1490 Collection (page 3)

Portrait Man North Italian 1490 Pen brown ink
Portrait of a Man; North Italian; about 1490; Pen and brown ink; 21 x 16 cm (8 1, 4 x 6 5, 16 in.)

Saint Lucy Fra Paolino Paolo del Signoraccio
Saint Lucy; Fra Paolino (Paolo del Signoraccio) (Italian, about 1490 - 1547); Italy; about 1525 - 1530; Black and white chalk; 46 x 27.1 cm (18 1, 8 x 10 11, 16 in.)

Satyr Playing Aulos Bernardo Parentino Italian
Satyr Playing an Aulos; Bernardo Parentino (Italian, 1437 - 1531); Italy; about 1480 - 1490; Pen and brown ink; 20.2 x 10.3 cm (7 15, 16 x 4 1, 16 in.)

Salome Head John Baptist Cornelis Engebrechtsz
Salome with the Head of John the Baptist; Cornelis Engebrechtsz. (Dutch, about 1465 - 1527); Netherlands; about 1490; Brush and black ink, gray wash

Mary Magdalene Transported Four Angels German
Mary Magdalene Transported by Four Angels; German, 15th century; about 1485 - 1490; Pen and black ink with white gouache highlights on reddish-brown grounded paper; 17 x 16.2 cm (6 11, 16 x 6 3)

Fourteenth Sign Day Judgement Norfolk perhaps
The Fourteenth Sign before the Day of Judgement; Norfolk perhaps (written), East Anglia, England; illumination about 1190; written about 1490; Tempera colors and gold leaf on parchment; Leaf

Twelfth Sign Day Judgement Norfolk perhaps written
The Twelfth Sign before the Day of Judgement; Norfolk perhaps (written), East Anglia, England; illumination about 1190; written about 1490; Tempera colors and gold leaf on parchment; Leaf

Sixth Sign Day Judgement York perhaps illuminated
The Sixth Sign before the Day of Judgement; York perhaps (illuminated), Northern, England; illumination about 1190; written about 1490; Tempera colors and gold leaf on parchment; Leaf

Tenth Sign Day Judgement York perhaps illuminated
The Tenth Sign before the Day of Judgement; York perhaps (illuminated), Northern, England; illumination about 1190; written about 1490; Tempera colors and gold leaf on parchment; Leaf

Eighth Sign Day Judgement York perhaps illuminated
The Eighth Sign before the Day of Judgement; York perhaps (illuminated), Northern, England; illumination about 1190; written about 1490; Tempera colors and gold leaf on parchment; Leaf

Decorated Text Page York perhaps illuminated
Decorated Text Page; York perhaps (illuminated), Northern, England; illumination about 1190; written about 1490; Tempera colors and gold leaf on parchment; Leaf: 11.9 x 17 cm (4 11, 16 x 6 11, 16 in.)

Second Sign Day Judgement Norfolk perhaps written
The Second Sign before the Day of Judgement; Norfolk perhaps (written), East Anglia, England; illumination about 1190; written about 1490; Tempera colors and gold leaf on parchment; Leaf

Fourth Sign Day Judgement Norfolk perhaps written
The Fourth Sign before the Day of Judgement; Norfolk perhaps (written), East Anglia, England; illumination about 1190; written about 1490; Tempera colors and gold leaf on parchment; Leaf

Fifteenth Final Sign Day Judgement York perhaps
The Fifteenth and Final Sign before the Day of Judgement; York perhaps (illuminated), Northern, England; illumination about 1190; written about 1490; Tempera colors and gold leaf on parchment; Leaf

Thirteenth Sign Day Judgement York perhaps illuminated
The Thirteenth Sign before the Day of Judgement; York perhaps (illuminated), Northern, England; illumination about 1190; written about 1490; Tempera colors and gold leaf on parchment; Leaf

Seventh Sign Day Judgement Norfolk perhaps written
The Seventh Sign before the Day of Judgement; Norfolk perhaps (written), East Anglia, England; illumination about 1190; written about 1490; Tempera colors and gold leaf on parchment; Leaf

Fifth Sign Day Judgement Norfolk perhaps written
The Fifth Sign before the Day of Judgement; Norfolk perhaps (written), East Anglia, England; illumination about 1190; written about 1490; Tempera colors and gold leaf on parchment; Leaf

Eleventh Sign Day Judgement York perhaps illuminated
The Eleventh Sign before the Day of Judgement; York perhaps (illuminated), Northern, England; illumination about 1190; written about 1490; Tempera colors and gold leaf on parchment; Leaf

Third Sign Day Judgement Norfolk perhaps written
The Third Sign before the Day of Judgement; Norfolk perhaps (written), East Anglia, England; illumination about 1190; written about 1490; Tempera colors and gold leaf on parchment; Leaf

First Sign Day Judgement Norfolk perhaps written
The First Sign before the Day of Judgement; Norfolk perhaps (written), East Anglia, England; illumination about 1190; written about 1490; Tempera colors and gold leaf on parchment; Leaf

God Father Son Norfolk perhaps written East Anglia
God the Father and Son; Norfolk perhaps (written), East Anglia, England; illumination about 1190; written about 1490; Tempera colors and gold leaf on parchment; Leaf: 11.9 x 17 cm (4 11, 16 x 6 11)

Christ Man Sorrows Norfolk perhaps written East Anglia
Christ as the Man of Sorrows; Norfolk perhaps (written), East Anglia, England; illumination about 1190; written about 1490; Tempera colors and gold leaf on parchment; Leaf: 11.9 x 17 cm (4 11)

Pentecost York perhaps illuminated Northern England
Pentecost; York perhaps (illuminated), Northern, England; illumination about 1190; written about 1490; Tempera colors and gold leaf on parchment; Leaf: 11.9 x 17 cm (4 11, 16 x 6 11, 16 in.)

Ascension York perhaps illuminated Northern England
The Ascension; York perhaps (illuminated), Northern, England; illumination about 1190; written about 1490; Tempera colors and gold leaf on parchment; Leaf: 11.9 x 17 cm (4 11, 16 x 6 11, 16 in.)

Three Maries Sepulchre York perhaps illuminated
The Three Maries at the Sepulchre; York perhaps (illuminated), Northern, England; illumination about 1190; written about 1490; Tempera colors and gold leaf on parchment; Leaf: 11.9 x 17 cm (4 11)

Decorated Text Page Norfolk perhaps written East Anglia
Decorated Text Page; Norfolk perhaps (written), East Anglia, England; illumination about 1190; written about 1490; Tempera colors and gold leaf on parchment; Leaf: 11.9 x 17 cm (4 11, 16 x 6 11)

Resurrection Norfolk perhaps written East Anglia
The Resurrection; Norfolk perhaps (written), East Anglia, England; illumination about 1190; written about 1490; Tempera colors and gold leaf on parchment; Leaf: 11.9 x 17 cm (4 11, 16 x 6 11, 16 in.)

Christ Carrying Cross Norfolk perhaps written
Christ Carrying the Cross; Norfolk perhaps (written), East Anglia, England; about 1190 - 1200 and text about 1480 - 1490; Tempera colors and gold leaf on parchment; Leaf: 11.9 × 17 cm (4 11)

Pilate Washing Hands Norfolk perhaps written
Pilate Washing His Hands; Norfolk perhaps (written), East Anglia, England; illumination about 1190; written about 1490; Tempera colors and gold leaf on parchment; Leaf: 11.9 x 17 cm (4 11, 16 x 6 11)

Christ Pilate Norfolk perhaps written East Anglia
Christ Before Pilate; Norfolk perhaps (written), East Anglia, England; illumination about 1190; written about 1490; Tempera colors and gold leaf on parchment; Leaf: 11.9 x 17 cm (4 11, 16 x 6 11)

Agony Garden Norfolk perhaps written East Anglia
The Agony in the Garden; Norfolk perhaps (written), East Anglia, England; illumination about 1190; written about 1490; Tempera colors and gold leaf on parchment; Leaf: 11.9 x 17 cm (4 11, 16 x 6 11)

Suicide Herod York perhaps illuminated Northern
The Suicide of Herod; York perhaps (illuminated), Northern, England; illumination about 1190; written about 1490; Tempera colors and gold leaf on parchment; Leaf: 11.9 x 17 cm (4 11, 16 x 6 11)

Five Bunches Flowers Norfolk perhaps written
Five Bunches of Flowers; Norfolk perhaps (written), East Anglia, England; illumination about 1190; written about 1490; Tempera colors and gold leaf on parchment; Leaf: 11.9 x 17 cm (4 11, 16 x 6 11)

Christ Blessing Parents York perhaps illuminated
Christ Blessing His Parents; York perhaps (illuminated), Northern, England; illumination about 1190; written about 1490; Tempera colors and gold leaf on parchment; Leaf: 11.9 x 17 cm (4 11)

Christ Crowned Thorns Norfolk perhaps written
Christ Crowned with Thorns; Norfolk perhaps (written), East Anglia, England; illumination about 1190; written about 1490; Tempera colors and gold leaf on parchment; Leaf: 11.9 x 17 cm (4 11)

Scourging Christ York perhaps illuminated Northern
The Scourging of Christ; York perhaps (illuminated), Northern, England; about 1190 - 1200 and text about 1480 - 1490; Tempera colors and gold leaf on parchment; Leaf: 11.9 × 17 cm (4 11, 16 × 6 11)

Herod Giving Orders Soldiers Norfolk perhaps
Herod Giving Orders to His Soldiers; Norfolk perhaps (written), East Anglia, England; illumination about 1190; written about 1490; Tempera colors and gold leaf on parchment; Leaf: 11.9 x 17 cm (4 11)

Egypt Fall Pagan Idols York perhaps illuminated
Egypt; The Fall of Pagan Idols; York perhaps (illuminated), Northern, England; illumination about 1190; written about 1490; Tempera colors and gold leaf on parchment; Leaf: 11.9 x 17 cm (4 11)

Holy Family Home Norfolk perhaps written East Anglia
The Holy Family at Home; Norfolk perhaps (written), East Anglia, England; illumination about 1190; written about 1490; Tempera colors and gold leaf on parchment; Leaf: 11.9 x 17 cm (4 11, 16 x 6 11)

Betrayal York perhaps illuminated Northern England
The Betrayal; York perhaps (illuminated), Northern, England; illumination about 1190; written about 1490; Tempera colors and gold leaf on parchment; Leaf: 11.9 x 17 cm (4 11, 16 x 6 11, 16 in.)

Christ House Pharisee Norfolk perhaps written
Christ in the House of the Pharisee; Norfolk perhaps (written), East Anglia, England; illumination about 1190; written about 1490; Tempera colors and gold leaf on parchment; Leaf: 11.9 x 17 cm (4 11)

Raising Lazarus Norfolk perhaps written East Anglia
The Raising of Lazarus; Norfolk perhaps (written), East Anglia, England; illumination about 1190; written about 1490; Tempera colors and gold leaf on parchment; Leaf: 11.9 x 17 cm (4 11, 16 x 6 11)

Third Temptation Norfolk perhaps written East Anglia
The Third Temptation; Norfolk perhaps (written), East Anglia, England; illumination about 1190; written about 1490; Tempera colors and gold leaf on parchment; Leaf: 11.9 x 17 cm (4 11, 16 x 6 11)

Second Temptation Norfolk perhaps written East Anglia
The Second Temptation; Norfolk perhaps (written), East Anglia, England; illumination about 1190; written about 1490; Tempera colors and gold leaf on parchment; Leaf: 11.9 x 17 cm (4 11, 16 x 6 11)

Baptism Christ York perhaps illuminated Northern
The Baptism of Christ; York perhaps (illuminated), Northern, England; illumination about 1190; written about 1490; Tempera colors and gold leaf on parchment; Leaf: 11.9 x 17 cm (4 11, 16 x 6 11)

Christ Healer Norfolk perhaps written East Anglia
Christ as a Healer; Norfolk perhaps (written), East Anglia, England; illumination about 1190; written about 1490; Tempera colors and gold leaf on parchment; Leaf: 11.9 x 17 cm (4 11, 16 x 6 11)

Christ Child Parents Temple York perhaps illuminated
The Christ Child Found by His Parents in the Temple; York perhaps (illuminated), Northern, England; illumination about 1190; written about 1490; Tempera colors and gold leaf on parchment; Leaf

Shepherds Stable Norfolk perhaps written East Anglia
The Shepherds at the Stable; Norfolk perhaps (written), East Anglia, England; illumination about 1190; written about 1490; Tempera colors and gold leaf on parchment; Leaf: 11.9 x 17 cm (4 11)

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"1490: A Glimpse into the Renaissance and Beyond" Step back in time to the late 15th century, a period of immense cultural and artistic transformation. In this year, Canterbury Tales, one of Geoffrey Chaucer's most renowned works, captivated readers with its vivid tales of medieval life. The woodcut of the Knight from this edition transports us to a world filled with chivalry and honor. Meanwhile, in distant Persia, dancing dervishes mesmerized audiences with their graceful movements. This Persian Timurid manuscript illumination from 1490 showcases the rich artistic heritage of the region. Leonardo da Vinci, an Italian polymath who would leave an indelible mark on history, was at his creative peak during this time. La Belle Ferronnière is just one example of his masterful portraiture skills that continue to awe us today. Domenico Ghirlandaio's "An Old Man and His Grandson" offers a touching glimpse into familial love and aging. Through his brushstrokes, he immortalizes a tender bond that transcends generations. The world itself was expanding rapidly as explorers like Bartholomeu Diaz pushed boundaries beyond known horizons. A map from around 1490 incorporates these discoveries and opens our eyes to new possibilities. Intriguingly detailed drawings by Leonardo da Vinci reveal not only his fascination with human anatomy but also his insatiable curiosity about nature itself – comparing sections of an onion to those found within our own heads shows how deeply he delved into understanding life's intricacies. Amidst all these wonders lies another marvel – giraffes. These majestic creatures captured imaginations then as they do now; their elegance is forever etched in art for future generations to admire. Religion played a significant role during this era too. Leonardo da Vinci's "Virgin of the Rocks" exemplifies both his artistic genius and devotion to depicting sacred subjects.