1560 Collection (page 4)

Le Docteur Italian theater prints Engraving 1560
Le Docteur, Italian theater prints, Engraving, between 1560 and 1954, Print numbered 75 at top of sheet

Lib IV Tabula VII Adriani Spigelii Bruxellensis
Lib. IV, Tabula VII, Lib. IV, Adriani Spigelii Bruxellensis equitis D. Marci, olim in Patavino gymnasio anatomiae et chirurgiae professoris primarii Opera quae extant, omnia, Aselli, Gaspare

Lib IV Tabula XXXVI Adriani Spigelii Bruxellensis
Lib. IV, Tabula XXXVI, Lib. IV, Adriani Spigelii Bruxellensis equitis D. Marci, olim in Patavino gymnasio anatomiae et chirurgiae professoris primarii Opera quae extant, omnia, Aselli, Gaspare

Lib V Tabula I Adriani Spigelii Bruxellensis
Lib. V, Tabula I, Lib. V, Adriani Spigelii Bruxellensis equitis D. Marci, olim in Patavino gymnasio anatomiae et chirurgiae professoris primarii Opera quae extant, omnia, Aselli, Gaspare, 1581-1626

Lib VIII Tabula VII Adriani Spigelii Bruxellensis
Lib. VIII, Tabula VII, Lib. VIII, Adriani Spigelii Bruxellensis equitis D. Marci, olim in Patavino gymnasio anatomiae et chirurgiae professoris primarii Opera quae extant, omnia, Aselli, Gapare

Lib IV Tabula VIII Adriani Spigelii Bruxellensis
Lib. IV, Tabula VIII, Lib. IV, Adriani Spigelii Bruxellensis equitis D. Marci, olim in Patavino gymnasio anatomiae et chirurgiae professoris primarii Opera quae extant, omnia, Aselli, Gaspare

Lib VIII Tabula XVI Adriani Spigelii Bruxellensis
Lib. VIII, Tabula XVI, Lib. VIII, Adriani Spigelii Bruxellensis equitis D. Marci, olim in Patavino gymnasio anatomiae et chirurgiae professoris primarii Opera quae extant, omnia, Aselli, Gaspare

Lib VIII Tabula XVII Adriani Spigelii Bruxellensis
Lib. VIII, Tabula XVII, Lib. VIII, Adriani Spigelii Bruxellensis equitis D. Marci, olim in Patavino gymnasio anatomiae et chirurgiae professoris primarii Opera quae extant, omnia, Aselli, Gaspare

Lib IV Tabula XIX Adriani Spigelii Bruxellensis
Lib. IV, Tabula XIX, Lib. IV, Adriani Spigelii Bruxellensis equitis D. Marci, olim in Patavino gymnasio anatomiae et chirurgiae professoris primarii Opera quae extant, omnia, Aselli, Gaspare

Tabula IV Lib IV. Tab VI. IV Adriani Spigelii
Tabula IV, Lib. IV. Tab. VI. Tabula IV, Lib. IV. Adriani Spigelii Bruxellensis equitis D. Marci, olim in Patavino gymnasio anatomiae et chirurgiae professoris primarii Opera quae extant, omnia

Lib IX. Tabula I IX Adriani Spigelii Bruxellensis
Lib. IX. Tabula I, Lib. IX. Adriani Spigelii Bruxellensis equitis D. Marci, olim in Patavino gymnasio anatomiae et chirurgiae professoris primarii Opera quae extant, omnia, Aselli, Gaspare

Lib II. Tabula VII II Adriani Spigelii Bruxellensis
Lib. II. Tabula VII, Lib. II. Adriani Spigelii Bruxellensis equitis D. Marci, olim in Patavino gymnasio anatomiae et chirurgiae professoris primarii Opera quae extant, omnia, Aselli, Gaspare

Lib IV. Tabula V IV Adriani Spigelii Bruxellensis
Lib. IV. Tabula V, Lib. IV. Adriani Spigelii Bruxellensis equitis D. Marci, olim in Patavino gymnasio anatomiae et chirurgiae professoris primarii Opera quae extant, omnia, Aselli, Gaspare

Lib IV Tabula III Adriani Spigelii Bruxellensis
Lib. IV, Tabula III, Lib. IV, Adriani Spigelii Bruxellensis equitis D. Marci, olim in Patavino gymnasio anatomiae et chirurgiae professoris primarii Opera quae extant, omnia, Aselli, Gaspare

Lib IV Tabula IV Adriani Spigelii Bruxellensis
Lib. IV, Tabula IV, Lib. IV, Adriani Spigelii Bruxellensis equitis D. Marci, olim in Patavino gymnasio anatomiae et chirurgiae professoris primarii Opera quae extant, omnia, Aselli, Gaspare

Lib IV. Tabula XVII IV Adriani Spigelii Bruxellensis
Lib. IV. Tabula XVII, Lib. IV. Adriani Spigelii Bruxellensis equitis D. Marci, olim in Patavino gymnasio anatomiae et chirurgiae professoris primarii Opera quae extant, omnia, Aselli, Gaspare

Lib II Tabula VIII Adriani Spigelii Bruxellensis
Lib. II, Tabula VIII, Lib. II, Adriani Spigelii Bruxellensis equitis D. Marci, olim in Patavino gymnasio anatomiae et chirurgiae professoris primarii Opera quae extant, omnia, Aselli, Gaspare

Plictho de larte de tentori che insegna tenger pani, telle, banbasi et sede si per larthe magiore come per la comvne, Plictho de larte de tentori che insegna tenger pani, telle

Libro che insegna tengere sede di ogni colore
Libro che insegna a tengere sede di ogni colore perfettamente, secondo Firenza and Genova, Plictho de larte de tentori che insegna tenger pani, telle

Man Wearing Medal Chain Augsburg Germany 1560
A Man Wearing a Medal on a Chain; Augsburg (probably), Germany; about 1560 - 1570; Tempera colors and gold and silver paint on paper bound between original pasteboard covered with original brown

Man Axe Augsburg Germany 1560 1570 Tempera colors
A Man with an Axe; Augsburg (probably), Germany; about 1560 - 1570; Tempera colors and gold and silver paint on paper bound between original pasteboard covered with original brown calf; Leaf

Horseman Drum Augsburg Germany 1560 1570 Tempera colors
A Horseman with a Drum; Augsburg (probably), Germany; about 1560 - 1570; Tempera colors and gold and silver paint on paper bound between original pasteboard covered with original brown calf; Leaf

Herald Wearing Medal Chain Augsburg Germany 1560
A Herald Wearing a Medal on a Chain; Augsburg (probably), Germany; about 1560 - 1570; Tempera colors and gold and silver paint on paper bound between original pasteboard covered with original brown

Drummer Flute Player Horseback Augsburg Germany
A Drummer and a Flute Player on Horseback; Augsburg (probably), Germany; about 1560 - 1570; Tempera colors and gold and silver paint on paper bound between original pasteboard covered with original

Horse Armor Tournament Augsburg Germany 1560
A Horse in Armor for a Tournament; Augsburg (probably), Germany; about 1560 - 1570; Tempera colors and gold and silver paint on paper bound between original pasteboard covered with original brown

Horse Armor Augsburg Germany 1560 1570 Tempera colors
A Horse in Armor; Augsburg (probably), Germany; about 1560 - 1570; Tempera colors and gold and silver paint on paper bound between original pasteboard covered with original brown calf; Leaf

Tournament Herald Augsburg Germany 1560 1570
A Tournament Herald; Augsburg (probably), Germany; about 1560 - 1570; Tempera colors and gold and silver paint on paper bound between original pasteboard covered with original brown calf; Leaf

Three Horsemen Armor Time Emperor Sigismund Augsburg
Three Horsemen in Armor from the Time of Emperor Sigismund; Augsburg (probably), Germany; about 1560 - 1570; Tempera colors and gold

Man Armor Augsburg Germany 1560 1570 Tempera colors
A Man in Armor; Augsburg (probably), Germany; about 1560 - 1570; Tempera colors and gold and silver paint on paper bound between original pasteboard covered with original brown calf; Leaf

Emperor Friedrich Barbarossa Horseback Augsburg
Emperor Friedrich Barbarossa on Horseback; Augsburg (probably), Germany; about 1560 - 1570; Tempera colors and gold and silver paint on paper bound between original pasteboard covered with original

Horseman Armor Augsburg Germany 1560 1570 Tempera colors
A Horseman in Armor; Augsburg (probably), Germany; about 1560 - 1570; Tempera colors and gold and silver paint on paper bound between original pasteboard covered with original brown calf; Leaf

Herald Augsburg Germany 1560 1570 Tempera colors
A Herald; Augsburg (probably), Germany; about 1560 - 1570; Tempera colors and gold and silver paint on paper bound between original pasteboard covered with original brown calf; Leaf

Tournament Contest Augsburg Germany 1560 1570
A Tournament Contest; Augsburg (probably), Germany; about 1560 - 1570; Tempera colors and gold and silver paint on paper bound between original pasteboard covered with original brown calf; Leaf

Venus Adonis Titian Tiziano Vecellio Italian
Venus and Adonis; Titian (Tiziano Vecellio) (Italian, about 1487 - 1576); about 1555 - 1560; Oil on canvas; 161.9 × 198.4 cm (63 3, 4 × 78 1, 8 in.)

Christ Carrying Cross Juan de Juanes Juan Macip
Christ Carrying the Cross; Juan de Juanes (Juan Macip) (Spanish, about 1510 - 1579); about 1560; Pen and brown ink and brown wash over black chalk; the upper left

Double Portrait Hans Furraht Jacob von der Burch
A Double Portrait of Hans Furraht and Jacob von der Burch; Attributed to Ludger Tom Ring the Younger (German, 1522 - 1584); Germany; about 1560; Pen and black ink and gray wash

Seven Acts Mercy Ransoming Prisoners Pieter Cornelisz
The Seven Acts of Mercy: Ransoming Prisoners; Pieter Cornelisz. (Kunst) (Dutch, about 1484 - 1560, 1561); 1532; Pen and black ink over black chalk; 23 x 16.8 cm (9 1, 16 x 6 5, 8 in.)

Judith Maerten van Heemskerck Dutch 1498 1574
Judith; Maerten van Heemskerck (Dutch, 1498 - 1574); Netherlands; 1560; Pen and dark brown and light brown ink over black chalk, incised for transfer; 19.8 × 25.2 cm (7 13, 16 × 9 15, 16 in.)

Scene Forge Jan Verbeeck Flemish active 1548
A Scene in a Forge; Jan Verbeeck (Flemish, active about 1548 - 1560); 1548; Pen and brown ink; 18.4 x 27.9 cm (7 1, 4 x 11 in.)

Design Bookplate Glass Etching Virgil Solis German
Design for a Bookplate or a Glass Etching; Virgil Solis (German, 1514 - 1562); Germany; about 1550 - 1560; Black ink and gray wash; 5.9 cm (2 5, 16 in.)

Study Two Men recto Head Bearded Man verso Baccio Bandinelli
Study of Two Men (recto); Study of the Head of a Bearded Man (verso); Baccio Bandinelli (Italian, 1493 - 1560); Italy; about 1525; Pen and brown ink; 34 x 22.4 cm (13 3, 8 x 8 13, 16 in.)

Armor Augsburg Germany 1560 1570 Tempera colors
Armor; Augsburg (probably), Germany; about 1560 - 1570; Tempera colors and gold and silver paint on paper bound between original pasteboard covered with original brown calf; Leaf

Housing Stranger North Netherlandish Maerten van
Housing the Stranger; North Netherlandish, after Maerten van Heemskerck (Dutch, 1498 - 1574); North Netherlands; about 1560 - 1570; Colorless glass, vitreous paint

Last Judgment 1500s. Jean Cousin French 1490
The Last Judgment, 1500s. After Jean Cousin (French, c. 1490-c. 1560). Pen and brown ink; framing lines in black ink; sheet: 10.8 x 16.4 cm (4 1/4 x 6 7/16 in.)

Ottoman marquetry and tile-top table. Turkey. 1560. Victoria
Ottoman marquetry and tile-top table. Turkey, Iznik and Istanbul. 1560. Islamic MIddle East. Victoria and Albert Museum. London. England. United Kingdom

Annibale Carracci
ANNIBALE CARRACCI Italian artist. Date: 1560 - 1609

Arminius / Thomson
JACOBUS ARMINIUS Dutch clergyman and theologian Date: 1560 - 1609

Plan of Villa Foscari (La Malcontenta) Mira, Italy, c1560
ANDREA PALLADIO: PLANS. Plan of Villa Foscari (La Malcontenta) Mira, Italy, c1560

All Professionally Made to Order for Quick Shipping

In the year 1560, a dark and mysterious era unfolded. Satan himself was said to have appeared at the Sabbat, where wicked rituals were performed under the moonlit sky. The chilling tales of a child being offered as a sacrifice to appease the devil sent shivers down everyone's spines. Meanwhile, in Hungary, Elizabeth Bathory reigned with an iron fist. Known for her sadistic nature, she bathed in the blood of young virgins to maintain her youth and beauty. Her horrifying acts earned her the title of "The Blood Countess. " Amidst this darkness, peasants found solace in their traditions. They danced joyously around a linden tree, seeking respite from their daily struggles and fears. In theology circles, Jacobus Arminius emerged as an influential figure challenging traditional beliefs. His teachings sparked debates that would shape religious discourse for years to come. Across the English Channel stood the Tower of London on the Thames River - an imposing structure that held secrets within its walls. The Agas map captured its grandeur and hinted at untold stories hidden behind its fortified facade. London itself was undergoing significant changes during this time period. The cityscape depicted in Aggas' map showcased bustling streets filled with life and activity. Nature too had its own wonders to offer in 1560 - Tulipa orphanidea var. whittallii No. 1560 bloomed proudly with vibrant colors, adding beauty amidst chaos. Far away from England's shores lay Frederiksborg Palace in Hillerod, Denmark - a majestic residence fit for royalty. Its opulence provided respite from turbulent times elsewhere. On distant seas battles raged as ships clashed fiercely against one another - it was truly a fight for survival on treacherous waters. Entertainment took many forms back then; theaters like Bear Garden offered thrilling spectacles that captivated audiences seeking excitement and diversion.