1577 1640 Collection

Spanish Coat of Arms - Philip Iv

Count Olivares (Spain)

Peter Paul Rubens (1577-1640)
3618214 Peter Paul Rubens (1577-1640) by Unknown Artist, (19th century); (add.info.: Peter Paul Rubens (1577-1640). Flemish painter. Engraving, 19th century.); PHAS/UIG; out of copyright

Venus Disarming Mars, Drapery Study, c. 1632 / 35. Creator: Peter Paul Rubens (Flemish, 1577-1640)
Venus Disarming Mars, Drapery Study, c. 1632/35

Tomyris with the Head of Cyrus, c. 1637-1638. Creator: Peter Paul Rubens (Flemish, 1577-1640)
Tomyris with the Head of Cyrus, c. 1637-1638. This subject is oddly related to that seen on the other side of the sheet: both feature a severed head

The Feast of Herod, c. 1637-1638. Creator: Peter Paul Rubens (Flemish, 1577-1640)
The Feast of Herod, c. 1637-1638. During the 1600s, drawings were indispensible in large studios. In addition to being preparations for paintings

The Feast of Herod (recto) Tomyris with the Head of Cyrus (verso), c. 1637-1638. Creator
The Feast of Herod (recto) Tomyris with the Head of Cyrus (verso), c. 1637-1638. During the 17th century, drawings were indispensible in large studios

The Triumph of the Church, after 1628. Creator: Peter Paul Rubens (Flemish, 1577-1640)
The Triumph of the Church, after 1628. This work is likely a copy after Rubenss oil sketch for the Triumph of the Eucharist tapestry series

Study for The Bear Hunt (for the Alcazar, Madrid), c. 1639. Creator
Study for " The Bear Hunt" (for the Alcazar, Madrid), c. 1639. Many of Rubenss designs for large-scale paintings began with small sketches like this

Reconciliation of the Romans and the Sabines, c. 1632 / 35. Creator: Peter Paul Rubens (Flemish)
Reconciliation of the Romans and the Sabines, c. 1632/35

Reconciliation of the Romans and the Sabines (recto) Venus Disarming Mars, Drapery Study (verso), c. 1632/35

Portrait of Isabella Brant, c. 1620-25. Creator: Peter Paul Rubens (Flemish, 1577-1640)
Portrait of Isabella Brant, c. 1620-25. Isabella Brant was Rubenss first wife. He painted her many times in many different ways before she died at the age of 35

Portrait of an English Minister. Creator: Peter Paul Rubens (Flemish, 1577-1640)
Portrait of an English Minister

Landscape with Shepherd Playing a Flute. Creator: Schelte Adams Bolswert (Flemish
Landscape with Shepherd Playing a Flute

A Faun Grasping a Bunch of Grapes, after 1616 / 18. Creator: Peter Paul Rubens (Flemish
A Faun Grasping a Bunch of Grapes, after 1616/18

Peter Paul Rubens (1577-1640). Was a German-born Flemish Baroque painter. Lion Hunt, 1621. Baroque style. Alte Pinakothek. Munich. Germany

Peter Paul Rubens 1577-1640 painting portrait
Peter Paul Rubens, 1577-1640, painting, portrait, Oil on canvas, Height, 70 cm (27.5 inches), Width, 60 cm (23.6 inches

Silenus Rubens Peter Paul Sir 1577-1640 Suyderhoef
Silenus, Rubens, Peter Paul, Sir, 1577-1640, Suyderhoef, Jonas, ca. 1610-1686, Etching, 16--, A reproductive print after Peter Paul Rubens, attributed to Jonas Suyderhoef

Dance Italian peasants Bolswert Schelte 1586-1659
Dance of the Italian peasants, Bolswert, Schelte, ca. 1586-1659, Hendricx, Gillis, Rubens, Peter Paul, Sir, 1577-1640, Engraving, between 1638 and 1645

Landscape moonlight Bolswert Schelte 1586-1659
Landscape in the moonlight, Bolswert, Schelte, ca. 1586-1659, Rubens, Peter Paul, Sir, 1577-1640, Etching, engraving, black-and-white

Dance Italian peasants Heil Leo van b 1605 Rubens
Dance of the Italian peasants, Heil, Leo van, b. 1605, Rubens, Peter Paul, Sir, 1577-1640, Etching, ca. 1640, print after the painting by Peter Paul Rubens (Madrid, Museo nacional del Prado, Ref)

Assumption Virgin print Peter Paul Rubens Pontius
Assumption of the Virgin, print after Peter Paul Rubens, Pontius, Paulus, 1603-1658, Rubens, Peter Paul, Sir, 1577-1640, Engraving, 1624

Diana Nymphs Departing Hunt 1615 workshop Peter Paul Rubens
Diana and Her Nymphs Departing for the Hunt, c. 1615. And workshop Peter Paul Rubens (Flemish, 1577-1640). Oil on canvas; framed: 261 x 225 x 11 cm (102 3/4 x 88 9/16 x 4 5/16 in.); unframed

Feast Herod 1637-1638 Peter Paul Rubens Flemish
The Feast of Herod, c. 1637-1638. Peter Paul Rubens (Flemish, 1577-1640). Pen and brown ink, with black and red chalk, touched with white gouache; sheet

Tomyris Head Cyrus 1637-1638 Peter Paul Rubens
Tomyris with the Head of Cyrus, c. 1637-1638. Peter Paul Rubens (Flemish, 1577-1640). Pen and brown ink, with black and red chalk; sheet: 27.2 x 47.2 cm (10 11/16 x 18 9/16 in.); secondary support

Portrait English Minister Peter Paul Rubens Flemish
Portrait of an English Minister. Peter Paul Rubens (Flemish, 1577-1640). Etching

Various Lions Abraham Blooteling Dutch 1640-1690
Various Lions. Abraham Blooteling (Dutch, 1640-1690), after Peter Paul Rubens (Flemish, 1577-1640). Etching; sheet: 15 x 19.3 cm (5 7/8 x 7 5/8 in.); platemark: 13.9 x 18.2 cm (5 1/2 x 7 3/16 in.)

Bust Bearded Man Doge Giovanni Cornaro 1632-1636
Bust of a Bearded Man (Doge Giovanni Cornaro), 1632-1636. Christoffel Jegher (Flemish, 1596-1652/53), after Peter Paul Rubens (Flemish, 1577-1640)

Christ Giving Keys Peter Pieter I de Jode Flemish
Christ Giving the Keys to Peter. Pieter I de Jode (Flemish, 1570-1634), after Peter Paul Rubens (Flemish, 1577-1640). Engraving

A Faun Grasping Bunch Grapes 1616 / 18 Studio Peter Paul Rubens
A Faun Grasping a Bunch of Grapes, after 1616/18. Studio of Peter Paul Rubens (Flemish, 1577-1640). Black chalk and brush and brown wash; framing lines in black ink; sheet

Peter Paul Rubens (1577-1640). Helene Fourment in wedding dr
Peter Paul Rubens (1577-1640). German-born Flemish Baroque painter. Helene Fourment in wedding dress. 1630/31. Second wife. Oil on panel. Alte Pinakothek. Munich. Germany

Portrait Man Architect Geographer 1597 Oil copper
Artokoloro

Portrait Albert Archduke Austria Sovereign Southern Netherlands
Artokoloro

Plate 17 exchange two princesses Hendaye allegorical scene
Artokoloro

Satyr Grapes Two Tigers Etching sheet 13 7 / 16 x 8 11 / 16
Artokoloro

Susanna Elders Oil wood 18 1 / 4 x 25 3 / 8 46. 4 64. 5 cm
Artokoloro

Wagonner Peter Paul Rubens 1620 Watercolor graphite
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Triumph Eucharist mid-17th century Black chalk
Artokoloro

Isabella Clara Eugenia n. d Engraving Sheet 15 7 / 16 x 10 1 / 2
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Peasants Fighting Game Cards Etching engraving
Artokoloro

Virgin Child Oil wood 39 3 / 4 x 30 3 / 8 101 77. 2 cm
Artokoloro

Rubens wife Helena Fourment child ca 1770 Mezzotint
Artokoloro

Portrait Isabella Clara Eugenia Governess Southern Netherlands
Artokoloro

Reproductive Print Miracles St Francis Xavier Altarpiece
Artokoloro

Anne of Austria (1601-1666) married Louis XIII of France 1615. Mother of ouis XIV. Peter Paul Rubens (1577-1640) Flemish artist. Louvre, Paris

Abraham and Melchisedech. Peter Paul Rubens (1577-1640) Flemish painter. Oil on canvas

Adoration of the Kings, 1624: Peter Paul Rubens (1577-1640) Flemish painter. Oil on wood

Portrait of Suzanne Fourment. Suzanne Fourment (1599-1643) sister of Helena Fourment, second wife of the painter. Peter Paul Rubens (1577-1640) Flemish painter. Oil on wood

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"1577-1640: A Glimpse into the Artistic World of Peter Paul Rubens" Step back in time to the era of 1577-1640, where the Spanish Coat of Arms proudly represented the reign of Philip IV and Count Olivares held significant influence over Spain. Amidst this historical backdrop, a remarkable artist emerged - Peter Paul Rubens. Born in Germany but hailed as a Flemish Baroque master, Rubens left an indelible mark on art history during his lifetime. His talent knew no bounds, evident in his diverse body of work that spanned various genres and subjects. One captivating piece by Rubens is "Helene Fourment in wedding dress, " showcasing his ability to capture beauty and elegance with meticulous detail. Another masterpiece, "Venus Disarming Mars, " reveals his mastery over drapery study and portrays a powerful narrative through its composition. Rubens' artistic prowess extended beyond traditional portraiture and mythological scenes. In "Tomyris with the Head of Cyrus, " he skillfully depicted both strength and vulnerability, while "The Feast of Herod" captivates viewers with its dramatic storytelling. Not limited by conventional mediums or themes, Rubens also explored religious subjects like "The Triumph of the Church. " This monumental artwork exudes grandeur and exemplifies his ability to convey complex narratives through visual language. In addition to these renowned works, we find glimpses into Ruben's creative process through studies such as "Study for The Bear Hunt (for the Alcazar, Madrid)" or "Reconciliation of Romans and Sabines. " These sketches reveal his dedication to capturing movement, emotion, and intricate details before translating them onto larger canvases. As we delve into this period defined by Peter Paul Ruben's artistic brilliance from 1577-1640, we witness a fusion between German-born roots and Flemish influences that resulted in timeless masterpieces.