1540 Collection (page 3)

Woman Shield Standing woman written shield left hand
Woman with Shield, Standing woman with a written shield in the left hand, to which she points with her right hand. Perhaps the personification of Rhetorica or Grammar

Philipp Melanchthon Leading Figure Reformation
Philipp Melanchthon, Leading Figure of the Reformation, Portrait of the German church reformer Philipp Melanchton (1497-1560), a rolled up paper in his left hand, Philipp Melanchton

Portrait woman Bust three-quarters left background
Portrait of a woman, Portrait of a woman. Bust, three-quarters to the left. Against a background of trees. anonymous, Northern Netherlands, c. 1540 - c

Portrait man Bust three-quarters right beret
Portrait of a man, Portrait of a man. Bust, three-quarters to the right, beret on the head, against a background of trees. anonymous, Northern Netherlands, c. 1540 - c

Adoration Magi Mary sits Christ child lap front
The Adoration of the Magi, The Adoration of the Magi. Mary sits with the Christ child on her lap in front of a broken classical column by an arch. Left and right the kings with their gifts

Traders camel merchant salesman heads animals
Traders around a camel, merchant, salesman, heads animals: camel, Leon Davent (mentioned on object), Fontainebleau, 1540 - 1556, paper, etching, h 320 mm × w 426 mm

Sculpture Double caryatid caryatids architecture
Sculpture. Double caryatid, caryatids, architecture, anonymous, Netherlands (possibly), c. 1535 - c. 1540, paper, engraving, h 168 mm × w 41 mm

Umbria Perugia Spello S. Lorenzo Italy italian country
Umbria Perugia Spello S. Lorenzo, this is my Italy, the italian country of visual history, S. Lorenzo 1120 stands on the site of the former S. Ercolano

Christ Limbo Flemish Master 1520 1540 Pen brown ink
Christ in Limbo; Flemish Master; 1520 - 1540; Pen and brown ink and brown wash; 16.7 x 12.2 cm (6 9, 16 x 4 13, 16 in.)

Portrait Woman Book Music Bacchiacca Francesco Ubertini
Portrait of a Woman with a Book of Music; Bacchiacca (Francesco Ubertini) (Italian (Florentine), 1494 - 1557); about 1540 - 1545; Oil on panel; 103.2 × 80.3 cm (40 5, 8 × 31 5, 8 in.)

Study Pleated Skirt Hans Brosamer German 1500
Study of a Pleated Skirt; Hans Brosamer (German, about 1500 - about 1554); about 1530 - 1540; Pen and black ink; 19.7 × 14.9 cm (7 3, 4 × 5 7, 8 in.)

Study Hanging Drapery Hans Brosamer German 1500
Study of a Hanging Drapery; Hans Brosamer (German, about 1500 - about 1554); about 1530 - 1540; Pen and black ink; 19.5 × 14.9 cm (7 11, 16 × 5 7, 8 in.)

Centaur Lapith Francesco Primaticcio Italian
Centaur and Lapith; Francesco Primaticcio (Italian, 1504 - 1570); Italy; about 1540; Red chalk; 21.7 x 27.8 cm (8 9, 16 x 10 15, 16 in.)

Marriage Patrician Couple Nicolo dell Abate
Marriage of a Patrician Couple; Nicolo dell Abate (Italian, 1509, 1512 - 1571); about 1540 - 1545; Oil on paper, some foreground figures pricked for transfer; 40.6 x 47.8 cm (16 x 18 13, 16 in.)

Angels Bearing Column Passion Friedrich Sustris
Angels Bearing the Column of the Passion; Friedrich Sustris (Dutch, about 1540 - 1599); Holland; about 1580 - 1590; Pen and dark brown ink and gray wash; 16.7 x 20.6 cm (6 9, 16 x 8 1, 8 in.)

Christ Taking Leave Mother Hans Schaufelein
Christ Taking Leave of His Mother; Hans Schaufelein (German, 1480, 1485 - 1540); 1510; Pen and brown ink and black chalk; 27.5 x 21.1 cm (10 13, 16 x 8 5, 16 in.)

Figure Study Parmigianino Francesco Mazzola Italian
Figure Study; Parmigianino (Francesco Mazzola) (Italian, 1503 - 1540); 1526-1527; Pen and brown ink, brown wash, with white gouache heightening; 21.6 × 24.3 cm (8 1, 2 × 9 9, 16 in.)

Study Male Figure Rosso Fiorentino Giovanni Battista
Study of a Male Figure; Rosso Fiorentino (Giovanni Battista di Jacopo di Gasparre) (Italian, 1494 - 1540); about 1538 - 1540; Red chalk with traces of black chalk; outlines indented with a stylus for

Madonna Child Angels Bearing Symbols Passion
Madonna and Child with Angels Bearing Symbols of the Passion; Friedrich Sustris (Dutch, about 1540 - 1599); about 1583; Pen and brown ink and gray ink and wash; 38.4 x 26.2 cm (15 1, 8 x 10 5, 16 in.)

Apocryphal Meeting Virgin Child St. Elizabeth
The Apocryphal Meeting of the Virgin and Child with St. Elizabeth and the Young St. John the Baptist; Benedetto Cervi (Italian)

Maximilian Presented Patron Saints Almighty 1519
Maximilian Presented by His Patron Saints to the Almighty, 1519. Hans Springinklee (German, 1540). Woodcut

St. Mary St. John Cross Hans Springinklee German
St. Mary and St. John Before the Cross. Hans Springinklee (German, 1540). Woodcut

Pilgrim Bottle 1540 Italy Faenza 16th century
Pilgrim Bottle, c. 1540. Italy, Faenza, 16th century. Tin-glazed earthenware (maiolica); overall: 34.6 x 19.4 x 12.4 cm (13 5/8 x 7 5/8 x 4 7/8 in.)

Farming Herding Buffalo Summer mid late 1500s
Farming and Herding Buffalo in Summer, mid- to late 1500s. Kanō Jōshin (Hideyori) (Japanese, active c. 1540). Hanging scroll; ink and light color on paper; mounted

Genre Scene Young Men Playing Game Attributed
Genre Scene of Young Men Playing a Game. Attributed to Frederico Zuccaro (Italian, 1540/1-1609). Pen and brown ink and brush and brown wash over graphite; sheet: 13.7 x 20.1 cm (5 3/8 x 7 15/16 in.)

Emperor Maximilian Presented Patron Saints Almighty
The Emperor Maximilian Presented by His Patron Saints to the Almighty, 1519. Hans Springinklee (German, 1540). Woodcut

Page Late Shah Jahan Album Persian Calligraphy Framed
Page from the Late Shah Jahan Album: Persian Calligraphy Framed by an Ornamental Border of Flowers and Birds, c. 1500 to 1540. Mir Ali

Giuseppe Giusto Scaliger
GIUSEPPE GIUSTO SCALIGER Italian scholar Date: 1540 - 1609

MARS, 1540. Roman god of war and personification of the planet Mars. Pen drawing, 1540, by Erhard Schon

MEXICO: AZTEC WEAVER. Aztec woman weaving on a loom. Drawing from the Codex Florentino, compiled by Bernardo de Sahagun, c1540

AZTEC SHIELD MAKER. An Aztec craftsman working on a shield over a fire. Drawing from the Codex Florentino, compiled by Bernardino de Sahagun, c1540

AZTEC: MUSIC AND DANCE. Aztecs dancing and playing the drums during the One Flower Festival. Illumination from the Codex Florentino, c1540, compiled by Bernardino de Sahagun

MEXICO: AZTEC WEDDING. Aztec wedding ceremony, during which the clothes of the bride and groom are tied. The bride is then carried home by the matchmaker. Page from the Codex Mendoza, Aztec, c1540

AZTEC CODEX MENDOZA, 1540. Aztec warriors receiving trophies for captured prisoners. A page from the Codex Mendoza, c1540

MARS, 1540. Roman god of war and personification of the planet Mars. Pen drawing, 1540, by Erhard Schon

Pierre De Brantome
PIERRE de Bourdeille, seigneur de BRANTOME French writer Date: 1540 - 1614

CORONADOs MARCH, 1540. Francisco Vasquez de Coronado explores southwestern America. After the illustration, 1898, by Frederic Remington

Map of part of DeSotos route, 1500s
Eastern portion of De Sotos route across southeastern North America, 1500s. Hand-colored woodcut reproduction of a 1593 illustration

EXPL2A-00264
De Soto greeted by native Cofitachequi queen in Carolina, circa 1540. Hand-colored woodcut of a 19th-century illustration

DeSoto with Native American captives, 1539
De Soto expedition traveling with captive Native Americans, 1539. Hand-colored woodcut reproduction of a 19th-century Darley illustration

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"Exploring the Past: Unveiling 1540's Remarkable Stories" Step into the year 1540, a time of great historical significance. In this captivating era, Thomas Cromwell, Earl of Essex, emerges as a prominent figure in English politics. His influential persona is immortalized in a stunning portrait painted by Holbein, showcasing his power and authority. Meanwhile, across the Atlantic Ocean, Florida becomes an epicenter of exploration as Hernando de Soto embarks on his daring expedition. The uncharted territories of the Americas are meticulously mapped out during this period, revealing new horizons and expanding our understanding of the world. Intriguingly enough, amidst political maneuverings and grand voyages lies an unexpected twist – a game of chess between Monkey and Carl V unfolds. This whimsical encounter sheds light on the lighter side of life during these tumultuous times. As we delve deeper into 1540's tapestry, we stumble upon Hall Place in Bexley, Kent – an architectural gem that stands as a testament to timeless beauty. Its walls whisper tales from centuries past while providing solace for those seeking refuge from everyday chaos. Notably present within this historic backdrop is Guillaume Bude – a renowned scholar whose intellectual prowess shapes society's trajectory. His contributions to education and philosophy leave an indelible mark on future generations. Amidst all these stories lies another intriguing narrative - one depicting a woman gracefully pouring water from her jug with bare breasts exposed. A symbol of purity or perhaps defiance against societal norms? It sparks curiosity about gender dynamics prevalent during this era. Lastly but certainly not least comes Lord Byron and his beloved Newstead Abbey. This enchanting estate serves as both sanctuary and muse for one of history's most celebrated poets – offering respite from worldly troubles while inspiring poetic brilliance that transcends time itself.