1543 Collection (page 5)

Saint Joseph left bishop right standing altar
Artokoloro

Holy Family Mary Magdalene John Baptist embraces Christ
Artokoloro

TOWER OF LONDON, c1543. Drawing by Anthony van Wyngaerde, c1543

ANDREAS VESALIUS (1514-1564). Belgian anatomist. Woodcut from the first edition of De Humani Corporis Fabrica, Basel, 1543

Polidoro da Caravaggio, Italian (c. 1499-probably 1543), Fleeing Barbarian, black chalk on laid paper

Attributed to Hans Holbein the Younger, German (1497-1498-1543), Portrait of a Young Man, c. 1520-1530, oil on panel

Jean Mignon (French, active 1543 - active c. 1545), Sphinx Wearing a Crescent on Her Head, etching

Geoffroy DumoAntier (French, active c. 1535 - 1573), The Crowned Virgin in a Niche
Geoffroy Dumontier (French, active c. 1535 - 1573), The Crowned Virgin in a Niche, 1543, etching

Polidoro da Caravaggio, Woman Seated with a Piece of Cloth, Italian, c. 1499 - probably 1543, c. 1521-1522, red chalk on laid paper

Probably Antwerp 16th Century, Wife of a Member of the de Hondecoeter Family, 1543, oil on panel

Jean Mignon (French, active 1537a'1552). Satyr Leaning to the Right, ca. 1543- 1545. From Termes. Etching on laid paper. Plate: 220 mm x 128 mm (8.66 in. x 5.04 in.)

Georg Pencz (German, ca. 1500-1550). Portrait of John Frederick the Magnanimous, Duke of Saxony, 1543. Engraving

Albrecht Altdorfer (German, ca. 1480-1538). The Austrian Territories: Burgendt and Zeringen, ca. 1517. From The Triumphal Procession of Emperor Maximilian I. Woodcut on parchment

Felix Bracquemond (French, 1833 - 1914) after Hans Holbein the Younger (German, 1497 / 1498)
Felix Bracquemond (French, 1833 - 1914) after Hans Holbein the Younger (German, 1497/1498 - 1543). Portrait of Erasmus. Photogravure

Enea Vico (Italian, 1523-1567) after Raphael (Italian, 1483 - 1520). Joseph of Arimathea, 1543. Engraving. Plate: 250 mm x 398 mm (9.84 in. x 15.67 in.). First of two states

Study of a Man with Various Sketches (recto), Study of a Man s
Study of a Man with Various Sketches (recto), Study of a Mans Draped Leg (verso); Polidoro da Caravaggio (Polidoro Caldara), Italian, 1495/1500 - about 1543; Italy

Portrait of a Scholar or Cleric; Hans Holbein the Younger, German, 1497/1498 - 1543; 1532 - 1535; Black and red chalk, pen and brush and black ink

An Allegory of Passion; Hans Holbein the Younger, German, 1497/1498 - 1543; about 1532 - 1536; Oil on panel; Unframed: 45.4 x 45.4 cm (17 7/8 x 17 7/8 in.)

A Premonstratensian Canon; Unknown maker, Swiss, close to the style of Hans Holbein the Younger, German, 1497/1498 - 1543; Basel, Switzerland, Europe; about 1520; Pot-metal and colorless glass

Double Head; Attributed to Francesco Primaticcio, Italian, 1504 - 1570; Fontainebleau, France, Europe; about 1543; Bronze; Object: H: 38.5 x W: 35 x D: 20 cm (15 3/16 x 13 3/4 x 7 7/8 in.)

Robert Dudley, 1st Earl of Leicester, Steven van der Meulen, active 1543-1563, Netherlandish

Portrait of a Woman, probably Catherine Carey, Lady Knollys A Portrait of a Woman, Probably Catherine Carey, Lady Knollys Dated in yellow paint

Hans Holbein the Younger (German, 1497-1498-1543), Rich Man, woodcut

Sebald Beham (German, 1500-1550), Ornament with a Mask, 1543, engraving

ENGLAND: LONDON, c1543. Detail of Anthonis van den Wyngaerdes Panorama of London, c1543, showing the Tower of London and Billingsgate wharf on the Thames River

TOWER OF LONDON, c1543. Drawing by Anthony van Wyngaerde, c1543

CARTOUCHE, 1543. Woodcut, French, 1543

BOTANY: ADAMs NEEDLE. Yucca integrissima. Woodcut, 1543

ANDREAS VESALIUS (1514-1564). Belgian anatomist. Woodcut from the first edition of Andreas Vesalius De Humani Corporis Fabrica, published in 1543 at Basel, Switzerland

ARMILLARY SPHERE, 1543. Ptolemy (left), the Alexandrian astronomer, and the German mathematician and astronomer Johann Muller Regiomontanus seated beneath an armillary sphere with a zodiac

Polish Jews
circa 1900: Polish Jews. (Photo by Hulton Archive/Getty Images)

The fifth plate of the muscles. Woodcut from the second book of Andreas Vesalius De Humani Corporis Fabrica
VESALIUS: MUSCLES. The fifth plate of the muscles. Woodcut from the second book of Andreas Vesalius De Humani Corporis Fabrica, published at Basel, Switzerland, 1543

Dissection of the brain (fig. 8). Woodcut from the seventh book of Andreas Vesalius De Humani Corporis Fabrica
VESALIUS: BRAIN, 1543. Dissection of the brain (fig. 8). Woodcut from the seventh book of Andreas Vesalius De Humani Corporis Fabrica, published in 1543 at Basel, Switzerland

The anterior aspect of the bones of the human body articulated together: woodcut from the first book of Andreas
VESALIUS: SKELETON, 1543. The anterior aspect of the bones of the human body articulated together: woodcut from the first book of Andreas Vesalius De Humani Corporis Fabrica, Basel, 1543

Lateral view of the human skeletal system: woodcut from the first book of Andreas Vesalius De Humani Corporis Fabrica
VESALIUS: SKELETON, 1543. Lateral view of the human skeletal system: woodcut from the first book of Andreas Vesalius De Humani Corporis Fabrica, Basel, 1543

Dissection of the brain (fig. 5). Woodcut from the seventh book of Andreas Vesalius De Humani Corporis Fabrica
VESALIUS: BRAIN, 1543. Dissection of the brain (fig.5). Woodcut from the seventh book of Andreas Vesalius De Humani Corporis Fabrica, published in 1543 at Basel, Switzerland

Right side view of the brain and cerebellum. Woodcut from the fourth book of Andreas Vesalius De Humani Corporis
BRAIN & CEREBELLUM, 1543. Right side view of the brain and cerebellum. Woodcut from the fourth book of Andreas Vesalius De Humani Corporis Fabrica, published in 1543 at Basel, Switzerland

(Figure 2). Woodcut from the seventh book of Andreas Vesalius De Humani Corporis Fabrica, published in 1543 at Basel
VESALIUS: BRAIN. (Figure 2). Woodcut from the seventh book of Andreas Vesalius " De Humani Corporis Fabrica, " published in 1543 at Basel

The topography of the viscera in the female human body: woodcut from the Epitome to Andreas Vesalius De Humani Corporis
VESALIUS: VISCERA, 1543. The topography of the viscera in the female human body: woodcut from the Epitome to Andreas Vesalius De Humani Corporis Fabrica, Basel, 1543

Delineation of the spinal nerves. Woodcut from the fourth book of Andreas Vesalius De Humani Corporis Fabrica
VESALIUS: NERVES, 1543. Delineation of the spinal nerves. Woodcut from the fourth book of Andreas Vesalius De Humani Corporis Fabrica, published in 1543 at Basel, Switzerland

Dissection of the brain (fig. 6). Woodcut from the seventh book of Andreas Vesalius De Humani Corporis Fabrica
VESALIUS: BRAIN, 1543. Dissection of the brain (fig.6). Woodcut from the seventh book of Andreas Vesalius De Humani Corporis Fabrica, published in 1543 at Basel, Switzerland

Dissection of the brain (fig. 9). Woodcut from the seventh book of Andreas Vesalius De Humani Corporis Fabrica, Basel
VESALIUS: BRAIN, 1543. Dissection of the brain (fig.9). Woodcut from the seventh book of Andreas Vesalius De Humani Corporis Fabrica, Basel, Switzerland, 1543

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In the year 1543, a multitude of significant events unfolded across various realms. It was a time when great minds and influential figures left their mark on history. Catherine Parr, born in 1512 and passing away in 1548, played an essential role as the sixth wife of King Henry VIII of England. Her intelligence and influence brought stability to a tumultuous court. William Byrd, a renowned composer from 1543 to 1623, composed beautiful melodies that still resonate today. His music transcended boundaries and touched the hearts of many. The woodcut from Andreas Vesalius' De Humani Corporis Fabrica published in Basel showcased groundbreaking anatomical knowledge. This revolutionary work laid the foundation for modern medicine. Hotel De Ville in Loches stood as a testament to architectural grandeur during this period. Its intricate design captured the essence of Renaissance aesthetics. Johannes Eck, an eminent theologian known for his debates with Martin Luther, made his mark on religious discourse during this era. His intellectual prowess shaped theological discussions for years to come. Federico Zuccaro's artistic talent flourished during this time as he created captivating works that captivated audiences worldwide. His contributions enriched the art world with creativity and innovation. Andreas Vesalius himself gave lessons at Brussels' school of medicine through vivid color woodcuts depicting human anatomy—a visual representation that revolutionized medical education forever. The Mint in Southwark served as a hub for economic activity during these times—its bustling atmosphere reflecting commerce's importance within society. An anatomical illustration showcasing the intricacies of the human muscular system shed light on our understanding of how our bodies functioned—an invaluable contribution to medical science. The Fountain of St Lazarus located in Autun, France exuded timeless beauty even when captured through black-and-white photography—a symbol representing resilience throughout centuries gone by Through engravings like "Martyrdom of Testwood and his companions, " the struggles faced by individuals who dared to challenge societal