1527 Collection (page 5)

Vulcan seated hammering anvil flanked Venus three cupids
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Virgin reading infant Christ woman seated profile facing left
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Virgin nursing infant Christ lap 1515-20 Engraving
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satyr discovering sleeping woman two crabs hanging
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group men right pushing philosophers fire burning books
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Noah Sacrifice right hands clapsed prayer fire upon
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Eurydice naked standing rock arms raised right
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Sacrifice Ram naked man right guiding ram towards
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Galatea escaping Polyphemus seated rock holding
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satyr ram attacking satyr weilding club right hand
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Apollo tending flocks Admetus seated holding
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Saint Matthew holding pouch ca 1515-27 Engraving
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Entellus Dares fighting front classical ruins
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Christ standing facing forward holding cross
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Two satyrs placing Silenus braying mule third satyr
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ALBRECHT DURER (1471-1528). German painter and artist. Woodcut portrait by Erhard Schon
ALBRECHT DRER (1471-1528). German painter and artist. Woodcut portrait by Erhard Schon, 1527

The Rolls House and Public Record Office: 1
THE ROLLS HOUSE AND PUBLIC RECORD OFFICE: 1. The New Record Office; 2. Interior of the Rolls Chapel, with Ancient Monuments to the Masters of the Rolls; 3. Monument to Dr

Luca Cambiaso, Italian (1527-1585), Charity, pen and brown ink with brown wash on laid paper

Jan Wellens de Cock (Netherlandish, c. 1480 - c. 1527), The Temptation of Saint Anthony, 1522, woodcut

Pieter van der Heyden (Flemish, active c. 1551-1572), Albrecht Durer, after 1527, engraving

Marco Dente (Italian, c. 1493 - 1527), Fortitude, engraving

Ugo da Carpi after Parmigianino (Italian, c. 1480 - 1532), Diogenes, c. 1527, chiaroscuro woodcut printed from 4 blocks: brown line block and 3 tone blocks in brown and green on laid paper

Pellegrino Tibaldi (Italian, 1527 - 1596), Two Seated Women, pen and brown ink with brown wash on laid paper

Bernhard Strigel (German, 1460-1461 - 1528), Hans Roth [obverse], 1527, oil on panel

Memorial Triptych, formerly called the Gertz Memorial Triptych, with the Lamentation, central panel, nine male Donor Portraits with Saint John the Evangelist, left wing, inner

Siege of the Engelenburcht, 1527, Dirck Volckertsz Coornhert, Hieronymus Cock, 1555-1556

Giovanni Jacopo Caraglio (Italian, ca. 1500 / 1505a'1565) after Raphael (Italian, 1483-1520)
Giovanni Jacopo Caraglio (Italian, ca. 1500/1505a'1565) after Raphael (Italian, 1483-1520). Aeneas Rescuing His Father, Anchises, ca. 1527- 1538. Engraving on laid paper

Luca Cambiaso (Italian, 1527 - 1585). Venus Mourning the Death of Adonis, 16th century. Woodcut. Image: 264 mm x 305 mm (10.39 in. x 12.01 in.)

Antonio da Trento (Italian, ca. 1510 - ca. 1550) after Parmigianino (aka Francesco Mazzola, Italian, 1503 - 1540). Holy Family in an Oval (The Virgin and Child with the Infant St. John), ca

Anonymous after Marcantonio Raimondi (Italian, ca. 1470 / 1482 - 1527 / 1534). Poetry, 1542
Anonymous after Marcantonio Raimondi (Italian, ca. 1470/1482 - 1527/1534). Poetry, 1542. Engraving on laid paper. Plate: 176 mm x 146 mm (6.93 in. x 5.75 in.)

Marco Dente (aka Marco da Ravenna, Italian, ca. 1486-1527) after Raphael (Italian, 1483 - 1520). Venus, ca. 1516. Engraving on laid paper. Plate: 265 mm x 175 mm (10.43 in. x 6.89 in.)

Figure Study; Parmigianino (Francesco Mazzola), Italian, 1503 - 1540; 1526 - 1527; Pen and brown ink, brown wash, with white gouache heightening; 21.6 x 24.3 cm (8 1/2 x 9 9/16 in.)

Studies of Saints John the Baptist and Jerome, a Crucifix, and Various Heads (recto), Studies of the Christ Child, a Crucifix, and a Dog (verso); Parmigianino (Francesco Mazzola), Italian

Salome with the Head of John the Baptist; Cornelis Engebrechtsz. Dutch, about 1465 - 1527; Netherlands, Europe; about 1490; Brush and black ink, gray wash

Design for an Altar; Baldassare Peruzzi, Italian, 1481 - 1536; Italy, Europe; about 1527; Black chalk, pen and brown ink and brown wash, incised with a stylus; 45.4 x 37.8 cm (17 7/8 x 14 7/8 in.)

The Incredulity of Thomas (recto), Study for the Figure of Thomas (verso); Pellegrino Tibaldi, Italian (Bolognese), 1527 - 1596; Italy, Europe; about 1565 - 1585; Pen and brown ink and brown wash

Agnolo Bronzino, The Holy Family, Italian, 1503-1572, c. 1527-1528, oil on panel

Giovanni Larciani (Master of the Kress Landscapes) (Italian, 1484-1527), Scenes from a Legend, probably c. 1515-1520, oil on canvas

PERU: SPANISH CONQUEST. Spanish ships sailing to Peru during the reign of Incan emperors Huascar and Atahualpa, c1527. Pen and ink drawing from El primer nueva cronica y buen gobierno

FORTRESS SEIGE, 1527. The siege of a fortress. Woodcut, 1527, by Albrecht Durer

ALTHAMER: TITLE PAGE, 1527. Title page for the published notes on the letters of St. James, by Andreas Althamer. Printed by John Schott in Strasbourg, with a border design by Hans Baldung Grien, 1527

CRANACH: BORDER, 1527. Woodcut border by Lucas Cranach the Elder for the title page of Martin Luthers tract, Das diese wort Christi (Das ist mein leib etc)

Philip II (May 21, 1527 - September 13, 1598) King of Spain from 1556 until 1598. Index Librorum Prohibitorum. 1570. List of banned books published by the Spanish Inquisition

Maximilian II, Holy Roman Emperor Maximilian II (July 31, 1527 - October 12, 1576) was king of Bohemia from 1562, king of Hungary from 1563

Fray Luis Ponce de Leon (sometimes Luis de Leon) (born Belmonte, in Cuenca province, of the Castilian region of La Mancha, Spain)

Title page of Le Tresor des Pouvres, Lyons, 1527 by Arnaldus of Villanova. Arnaldus (1235-1311), Catalan astrologer, alchemist, physician, and translator of medical texts from the Arabic

Fernando de Soto (c1496-1542) Spanish explorer and conquistador born at Xeres (Jerez) de los Caballeros, Estramadura, Spain

MACHIAVELLI, Niccol (1469-1527). Italian writer, thinker and politician. Inicio del libro El prЮ cipe de una edicin de

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In the year 1527, a pivotal moment in history unfolded, shaping the course of nations and leaving an indelible mark on the world. Philip II of Spain ascended to power, becoming one of the most influential monarchs in European history. His reign would witness both triumphs and challenges as he navigated through turbulent times. Meanwhile, another prominent figure emerged during this era - John Dee. Known for his expertise in various fields such as mathematics, astrology, and alchemy, Dee's contributions to knowledge were unparalleled. His intellect attracted attention from powerful individuals like Philip II himself. Machiavelli's name echoed throughout Europe during this period as well. His groundbreaking work "The Prince" sparked controversy with its pragmatic approach to politics and governance. Mallad Hinchliff was among those captivated by Machiavelli's ideas, further fueling intellectual discourse across borders. As minds pondered political theories and strategies for power consolidation, Urban Gaubisch crafted an original map depicting the Battle of Lepanto that occurred in October 1527. This cartographic masterpiece provided invaluable insights into historical events unfolding on land and sea. Artistic expression flourished amidst these tumultuous times too; George Braun created his renowned Civitatis Orbis Terrarum series capturing cities around the globe with breathtaking detail. A polychrome sculpture titled "Sacrifice of Isaac" showcased masterful craftsmanship evoking deep emotions within viewers. Abraham Ortelius contributed significantly to geographical understanding with his magnum opus "Theatrum Orbis Terrarum. " This seminal work laid the foundation for modern cartography while expanding horizons beyond imagination. However, not all moments from they were filled with enlightenment or artistic prowess; it also witnessed dark episodes like Le surintendant Semblancay's execution at Montfaucon gibbet depicted vividly in a color lithograph. Even royal figures like Henry VIII of England were not immune to the events of this year.