1582 Collection (page 5)

Speculum Romanae Magnificentiae Portal Temple
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Speculum Romanae Magnificentiae Diomedes Palladium
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Speculum Romanae Magnificentiae Ancient Rome
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Speculum Romanae Magnificentiae Temples Isle
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Speculum Romanae Magnificentiae Emperor Commodus
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Pendant Design Sphinx Body Fish Carrying Man
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Pendant Design Sea Monster Carrying Neptune Urn Beside
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Speculum Romanae Magnificentiae Baths Diocletian
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Speculum Romanae Magnificentiae Portraits Emperors
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Speculum Romanae Magnificentiae Septizodium 1582
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View Tiber Island represented ship Temple Aesculapius
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Speculum Romanae Magnificentiae Bust Livy 1582
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Remigio Cantagallina, Italian (1582-1583-1656), A Landscape Near Pecchio, pen and brown ink on laid paper

Bernardo Strozzi, Italian (1581-1582-1644), Saint Francis in Prayer, c. 1620-1630, oil on canvas

Melchior Meier, Apollo and Marsyas, Swiss, active 1582, 1581, engraving on laid paper

Giorgio Ghisi after Francesco Primaticcio (Italian, 1520 - 1582), Three Muses and a Gesturing Putto, 1560s, engraving on laid paper

Hans Collaert (Flemish, 1566 - 1628), Jewelry Design, 1582, engraving

Giorgio Ghisi after Michelangelo (Italian, 1520 - 1582), The Prophet Joel, early 1570s, engraving on laid paper

Giorgio Ghisi after Luca Penni (Italian, 1520 - 1582), The Calumny of Apelles, 1560, engraving on laid paper

Giorgio Ghisi after Giovanni Battista Scultori (Italian, 1520 - 1582), Sinon Deceiving the Trojans, c. 1545, engraving on laid paper

Veronese (Italian, 1528 - 1588), Studies for Judith and Holofernes, David and Goliath, and Other Compositions [recto], c. 1582, pen and brown ink with brown wash on laid paper

Giorgio Ghisi possibly after Giulio Romano (Italian, 1520 - 1582), Allegorical Figure Holding a Sphere, mid 1560s, engraving on laid paper

Giorgio Ghisi after Giulio Romano (Italian, 1520 - 1582), The Three Fates, 1558, engraving on laid paper

Master IS. (German, active c. 1581-1590), Bacchus Seated in a Landscape, 1582, punch engraving

Master IS. (German, active c. 1581-1590), Saturn, 1582, punch engraving

Veronese, The Martyrdom and Last Communion of Saint Lucy, Italian, 1528 - 1588, c. 1582, oil on canvas

Jacob van Hulsdonck (Flemish, 1582 - 1647), Wild Strawberries and a Carnation in a Wan-Li Bowl, c. 1620, oil on copper

Johann Van Loo, Colonel of the Archers of St. George. from the Picture by Frans Hals

Attack of Jean de Jauregui on Prince William I, March 18, 1582, Johann Wilhelm Kaiser (I), 1853

Mountainous landscape, Lucas van Valckenborch, 1582

Pendant with dragon with a double shell on his back, print maker: Adriaen Collaert, Hans Collaert I, Philips Galle, 1582

Pendant with dragon, print maker: Adriaen Collaert, Hans Collaert I, Philips Galle, 1582

Pendant with sphinx, Adriaen Collaert, Hans Collaert (I), Philips Galle, 1582

Flowers and Beetles; Hans Hoffmann, German, about 1530 - 1591/1592; Germany, Europe; 1582; Gouache with white chalk over black chalk on vellum; 32.1 x 38.7 cm (12 5/8 x 15 1/4 in.)

Stained Glass Design for a Married Couple; Hieronymus Lang, Swiss, active 1541 - 1582; Switzerland, Europe; 1553; Pand and black ink with gray, ocher

Kneeling Figure (recto), Reclining Figure (verso); Agostino Carracci, Italian, 1557 - 1602; Italy, Europe; about 1582 - 1585; Black chalk with white chalk highlights on blue paper (recto)

Moses and the Messengers from Canaan; Giovanni Lanfranco, Italian, 1582 - 1647; 1621 - 1624; Oil on canvas; Unframed: 217.8 x 246.4 cm (85 3/4 x 97 in.)

Madonna and Child with the Infant Saint John the Baptist; Giovanni Lanfranco, Italian, 1582 - 1647; about 1630 - 1632; Oil on canvas; Unframed: 96.7 x 75.6 cm (38 1/16 x 29 3/4 in.)

Elijah Receiving Bread from the Widow of Zarephath; Giovanni Lanfranco, Italian, 1582 - 1647; 1621 - 1624; Oil on canvas; Unframed: 203.2 x 243.8 cm (80 x 96 in.)

Orazio Gentileschi and Giovanni Lanfranco, Saint Cecilia and an Angel, Italian, 1582-1647, c. 1617-1618 and c. 1621-1627, oil on canvas

Bernardo Strozzi, Bishop Alvise Grimani, Italian, 1581-1582-1644, 1633 or after, oil on canvas

Hendrik Goltzius after Anthonie van Blocklandt (Dutch, 1558-1617), Lot and His Daughters Leaving Sodom, 1582, engraving

Giorgio Ghisi after Michelangelo (Italian, 1520-1582), The Prophet Ezekiel, early 1570s, engraving on laid paper

Mathias Beutler (German, active c. 1582-active 1614), Ornament, engraving

OTTOMAN EMPIRE: LIBRARY. Sultan Murad III (1546-1595) in his library. Turkish miniature, c1582

TURKEY: KARS, 1582. Rebuilding the fortress of Kars. Turkish manuscipt illumination, 1582

EL GRECO: ST. MAURICE. The Martyrdom of St. Maurice and the Theban Legion. Oil on canvas, 1582, by El Greco

GREGORY XIII (1502-1585). Pope, 1572-1585. Gregory, on papal throne at left, presiding at a discussion of the calendar reform of 1582. Contemporary painting

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In the year 1582, significant events and individuals shaped history. One notable figure was Saint Teresa of Avila, also known as Saint Teresa or Anon. Her spiritual writings and teachings continue to inspire many today. During this time, the Royal Home Nonsuch in England stood as a symbol of grandeur and opulence. It served as a testament to the wealth and power of its owner. One captivating image from 1582 depicts St. Teresa with Christ, showcasing her deep devotion and connection to her faith. Another portrayal shows St. Teresa alongside a crucifix, emphasizing her profound contemplation on Christ's sacrifice. Johann Gerhard emerged as an influential theologian during this period, contributing greatly to Lutheran theology with his extensive writings. William Juxon played a crucial role in English history by serving as Archbishop of Canterbury during the reigns of Charles I and Charles II. His influence extended beyond religious matters into political affairs. Francis Windebank held prominence in politics as well, serving as Secretary of State under King Charles I. His actions had far-reaching consequences for England during this tumultuous era. Meanwhile, Spanish architect Benito Bails published "Elementos de Matematica, " offering valuable insights into mathematics at that time. This work showcased Spain's contributions to scientific knowledge during the Renaissance period. Additionally, an engraving titled "A Court Concert" captures the essence of musical entertainment enjoyed by nobility at court gatherings in 1582. The arts flourished amidst political turmoil, providing solace and joy for those seeking respite from their daily lives. The year 1582 stands out not only for these remarkable individuals but also for their collective impact on various aspects such as spirituality, architecture, mathematics, politics, and culture across Europe.