1570 Collection (page 8)

Susanna for judges, Abraham de Bruyn, 1570

Stoning of the Elders, Abraham de Bruyn, 1570

Jean Duvet (French, 1485 - ca. 1570). Moses Receiving the Two Tables of Law, 16th century. Engraving. Second state

Studies of Armor; Paolo Veronese (Paolo Caliari) or workshop, Italian, 1528 - 1588; Italy, Europe; about 1570; Black chalk, brown wash

Vulcan at His Forge; Francesco Primaticcio, Italian, 1504 - 1570; about 1550; Pen and brown ink and brown wash with white gouache heightening, squared; 25.1 x 14 cm (9 7/8 x 5 1/2 in.)

Study of an Apostle; Bernardino Gatti, Italian, about 1495 - 1575; about 1560 - 1570; Black and red chalk, brush and gray-black ink, gray wash heightened with white gouache

Study for a Ceiling; Lattanzio Gambara, Italian, about 1530 - 1574; 1565 - 1570; Pen and brown ink, brown and gray washes

Raising of the Son of the Widow of Naim (recto), Madonna and Child with Saints (verso); Giovanni Battista Naldini, Italian, about 1537 - 1591; Italy, Europe; about 1570 - 1580; Pen and iron gall ink

Study of God the Father with Angels; Francesco Primaticcio, Italian, 1504 - 1570; Italy, Europe; about 1555 - 1560; Red chalk with white gouache heightening on pink prepared paper; 17.1 x 22.4 cm

Nude Studies; Bartolomeo Passarotti, Italian, 1529 - 1592; Italy, Europe; about 1570 - 1580; Pen and ink; 29.5 x 23.5 cm (11 5/8 x 9 1/4 in.)

Christ Driving the Money Changers from the Temple; Jacopo Bassano, Italian, about 1510 or 1515 - 1592; Italy, Europe; about 1570; Black and colored chalks on blue paper; 43.6 x 54.3 cm

The Destruction of Pharoahs Army and Other Scenes within a Cartouche; Etienne Delaune, French, born Italy, 1518/1519 - 1583; France, Europe; about 1560 - 1570; Pen and black and brown ink, gray wash

Rocky Landscape with a Waterfall; Girolamo Muziano, Italian, 1528 ? - 1592; about 1570 - 1575; Pen and brown ink; 48.1 x 38.6 cm (18 15/16 x 15 3/16 in.)

Landscape with Orpheus; Unknown maker, Flemish, 16th century; 16th century, about 1570; Oil on panel; Unframed: 35.6 x 45.7 cm (14 x 18 in.), Framed: 56.5 x 66.7 x 5.7 cm (22 1/4 x 26 1/4 x 2 1/4 in.)

Landscape with Mercury and Argus; Unknown maker, Flemish, 16th century; about 1570; Oil on panel; Unframed: 35.6 x 45.7 cm (14 x 18 in.), Framed: 56.5 x 66.7 x 5.7 cm (22 1/4 x 26 1/4 x 2 1/4 in.)

Pilgrim Flask with Marine Scenes (Fiasca da Pellegrino); Workshop of Orazio Fontana, Italian, 1510 - 1571; Urbino, Italy, Europe; about 1560 - 1570; Tin-glazed earthenware; Object

Bowl; Unknown; Innsbruck, Austria, Europe; 1570 - 1591; Colorless (grayish-brown) glass with diamond-point engraving, gilding (including silver)

Venus and Cupid; Circle of Jacopo Sansovino, Italian (Venetian), 1486 - 1570; France, Europe; about 1550; Bronze; Object: H: 88.9 x W: 35.6 x D: 30.5 cm (H: 35 x W: 14 x D: 12 in.)

Mercury; Johann Gregor van der Schardt, Dutch, about 1530 - 1581; about 1570 - 1580; Bronze; Object: H: 114.9 x W: 86.4 x D: 3.1 cm (3 ft. 9 1/4 in. x 2 ft. 10 in. x 1 ft. 3 in.)

Double Head; Attributed to Francesco Primaticcio, Italian, 1504 - 1570; Fontainebleau, France, Europe; about 1543; Bronze; Object: H: 38.5 x W: 35 x D: 20 cm (15 3/16 x 13 3/4 x 7 7/8 in.)

LONDON: LORD MAYOR. The Lord Mayor and Aldermen of the city of London, England, during the reign of Queen Elizabeth I (1558-1603). Manuscript illumination, Flemish, c1570

THE ALCHEMISTS. By Jan van der Straet: oil on slate, 1570

ELIZABETH OF AUSTRIA (1554-1592). Archduchess of Austria and Queen consort of Charles IX of France. Drawing by Francois Clouet, c1570

ITALY: EARTHQUAKES, 1570. Announcement in a contemporary German woodcut broadside of earthquakes in Italy, at Ferrara and Florence, on 17 November 1570

WORLD MAP, 1570. By Abraham Ortelius

EL ESCORIAL: CLOISTER. Architectural detail of the lower cloister at El Escorial monastery in Spain. Drawing by architect Juan de Herrera, c1570

FIVE NATIONS: MEETING. Iroquois leaders from the Five Nations (Cayuga, Mohawk, Oneida, Onondaga, and Seneca) assembled around the Huron prophet Deganawidah, center

Strapless Dress
circa 1905: A young woman in a sheath dress. (Photo by Hulton Archive/Getty Images)

Spanish Beauty
A dark-haired young woman in a toreadors jacket and a low cleavage, circa 1900. (Photo by Hulton Archive/Getty Images)

Come Hither Smile
A flirtatious young woman with bare shoulders, circa 1900. (Photo by Hulton Archive/Getty Images)

Pin-Up
circa 1905: A very young Edwardian pin-up girl wearing a mermaid like dress. (Photo by Hulton Archive/Getty Images)

Floor plan of the basilica at El Escorial monastery in Spain, showing four central columns
EL ESCORIAL: BASILICA PLAN. Floor plan of the basilica at El Escorial monastery in Spain, showing four central columns and the high altar at the top. Drawing by architect Juan de Herrera, c1570

Cross section of the basilica along its major axis of El Escorial palace monastery in Spain
EL ESCORIAL: PLAN, c1570. Cross section of the basilica along its major axis of El Escorial palace monastery in Spain. Drawing by architect Juan de Herrera, c1570

Elevation drawing of the Altar of Reliquaries in the nave of the basilica at El Escorial monastery in Spain
EL ESCORIAL: ALTAR, c1570. Elevation drawing of the Altar of Reliquaries in the nave of the basilica at El Escorial monastery in Spain. Drawing by architect Juan de Herrera, c1570

An arched facade of El Escorial palace and monastery in Spain. Drawing by architect Juan de Herrera, c1570
EL ESCORIAL: ARCHED FACADE. An arched facade of El Escorial palace and monastery in Spain. Drawing by architect Juan de Herrera, c1570

Working sketches for the cornice moldings for the Court of the Evangelists at EL Escorial palace
EL ESCORIAL: DIAGRAM. Working sketches for the cornice moldings for the Court of the Evangelists at EL Escorial palace and monastery in Spain. Drawing by architect Juan de Herrera, c1570

A rejected design for the red and black inlaid marble floor of the Pantheon of the Kings at El Escorial palace in
EL ESCORIAL: FLOOR DESIGN. A rejected design for the red and black inlaid marble floor of the Pantheon of the Kings at El Escorial palace in Spain. Drawing by architect Juan de Herrera, c1570

Plan of the facade of the basilica at El Escorial palace and monastery in Spain
EL ESCORIAL: BASILICA. Plan of the facade of the basilica at El Escorial palace and monastery in Spain. Drawing by architect by Jose de Herrera, c1570

Cross section a water-powered mill at El Escorial palace and monastery in Spain
EL ESCORIAL: MILL, c1570. Cross section a water-powered mill at El Escorial palace and monastery in Spain. Drawing by architect Juan de Herrera, c1570

Early plan for the basilica at El Escorial monastery in Spain. Drawing by architect Juan de Herrera, c1570
EL ESCORIAL: BASILICA. Early plan for the basilica at El Escorial monastery in Spain. Drawing by architect Juan de Herrera, c1570

Six plans for the royal apartments at El Escorial palace in Spain. Drawing by architect Juan de Herrera, c1570
EL ESCORIAL: APARTMENTS. Six plans for the royal apartments at El Escorial palace in Spain. Drawing by architect Juan de Herrera, c1570

Several different designs for red and black inlaid marble floor of the Pantheon of the Kings at El Escorial palace in
EL ESCORIAL: FLOOR PLANS. Several different designs for red and black inlaid marble floor of the Pantheon of the Kings at El Escorial palace in Spain. Drawing by architect Juan de Herrera, c1570

Cross section of one of the towers of the basilica of El Escorial monastery in Spain
EL ESCORIAL: TOWER. Cross section of one of the towers of the basilica of El Escorial monastery in Spain. Drawing by architect Juan de Herrera, c1570

Cross section of the nave of the basilica, at El Escorial monastery in Spain
EL ESCORIAL: BASILICA. Cross section of the nave of the basilica, at El Escorial monastery in Spain. Drawing by architect Juan de Herrera, c1570

Rough sketch of the Altar of Reliquaries in the nave of the basilica at El Escorial monastery in Spain
EL ESCORIAL: ALTAR, c1570. Rough sketch of the Altar of Reliquaries in the nave of the basilica at El Escorial monastery in Spain. Drawing by architect Juan de Herrera, c1570

Posterior facade of the second Casa de Oficio, or Official Building, near El Escorial monastery in Spain
EL ESCORIAL: CASA DE OFICIO. Posterior facade of the second Casa de Oficio, or Official Building, near El Escorial monastery in Spain. Drawing by architect Juan de Herrera, c1570

Study of the door to the kitchen at El Escorial palace in Spain. Drawing by architect Juan de Herrera, c1570
EL ESCORIAL: DOOR, c1570. Study of the door to the kitchen at El Escorial palace in Spain. Drawing by architect Juan de Herrera, c1570

Plan for the water-powered mill at El Escorial monastery in Spain. Drawing by architect Juan de Herrera, c1570
EL ESCORIAL: MILL, c1570. Plan for the water-powered mill at El Escorial monastery in Spain. Drawing by architect Juan de Herrera, c1570

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Step back in time to the year 1570, a period of exploration and cultural exchange. Orteliuss map of the Ottoman Empire reveals the vastness and complexity of this powerful empire that stretched across three continents. Meanwhile, a 16th-century map of the British Isles showcases the evolving political landscape during this era. Intriguingly, a Venetian Galley from 1570 sails through turbulent waters, symbolizing both trade and conflict in the Mediterranean region. The presence of Nubians in Ancient Egypt reminds us of Africa's rich history intertwined with ancient civilizations. Orteliuss meticulous cartography also captures Italy's diverse regions, Poland's shifting borders, and Greece's storied past. His magnum opus, Theatrum Orbis Terrarum (Theatre of the World), presents an awe-inspiring world view that expands our horizons beyond imagination. Amidst these historical snapshots emerges an unexpected scene: Fencing with pikes in 1570. This martial art was not only practiced for self-defense but also as a form of entertainment. Target practice honed warriors' skills while ensuring their readiness for battle. Finally, Orteliuss map transports us to his homeland - Holland - where he meticulously charts its cities and waterways. These maps serve as windows into a bygone era when explorers dared to venture into uncharted territories.