Margaret; Master of the Dresden Prayer Book or workshop, Flemish, active about 1480 - 1515; Bruges, Belgium, Europe; about 1480 - 1485

Job on the Dung Heap; Jean Bourdichon, French, 1457 - 1521, active Tours, France, early 1480s - 1521; Tours, France, Europe; about 1480 - 1485; Tempera colors, gold

Saint Avia in Prison Receiving Communion from the Virgin; Jean Bourdichon, French, 1457 - 1521, active Tours, France, early 1480s - 1521; Tours, France, Europe; about 1480 - 1485; Tempera colors

The Three Living and the Three Dead; Master of the Dresden Prayer Book or workshop, Flemish, active about 1480 - 1515; Bruges, Belgium, Europe; about 1480 - 1485

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In the year 1485, a pivotal chapter in English history unfolded. King Richard III, famously depicted by Shakespeare as a cunning and ruthless ruler, took center stage. The players of this historical drama included Catherine of Aragon, Thomas Cromwell, and Francesco Accolti. King Richard III's reign was marked by controversy and intrigue. His ascent to power in England brought both admiration and fear among his subjects. With his iconic image astride a horse, Richard III symbolized strength and authority. However, fate had other plans for the king. In the fateful Battle of Bosworth Field, Richard met his demise at the hands of Henry Tudor's forces. This event would forever alter the course of English history. Thomas Cromwell emerged as an influential figure during this time period. As an English statesman known for his shrewdness and political acumen, Cromwell played a significant role in shaping England's future under different monarchs. Meanwhile, Catherine of Aragon entered into the picture as one of King Henry VIII's wives later on but her story began much earlier than that tumultuous marriage saga. The landscapes of Wales and Dale provided picturesque backdrops to these events unfolding across England during this era. From grand castles to lush green valleys - they witnessed it all. Artists like Holbein captured these historical figures with their brushes immortalizing them through their masterpieces for generations to come. As we reflect upon 1485 today, we are reminded that history is not merely about dates or names; it is about people who shaped nations with their actions and decisions - leaving behind legacies that continue to captivate our imaginations centuries later.