1550 Collection (page 3)

adoration kings Joan Catello 1550 1700 paper
The adoration of the kings, Joan Catello, 1550 - 1700, paper, ink, pen, h 368 mm × w 257 mm

Portrait man predatory birds eagle song-birds
Portrait of a man, predatory birds: eagle, song-birds: jackdaw, plucked fowl, Napoleon I Bonaparte (Emperor of the French), Nicolas Lagneau, 1550 - 1620, paper, chalk, h 344 mm × w 224 mm

Portrait old woman whirlwind cyclone hurricane
Portrait of an old woman, whirlwind, cyclone, hurricane, typhoon, tornado at sea, devil (s) and demons, Napoleon I Bonaparte (Emperor of the French), Nicolas Lagneau, 1550 - 1620, paper, chalk

Elijah carries child raised back widow Sarefat
Elijah carries the child raised back to the widow of Sarefat, Elijah carries the child raised back to the widow of Sarefat. The widow is kneeling before Elijah and the child

Elia takes care deceased son widow Sarefat lying
Elia takes care of the deceased son of the widow of Sarefat. The deceased son of the widow of Sarefat is lying in bed. The widow is standing by the sick bed and looks reproachfully at Elijah

Moses Pharaohs daughter banks Nile Pharaohs bathing daughter
Moses is found by Pharaohs daughter, On the banks of the Nile, Pharaohs bathing daughter and her maidservants find Moses in a rush box

Chastity overcomes Love Seven virtues seven vices
Chastity overcomes Love Seven virtues and seven vices (series title), The personification of Chastity (Castitas) sits under a tree and tramples Amor, the god of love

Moderation overcomes Gluttony Seven virtues seven vices
Moderation overcomes Gluttony Seven virtues and seven vices (series title), At a well, the personification of Moderation (Sobietas)

Moses trial pharaoh test little Moses two saucers
Moses trial with the pharaoh, To test little Moses, the pharaoh had two saucers brought, one with smoldering coals and the other with cherries - or according to a variant with a ruby set ring

Ornament Bacchus kneeling woman middle two-headed monster
Ornament with Bacchus and a kneeling woman, In the middle a two-headed monster, singing from a music book, placed on a kneeling woman. She looks up at Bacchus, who raises a glass

Picture frame Christ monogram bottom Picture frames
Picture frame with the Christ monogram at the bottom, Picture frames with flowers, fruits, birds, insects and putti (series title), Pieter Huys, Netherlands (possibly), 1545 - before 1550, paper

Frame columbine bottom center Frames flowers
Frame with a columbine in the bottom center, Frames with flowers, fruits, birds, insects and putti (series title), Pieter Huys (mentioned on object), Netherlands (possibly), 1545 - before 1550

Revival Lazarus man woman help old Lazarus grave
Revival of Lazarus, A man and a woman help the old Lazarus from his grave. After Christ called him, Lazarus was brought back to life. The bystanders in the cave look with disbelief at the old man

Lazio Roma Rome Tivoli Villa d Este Italy italian country
Lazio Roma Tivoli Villa d Este, this is my Italy, the italian country of visual history, Medieval Sculpture. gisant. Post-medieval 16th c

Roma antiqua triumphatrix ab antiquis monumentis et rerum gestarum memoriis eruta, map of Rome, Lauro, Giacomo, 17th cent. Rossi, Giovanni Giacomo de, 17th cent. Engraving, ca. 1550

Marc Antoine Romagnezi dans le personnage du
Marc Antoine Romagnezi. dans le personnage du docteur Balouard, Italian theater prints, Chalk lithography, 1550, I. lith. de Delpech

Villagers Way Church Simon Bening Flemish 1483
Villagers on Their Way to Church; Simon Bening (Flemish, about 1483 - 1561); Bruges, Belgium; about 1550; Tempera colors and gold paint on parchment; Leaf: 5.6 x 9.6 cm (2 3, 16 x 3 3, 4 in.)

Gathering Twigs Simon Bening Flemish 1483 1561
Gathering Twigs; Simon Bening (Flemish, about 1483 - 1561); Bruges, Belgium; about 1550; Tempera colors and gold paint on parchment; Leaf: 5.6 x 9.6 cm (2 3, 16 x 3 3, 4 in.)

Portrait Bearded Man Jacopo Bassano Italian 1510
Portrait of a Bearded Man; Jacopo Bassano (Italian, about 1510 or 1515 - 1592); about 1550; Oil on canvas; 62.2 × 54.9 cm (24 1, 2 × 21 5, 8 in.)

Standard Bearer Sebald Beham German 1500 1550
A Standard Bearer; Sebald Beham (German, 1500 - 1550); 1519; Pen and black ink; 18.1 × 9.5 cm (7 1, 8 × 3 3, 4 in.)

Studies Three Candlesticks Attributed Domenico Campagnola
Studies of Three Candlesticks; Attributed to Domenico Campagnola (Italian, 1500 - 1564); Italy; about 1530 - 1550; Pen and brown ink; 29.8 x 18.4 cm (11 3, 4 x 7 1, 4 in.)

Christ Savior Saints John Baptist Jerome Catherine
Christ the Savior above Saints John the Baptist, Jerome, Catherine, and Thomas; Giuseppe Porta (Giuseppe Salviati) (Italian)

Mystic Marriage Saint Catherine Saints Doge Andrea Schiavone
The Mystic Marriage of Saint Catherine with Saints and a Doge; Andrea Schiavone (Andrea Meldolla) (Italian, about 1510 - 1563); Italy; about 1550 - 1553; Pen and brown ink and gray wash

Flagellation Bernardino Lanino Italian 1509 1513
The Flagellation; Bernardino Lanino (Italian, 1509, 1513 - 1581, 1583); about 1550; Brown ink wash with white gouache on an oiled surface; 39.3 x 32.1 cm (15 1, 2 x 12 5, 8 in.)

Head Man Agnolo Bronzino Italian 1503 1572 Italy
Head of a Man; Agnolo Bronzino (Italian, 1503 - 1572); Italy; about 1550 - 1555; Black chalk; 13.8 x 10.3 cm (5 7, 16 x 4 1, 16 in.)

Design Bookplate Glass Etching Virgil Solis German
Design for a Bookplate or a Glass Etching; Virgil Solis (German, 1514 - 1562); Germany; about 1550 - 1560; Black ink and gray wash; 5.9 cm (2 5, 16 in.)

Circumcision Sebald Beham German 1500 1550 Germany
The Circumcision; Sebald Beham (German, 1500 - 1550); Germany; about 1522; Pen and brown ink, red chalk, and gray, red, and brown wash; 22.9 cm (9 in.)

Reclining Male Nude Francesco Salviati Italian
Reclining Male Nude; Francesco Salviati (Italian, 1510 - 1563); about 1550; Red chalk with stumping, heightened with white; 27 x 39.7 cm (10 5, 8 x 15 5, 8 in.)

Young Peasant Holding Jar Sebald Beham German
A Young Peasant Holding a Jar; Sebald Beham (German, 1500 - 1550); Germany; about 1520; Pen and brown ink over black chalk; 10.6 x 5.9 cm (4 3, 16 x 2 5, 16 in.)

Saint Catherine Alexandria Wheel Nicolo dell Abate
Saint Catherine of Alexandria at the Wheel; Nicolo dell Abate (Italian, 1509, 1512 - 1571); 1547 - 1550; Black chalk, brush and brown ink, with white gouache heightening on tan paper

Vulcan Forge Francesco Primaticcio Italian 1504
Vulcan at His Forge; Francesco Primaticcio (Italian, 1504 - 1570); about 1550; Pen and brown ink and brown wash with white gouache heightening, squared; 25.1 x 14 cm (9 7, 8 x 5 1, 2 in.)

Seated Male Figure Putto Armor Paris Bordone
Seated Male Figure with Putto and Armor; Paris Bordone (Italian (Venetian), 1500 - 1571); Italy; about 1550; Black chalk on blue-gray paper; 17.3 x 29.5 cm (6 13, 16 x 11 5, 8 in.)

Emperor King Netherlandish Netherlands 1550 Colorless glass
An Emperor or a King; Netherlandish; Netherlands; about 1550; Colorless glass, vitreous paint, and silver stain; 25.5 x 1 cm (10 1, 16 x 3, 8 in.)

Kero Waisted Cup 1550 Peru Colonial Inka style
Kero (Waisted Cup), after 1550. Peru, Colonial Inka style, 16th century. Wood, inlaid pigments; diameter of mouth: 18.3 x 14.4 cm (7 3/16 x 5 11/16 in.); overall: 18.3 x 14.4 cm (7 3/16 x 5 11/16 in.)

Lazarus Rich Man 1550 Jacopo Bassano Italian
Lazarus and the Rich Man, c. 1550. Jacopo Bassano (Italian, ca. 1510-1592). Oil on canvas; framed: 176 x 251 x 12 cm (69 5/16 x 98 13/16 x 4 3/4 in.); unframed: 146 x 221 cm (57 1/2 x 87 in.)

Covered Cup Grape Festoon mid 1500s Copy Antonio Fantuzzi
Covered Cup with Grape Festoon, mid 1500s. Copy after Antonio Fantuzzi (Italian, c. 1510-c. 1550). Etching; sheet: 33.3 x 25.5 cm (13 1/8 x 10 1/16 in.); platemark: 31.7 x 24.8 cm (12 1/2 x 9 3/4 in.)

Elevation Wall Decoration 1550 Italy 16th century
Elevation for Wall Decoration, c. 1550. Italy, 16th century. Pen and brown ink (ruled in places) and brush and brown wash with graphite and graphite wash; framing lines in brown ink

Martyrdom St. Peter St. Paul 1527-1530 1531 Antonio da Trento
The Martyrdom of St. Peter and St. Paul, c. 1527-1530/1531. Antonio da Trento (Italian, c. 1508-c. 1550), after Parmigianino (Italian, 1503-1540)

Calligraphy Ghazal Badr al-Din Hilali Jaghata’
Calligraphy from a Ghazal of Badr al-Din Hilali Jaghata i (Persian, active c. 1500), c. 1550; borders added c. 1700s and mounted upside down. Faqir Ali (Persian, active c. 1550-1610)

Illuminated Folio recto Gulistan Rose Garden
Illuminated Folio (recto) from a Gulistan (Rose Garden) of Sa di (c. 1213-1291), c. 1475-1500, borders added c. 1550. Calligraphy by Sultan Ali Mashhadi (Iranian, 1520)

Portrait Woman 1550 Agnolo Bronzino Italian 1503-1572
Portrait of a Woman, c. 1550. Agnolo Bronzino (Italian, 1503-1572). Oil on wood; framed: 81.5 x 68.5 x 5 cm (32 1/16 x 26 15/16 x 1 15/16 in.); unframed: 60 x 48.8 cm (23 5/8 x 19 3/16 in.)

L Homme Crucific 1550 Melchior Lorichs German
L Homme Crucific, 1550. Melchior Lorichs (German, 1527-aft 1594), after Michelangelo Buonarroti (Italian, 1475-1564). Engraving

Tiburtine Sibyl Emperor Augustus 1527-1530 31
Tiburtine Sibyl and the Emperor Augustus, c. 1527-1530/31. Parmigianino (Italian, 1503-1540), after Antonio da Trento (Italian, c. 1508-c. 1550)

Queen Ahmes-Merytamun. Egypt
Limestone bust of Queen Ahmes-Merytamun, wife of Amenhotep I. Depicted with Hathor-wig. 1550 BC. New Kingdom. 18th Dynasty. From the temple of Karnak. Thebes. British Museum. London. United Kingdom

Busts of ancestors. Egypt
Busts of ancestors. First, polychromed limestone bust, from Thebes. At background, limestone bust of unknown origin. Both dated from 1300-1150 BC

Henry Smith
HENRY SMITH of Withcote, puritan preacher known as the silver-tongued, lecturer at St Clement s. Date: 1550 - 1591

Hieronymus Hopfer after Andrea Mantegna (German, active c. 1520-1550 or after), Silenus, etching on laid paper

FILIPPO BRUNELLESCHI (1377-1446) Italian architect. Woodcut by Giorgio Vasari from his biographies of Italian artists, 1550

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Step back in time to the year 1550, where history unfolds before our eyes. As we explore this captivating era, let us embark on a journey through art, culture, and remarkable individuals. Our first stop takes us to St Paul's and its surrounding area. A map reveals the intricate streets and buildings that shaped London during this period. The hustle and bustle of daily life come alive as we imagine the vibrant cityscape. Next, we venture to Crete, where Minoan art flourished. Amongst these masterpieces is the enigmatic Prince of the Lilies – a symbol of power and beauty that continues to captivate generations with its timeless allure. In Spain, Teresa meets Child Jesus in an intimate encounter filled with devotion and spirituality. This profound moment immortalized by artists transcends time, reminding us of faith's enduring strength. At Knole Manor in England, a lady gracefully strums her lute amidst opulent surroundings. Her music resonates throughout the halls as she transports listeners into a world of enchantment and harmony. Alonso Perez de Guman stands tall as the 7th Duke of Medina Sidonia during this era. His noble lineage represents an influential figure who left his mark on Spanish history for years to come. Meanwhile, John Of God emerges from Portugal as a religious icon whose selfless acts inspire countless souls seeking solace within their faith. His legacy echoes through centuries as he remains an emblematic figure for compassion and charity. St Camillo De Lellis also graces this period with his presence – a beacon of hope for those suffering from illness or injury. Through his tireless efforts in healthcare reform, he revolutionizes medical care while exemplifying kindness towards all patients under his care. North Walsham in Norfolk becomes our next destination – picturesque landscapes unfold before our eyes as we immerse ourselves in its natural beauty. Tranquility reigns supreme here amidst rolling hills and serene countryside.