1592 Collection (page 8)

Jacques Callot after Matteo Rosselli, French (1592-1635), The Oppressed Woman, 1619, engraving

Jacques Callot, French (1592-1635), Gioanni, 1619, engraving

Jacques Callot after Donato Mascagni, French (1592-1635), The Hangman, 1619, engraving

Pietro Damini, Italian (1592-1631), The Virgin and Child Adored by Saint Catherine and Another Female Saint, pen and brown ink over traces of black chalk on laid paper

Bartolomeo Passarotti, Italian (1529-1592), Studies of a Left Arm, a Young Woman, a Madonna and Child, a Face in Profile, and Nude Figures, pen and iron gall ink on laid paper

Girolamo Muziano, Italian (1528 or 1532-1592), A Standing Man in Classical Drapery, 1544-1549, brown wash with white heightening over black chalk on green-blue paper laid on brown washed paper

Jacques Callot, Study of Four Horsemen, French, 1592-1635, 1628 or before, red chalk on laid paper

Pieter van Laer (Dutch, c. 1592 - 1642), Two Buffaloes and a Herdsman, etching and drypoint

Hendrik Goltzius after Polidoro da Caravaggio (Dutch, 1558 - 1617), Bacchus, probably 1592, engraving

Hendrik Goltzius (Dutch, 1558 - 1617), Calliope, 1592, engraving

Jacopo Bassano (Italian, c. 1510 - 1592), The Mocking of Christ, 1568, colored chalks on green-gray paper

Jacques Callot and Abraham Bosse (French, 1592 - 1635), The Siege of La Rochelle [plate 1 of 16; set comprises 1952.8.97-112], 1628-1631, etching and engraving

Jacques Callot (French, 1592 - 1635), The Stag Hunt, probably 1619, etching

Jacques Callot (French, 1592 - 1635), The Fan, 1619, etching and engraving on laid paper

Jacques Callot (French, 1592 - 1635), Third Intermezzo, 1617, etching

Jacques Callot after Andrea del Sarto (French, 1592 - 1635), The Holy Family, engraving

Jacques Callot (French, 1592 - 1635), Ecce Homo, 1613, engraving

Jacques Callot (French, 1592 - 1635), The Wheel, c. 1633, etching

Jacques Callot (French, 1592 - 1635), The Stake, c. 1633, etching

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"1592: A Year of Art, Literature, and Historical Significance" In the year 1592, the world witnessed a plethora of remarkable events and creations that left an indelible mark on history. One such luminary figure was Michel de Montaigne (1533-1592), whose philosophical musings continue to inspire generations. His profound insights into human nature and self-reflection have stood the test of time. Meanwhile, Jacques Callot (French, 1592 - 1635) emerged as a prominent artist during this era. His original map depicting the Battle of Lepanto in October showcased his exceptional talent for capturing historical moments with intricate detail. Another masterpiece by Callot titled "The Revenge of the Peasants" highlighted his ability to depict societal struggles through art. Artistic excellence extended beyond France as well. David beheading Goliath became a subject that captivated artists across borders, resonating with audiences worldwide due to its timeless tale of triumph over adversity. Honore De Luynes made significant contributions during this period too. His endeavors shaped cultural landscapes and left lasting legacies for future generations to cherish. Turning our attention towards England, we find ourselves immersed in The Charing Cross Region about 1592 lithograph—a visual gateway into Elizabethan London's bustling streetscape. Additionally, Hamonds Map from 1592 offers us a glimpse into cartography's evolution while showcasing geographical knowledge at that time. Even Japan had its own artistic representation reflecting historical events; a Japanese artist depicted Japan's invasion of Korea in 1592 through their lithographic creation titled "The shadow of a coming event. " This artwork serves as both an artistic marvel and a reminder of past conflicts between nations. Closer to home lies Mayoral Door-Posts in Norwich from 1592—an engraving capturing architectural beauty while symbolizing civic pride within local communities.