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1517 Collection (page 3)

"1517: Martin Luther's 95 Theses and the Dawn of Religious Reform" In 1517

Background image1517 Collection: Benedikt von Hertenstein born 1495 died 1522

Benedikt von Hertenstein born 1495 died 1522
Artokoloro

Background image1517 Collection: Virgin top center clouds clasped hands right foot raised

Virgin top center clouds clasped hands right foot raised
Artokoloro

Background image1517 Collection: Group naked men engaged battle wooded landscape

Group naked men engaged battle wooded landscape
Artokoloro

Background image1517 Collection: Nude woman Venus reclining landscape 1517 Engraving

Nude woman Venus reclining landscape 1517 Engraving
Artokoloro

Background image1517 Collection: Martin Luther, (1483-1546). German reformer. Doctor of Theology and Augustinian priest

Martin Luther, (1483-1546). German reformer. Doctor of Theology and Augustinian priest
Martin Luther (Eisleben 1483-1546). German reformer. Doctor of Theology and Augustinian priest. In 1517, outlined main thesis of Lutheranism in Wittenberg. Was excommunicated in 1520

Background image1517 Collection: DURER: MASQUERADE, 1517. Masquerade at the Court of the Emperor Maximilian I (wearing hat

DURER: MASQUERADE, 1517. Masquerade at the Court of the Emperor Maximilian I (wearing hat
DRER: MASQUERADE, 1517. Masquerade at the Court of the Emperor Maximilian I (wearing hat and chain). Woodcut, 1517, by Albrecht Drer

Background image1517 Collection: FRANCE: DAILY LIFE, 1517. Country life. Woodcut, French, 1517

FRANCE: DAILY LIFE, 1517. Country life. Woodcut, French, 1517

Background image1517 Collection: LUTHER ANNIVERSARY, 1617. German broadside, 1617, commemorating the 100th anniversary

LUTHER ANNIVERSARY, 1617. German broadside, 1617, commemorating the 100th anniversary of the nailing of Martin Luthers 95 theses to the church door at Wittenberg, after a woodcut, 1518

Background image1517 Collection: A MASQUERADE. A masquerade ball at the court of Holy Roman Emperor Maximilian I

A MASQUERADE. A masquerade ball at the court of Holy Roman Emperor Maximilian I (wearing hat and chain). Woodcut by Albrecht Durer

Background image1517 Collection: SIEGE OF A CITY, c1517. Forces of the Holy Roman Emperor Maximilian I besieging a city

SIEGE OF A CITY, c1517. Forces of the Holy Roman Emperor Maximilian I besieging a city. Color German woodcut, c1517

Background image1517 Collection: Girolamo Romanino, Italian (1484-1487), c

Girolamo Romanino, Italian (1484-1487), c. 1560, The Madonna and Child with Saint Anthony Abbot and Saint Francis Introducing a Patron, c

Background image1517 Collection: Benvenuto di Giovanni, The Agony in the Garden, Italian, 1436-before 1517, probably 1491

Benvenuto di Giovanni, The Agony in the Garden, Italian, 1436-before 1517, probably 1491, tempera on panel

Background image1517 Collection: Benvenuto di Giovanni, The Crucifixion, Italian, 1436-before 1517, probably 1491

Benvenuto di Giovanni, The Crucifixion, Italian, 1436-before 1517, probably 1491, tempera on panel

Background image1517 Collection: Benvenuto di Giovanni, Christ in Limbo, Italian, 1436-before 1517, probably 1491

Benvenuto di Giovanni, Christ in Limbo, Italian, 1436-before 1517, probably 1491, tempera on panel

Background image1517 Collection: Benvenuto di Giovanni, Christ Carrying the Cross, Italian, 1436-before 1517, probably

Benvenuto di Giovanni, Christ Carrying the Cross, Italian, 1436-before 1517, probably 1491, tempera on panel

Background image1517 Collection: Gerard de Jode after Hans Bol (Flemish, 1509 or 1517 - 1591), Tobias Returns Home

Gerard de Jode after Hans Bol (Flemish, 1509 or 1517 - 1591), Tobias Returns Home with His Bride, etching and engraving

Background image1517 Collection: Attributed to Francesco Francia (Italian, c. 1447 - 1517), Saint Sebastian, c. 1470-1480

Attributed to Francesco Francia (Italian, c. 1447 - 1517), Saint Sebastian, c. 1470-1480, niello print

Background image1517 Collection: Fra Bartolommeo, An Angel Blowing a Trumpet, and Another Holding a Standard, Italian

Fra Bartolommeo, An Angel Blowing a Trumpet, and Another Holding a Standard, Italian, 1472 - 1517, c. 1500, pen and brown ink, squared in red chalk for transfer on laid paper

Background image1517 Collection: Benvenuto di Giovanni, Madonna and Child with Saint Jerome and Saint Bernardino of Siena

Benvenuto di Giovanni, Madonna and Child with Saint Jerome and Saint Bernardino of Siena, Italian, 1436 - before 1517, c. 1480-1485, tempera on panel

Background image1517 Collection: Ten Musicians, from the Triumphal Procession of Maximilian I, c. 1517 (woodcut)

Ten Musicians, from the Triumphal Procession of Maximilian I, c. 1517 (woodcut)
XJF447333 Ten Musicians, from the Triumphal Procession of Maximilian I, c.1517 (woodcut) by Burgkmair, Hans (c.1473-1531); Private Collection; (add.info)

Background image1517 Collection: A Group of Drummers, from the Triumphal Procession of the Emperor Maximilian I, c

A Group of Drummers, from the Triumphal Procession of the Emperor Maximilian I, c
XJF447331 A Group of Drummers, from the Triumphal Procession of the Emperor Maximilian I, c.1517 (woodcut) by Burgkmair, Hans (c.1473-1531); Private Collection; (add.info)

Background image1517 Collection: Five Musicians with Trombones, from the Triumphal Procession of the Emperor Maximilian I, c

Five Musicians with Trombones, from the Triumphal Procession of the Emperor Maximilian I, c
XJF447329 Five Musicians with Trombones, from the Triumphal Procession of the Emperor Maximilian I, c.1517 (woodcut) by Altdorfer

Background image1517 Collection: Two Knights, from the Triumphal Procession of the Emperor Maximilian I, c. 1517 (woodcut)

Two Knights, from the Triumphal Procession of the Emperor Maximilian I, c. 1517 (woodcut)
XJF447330 Two Knights, from the Triumphal Procession of the Emperor Maximilian I, c.1517 (woodcut) by Burgkmair, Hans (c.1473-1531); Private Collection; (add.info)

Background image1517 Collection: The Adoration of the Magi, Jacob Cornelisz van Oostsanen, 1517

The Adoration of the Magi, Jacob Cornelisz van Oostsanen, 1517

Background image1517 Collection: Virgin and Child, Giovanni Battista Cima da Conegliano, 1512 - 1517

Virgin and Child, Giovanni Battista Cima da Conegliano, 1512 - 1517

Background image1517 Collection: Portrait by Jan van Suren, Hendrick Goltzius, 1588 - 1590

Portrait by Jan van Suren, Hendrick Goltzius, 1588 - 1590

Background image1517 Collection: Reclining Venus in landscape, Domenico Campagnola, 1517

Reclining Venus in landscape, Domenico Campagnola, 1517

Background image1517 Collection: Albrecht Altdorfer (German, ca. 1480-1538). The Austrian Territories: Burgendt and Zeringen

Albrecht Altdorfer (German, ca. 1480-1538). The Austrian Territories: Burgendt and Zeringen, ca. 1517. From The Triumphal Procession of Emperor Maximilian I. Woodcut on parchment

Background image1517 Collection: A Man Riding a Bull, and Other Figures

A Man Riding a Bull, and Other Figures; Correggio (Antonio Allegri), Italian, about 1489 - 1534; about 1517 - 1519; Black chalk with pale brown wash; 21.9 x 17.6 cm (8 5/8 x 6 15/16 in.)

Background image1517 Collection: Saint Francis (recto), Dead Christ (verso)

Saint Francis (recto), Dead Christ (verso); Pontormo (Jacopo Carucci), Italian (Florentine), 1494 - 1557; about 1517 - 1518; Black chalk (recto); black chalk with some white chalk heightening (verso)

Background image1517 Collection: Madonna and Child with Saints

Madonna and Child with Saints; Fra Bartolommeo (Baccio della Porta), Italian, 1472 - 1517; Italy, Europe; 1510 - 1513; Black chalk with traces of white chalk; 37.5 x 28.3 cm (14 3/4 x 11 1/8 in.)

Background image1517 Collection: Head of a Child, an Angel and a Hand (recto), Male Figure (vers

Head of a Child, an Angel and a Hand (recto), Male Figure (verso); Fra Bartolommeo (Baccio della Porta), Italian, 1472 - 1517; Italy

Background image1517 Collection: Portrait of a Man in Armor

Portrait of a Man in Armor; Circle of Antonis Mor van Dashorst, Flemish, 1517 - 1577; 1558; Oil on canvas; Unframed: 111.1 x 80 cm (43 3/4 x 31 1/2 in.)

Background image1517 Collection: The Rest on the Flight into Egypt with St. John the Baptist

The Rest on the Flight into Egypt with St. John the Baptist; Fra Bartolommeo (Baccio della Porta), Italian, 1472 - 1517; about 1509; Oil on panel; Unframed: 129.5 x 106.6 cm (51 x 42 in.)

Background image1517 Collection: Three Studies of Trees

Three Studies of Trees; Fra Bartolommeo (Baccio della Porta), Italian, 1472 - 1517; about 1508; Black chalk, point of brush and brown ink; 40.8 x 27.5 cm (16 1/16 x 10 13/16 in.)

Background image1517 Collection: Francesco Francia (Italian, c. 1447-1517), Bishop Altobello Averoldo, c

Francesco Francia (Italian, c. 1447-1517), Bishop Altobello Averoldo, c. 1505, oil on panel

Background image1517 Collection: Benvenuto di Giovanni, The Resurrection, Italian, 1436-before 1517, probably 1491

Benvenuto di Giovanni, The Resurrection, Italian, 1436-before 1517, probably 1491, tempera on panel

Background image1517 Collection: Domenico Campagnola (Italian, before 1500-1564), Venus Reclining in a Landscape, 1517

Domenico Campagnola (Italian, before 1500-1564), Venus Reclining in a Landscape, 1517, engraving

Background image1517 Collection: KNIGHTS: JOUST, 1517. Two knights jousting. German woodcut illustrating the Theuerdank

KNIGHTS: JOUST, 1517. Two knights jousting. German woodcut illustrating the Theuerdank, an allegorical poem by Melchiol Pfintzing, 1517

Background image1517 Collection: SIEGE OF A CITY, c1517. Forces of the Holy Roman Emperor Maximilian I besieging a city

SIEGE OF A CITY, c1517. Forces of the Holy Roman Emperor Maximilian I besieging a city. German woodcut, c1517

Background image1517 Collection: GERMANY: SOLDIERS, c1517. Five German halberdiers. Woodcut, c1517, by Hans Burgkmair

GERMANY: SOLDIERS, c1517. Five German halberdiers. Woodcut, c1517, by Hans Burgkmair

Background image1517 Collection: VALLEY WITH TWO CHURCHES. Woodcut from Cronycke van Hollandt, Leyden, 1517

VALLEY WITH TWO CHURCHES. Woodcut from Cronycke van Hollandt, Leyden, 1517

Background image1517 Collection: LUTHER ANNIVERSARY, 1617. German broadside, 1617, commemorating the 100th anniversary

LUTHER ANNIVERSARY, 1617. German broadside, 1617, commemorating the 100th anniversary of the nailing of Martin Luthers 95 theses to the church door at Wittenberg, after a woodcut, 1518

Background image1517 Collection: MEDIEVAL FALCONRY, c1517. Woodcut from a 1517 edition of Libro de la natura di

MEDIEVAL FALCONRY, c1517. Woodcut from a 1517 edition of Libro de la natura di cavalli by Giordano Ruffo

Background image1517 Collection: DESIDERIUS ERASMUS (1466?-1536). Known as Erasmus of Rotterdam. Dutch humanist and scholar

DESIDERIUS ERASMUS (1466?-1536). Known as Erasmus of Rotterdam. Dutch humanist and scholar. Oil on panel, 1517, by Quentin Massys

Background image1517 Collection: CAESARs COMMENTARIES. First page from an edition of Julius Caesars Commentaries

CAESARs COMMENTARIES. First page from an edition of Julius Caesars Commentaries on the Gallic War, printed at Venice in 1517

Background image1517 Collection: PRINTERs DEVICE, 1517. Device used by Bruder vom Gemeinsamen, Leben, Cologne, Germany

PRINTERs DEVICE, 1517. Device used by Bruder vom Gemeinsamen, Leben, Cologne, Germany, 1517

Background image1517 Collection: Le Bivouac Russe

Le Bivouac Russe
circa 1800: Le Bivouac Russe ou La Provision de Jour et de Nuit. Two Russian soldiers warming themselves by the fire in a small encampment. (Photo by Hulton Archive/Getty Images)



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"1517: Martin Luther's 95 Theses and the Dawn of Religious Reform" In 1517, German religious reformer Martin Luther shook the foundations of the Catholic Church with his groundbreaking document - the 95 Theses. This bold act challenged the authority and practices of a powerful institution that had held sway for centuries. Luther's 95 Theses, nailed to the door of Wittenberg Castle Church, sparked a revolution in religious thought. They questioned indulgences, which were seen as a way for people to buy their salvation. Luther believed that true faith and repentance were essential for spiritual redemption. Amidst this tumultuous time, artists like M Musurus and Larmessin captured scenes depicting Luther's influential work. Their illustrations showcased Ten Musicians with Trumpets from Emperor Maximilian I's Triumphal Procession, symbolizing how Luther's ideas reverberated throughout society. The significance of these events extended beyond religion alone. Mer-People and God seemed intertwined as individuals sought personal connections with divinity outside traditional structures. The exploration led by figures such as Vasco Nunez De Balboa revealed new frontiers both geographically and spiritually. Meanwhile, societal unrest simmered beneath the surface. The riot in Cheapside marked an outpouring of frustration against oppressive systems that suppressed individual freedoms—a precursor to larger movements yet to come. Hans von Gersdorff emerged as an emblematic figure during this era—an innovative surgeon who pushed boundaries in medical science while challenging conventional wisdom much like Luther did within theology. Even royalty was not immune to these seismic shifts; Catherine of Aragon, Queen of England at that time faced her own trials amidst political turmoil—her story intertwining with those seeking change across various realms. As we reflect on "1517, " it becomes clear that this year marks a turning point where one man's courage ignited a firestorm leading humanity towards a new era of thought, freedom, and exploration.