1596 Collection (page 7)

Regular meadow mushroom Agaricus campestris meadow mushrooms
Regular meadow mushroom (Agaricus campestris), meadow mushrooms and a different kind of mushroom. Numbered top right: 363. Part of the fourth album with drawings of flowers and mushrooms

Lily valley Convallaria majalis Lilies daele
Lily of the valley (Convallaria majalis), Lilies of daele. / Lilium Convallium / Muguet (title on object), Lily of the valley. Numbered top right: 328. Top left the name in three languages

Plantain Plantago Weeg Bree Plantago Maxima rosea
Plantain (Plantago), Weeg Bree. / Plantago Maxima rosea. / Plantain rose (title on object), Plantain. Numbered top right: 322. At the top the Latin name

Tobacco plant Nicotiana tabacum Nicotiane Petum Tabacum
Tobacco plant (Nicotiana tabacum), Nicotiane. / Petum Tabacum. / Nicotiane Tabac. (title on object), Tobacco plant or tobacco flower. Numbered top right: 321. At the top the name in three languages

Juda Medal Lunaria annua Paesch flowers Bulbonak
Juda Medal (Lunaria annua) Paesch flowers. / Bulbonak. / Bulbonach. (title on object), Juda Medal. Numbered top right: 300. Right the name in three languages

Snapdragon Antirrhinum Leeuwe Muyle Anthirrinum
Snapdragon (Antirrhinum) Leeuwe Muyle. / Anthirrinum. / Meuron. (title on object), Snapdragon. Numbered top right: 288. Top left the name in four languages, below a four line inscription in Latin

Drunk Silenus Schelte Adamsz Bolswert 1596 1659
Drunk Silenus, Schelte Adamsz. Bolswert, 1596 - 1659, paper, engraving

victory church Eucharist story Silenus Schelte Adamsz
The victory of the church by the Eucharist, (story of) Silenus, Schelte Adamsz. Bolswert, 1596 - 1659, paper, engraving

Assumption Mary Schelte Adamsz Bolswert 1596
Assumption of Mary, Schelte Adamsz. Bolswert, 1596 - 1659, paper, engraving

James John helping bring nets Luke 5 1-11 Schelte Adamsz
James and John helping to bring in the nets (Luke 5, 1-11), Schelte Adamsz. Bolswert, 1596 - 1659, paper, engraving

Christ Pilate Passion series title sits throne
Christ for Pilate The Passion (series title), Christ is brought before Pilate, who sits on a throne. anonymous, Netherlands, 1596 and/or 1596 - 1667, paper, engraving, h 197 mm × w 133 mm

voyage Nova Zembla 1596 Ship voyage Year 1596
The voyage to Nova Zembla in 1596 Ship voyage, in the Year 1596. undertaken to Nova Zembla (title on object), The voyage to Nova Zembla in 1596

women rulers world Scenes Apocrypha Bible Book 3 Esdras
The women as rulers of the world Scenes from the Apocrypha Bible Book 3 Esdras (series title), The women as rulers of the world. Allegorical scene with women who have power over men

Apollo kills Python dragon bow arrow bottom margin
Apollo kills the Python dragon, Apollo kills with his bow and arrow the Python dragon. At the bottom in the margin a two-segment text in Latin

Last Supper Passion Christ series title Christ sits
Last Supper Passion of Christ (series title ) Christ sits with his disciples around a table in a large, sacred space. In the foreground two servants bring bread and wine

Christ Annas Passion series title high priest Annas
Christ for Annas Passion of Christ (series title), Christ is brought before the high priest Annas. Print from a series of 13 prints and a title print by Z. Dolendo and J

Crucifixion Passion Christ series title cross
Crucifixion Passion of Christ (series title), Christ on the cross, next to him the other prisoners. John, Mary and Mary Magdalene stand under the cross

Christ shown people Ecce Homo Passion Christ
Christ shown to the people (Ecce Homo) Passion of Christ (series title), Pilate shows Christ to the people who have gathered in the marketplace in front of a large building

Mocking Christ Passion Christ series title mocked
Mocking of Christ Passion of Christ (series title), Christ is mocked by the people. The soldiers put a crown of thorns on him. Print from a series of 13 prints and a title print made by Z

Jupiter child fed milk goat Amalthea milked nymph
Jupiter as a child fed with milk from the goat Amalthea, The goat Amalthea is milked by a nymph for the little Jupiter. He sits on the right as a naked child on the floor with a bottle in his hand

Triumph eternity Aeternitas title object Six triumphs
Triumph of eternity Aeternitas (title on object) Six triumphs of Petrarch (series title), With caption in Latin, Trionfo della Divinita, Triumphus Aeternitatis, Carro della Divinita

Triumph time Tempus title object Six triumphs
Triumph of time Tempus (title on object) Six triumphs of Petrarch (series title), With Latin caption, Trionfo del Tempo, Triumphus Temporis, Carro del Tempo (Ripa), sundial, hourglass, siege

Triumph love Amor vincit omnia title object Six triumphs
Triumph of love Amor vincit omnia (title on object) Six triumphs of Petrarch (series title), With Latin caption, Trionfi d Amore, Triumphus Cupidinis, Carro d amore (Ripa), zodiac

Resurrection Christ Passion series title Christ floats
Resurrection of Christ The Passion (series title), Christ floats at the entrance of his grave with a victory banner in his hand

H Agnes Speculum Illustrium Virginum series title
H. Agnes Speculum Illustrium Virginum (series title), Saint Agnes standing in a landscape next to her the lamb. Agnes is holding a palm branch and a book in her hands

Truth ruler world Scenes Apocrypha Bible Book 3 Esdras
The Truth as ruler of the world Scenes from the Apocrypha Bible Book 3 Esdras, The personification of the Truth sits on a cloud, next to her a group of angels

Saint Andrew Christ apostles Saint Paul series title
Saint Andrew Christ, the apostles and Saint Paul (series title), the apostle Andrew, possible attributes: book, X-shaped cross, fish, fishing net, rope, scroll, Zacharias Dolendo, Leiden, c

Resurrection Christ Passion series title floating
Resurrection of Christ The Passion (series title), Christ is floating at the entrance of his grave with a victory banner in his hand

Crucifixion De Passie series title Christ cross
Crucifixion De Passie (series title), Christ on the cross between the two other crucifixions. At the foot of the cross among others the three Marys and Longinus with his lance

Lazio Roma Rome S. Giacomo Augusta Italy italian country
Lazio Roma Rome S. Giacomo in Augusta, this is my Italy, the italian country of visual history, Post-medieval Architecture, architectural sculpture, sculpture, painting, fresco

Landscape Farmhouses Figures Jan van Goyen Dutch
Landscape with Farmhouses and Figures; Jan van Goyen (Dutch, 1596 - 1656); The Netherlands; 1644; Black chalk; 15.4 x 27.8 cm (6 1, 16 x 10 15, 16 in.)

Saint Cecilia Giving Alms Poor Pietro da Cortona
Saint Cecilia Giving Alms to the Poor; Pietro da Cortona (Italian, 1596 - 1669); about 1635 - 1640; Pen and brown ink over black chalk; 24.6 x 40.5 cm (9 11, 16 x 15 15, 16 in.)

Cybele Council Gods Pietro da Cortona Italian
Cybele before the Council of the Gods; Pietro da Cortona (Italian, 1596 - 1669); Italy; 1633; Pen and brown ink with brown wash, heightened with white bodycolor, over black chalk

Guide Constructing Ligature ffi Joris Hoefnagel
Guide for Constructing the Ligature ffi; Joris Hoefnagel (Flemish, Hungarian, 1542 - 1600); Vienna, Austria; about 1591 - 1596; Watercolors, gold and silver paint

Guide Constructing Letter Joris Hoefnagel Flemish
Guide for Constructing the Letter s; Joris Hoefnagel (Flemish, Hungarian, 1542 - 1600); Vienna, Austria; about 1591 - 1596; Watercolors, gold and silver paint

Guide Constructing Letters x y Joris Hoefnagel
Guide for Constructing the Letters x and y; Joris Hoefnagel (Flemish, Hungarian, 1542 - 1600); Vienna, Austria; about 1591 - 1596; Watercolors, gold and silver paint

Guide Constructing Ligature do Joris Hoefnagel
Guide for Constructing the Ligature do; Joris Hoefnagel (Flemish, Hungarian, 1542 - 1600); Vienna, Austria; about 1591 - 1596; Watercolors, gold and silver paint

Guide Constructing Tironian con orum Joris Hoefnagel
Guide for Constructing the Tironian con and orum; Joris Hoefnagel (Flemish, Hungarian, 1542 - 1600); Vienna, Austria; about 1591 - 1596; Watercolors, gold and silver paint

Guide Constructing Ligature ae Joris Hoefnagel
Guide for Constructing the Ligature ae; Joris Hoefnagel (Flemish, Hungarian, 1542 - 1600); Vienna, Austria; about 1591 - 1596; Watercolors, gold and silver paint

Guide Constructing Ligature oe Joris Hoefnagel
Guide for Constructing the Ligature oe; Joris Hoefnagel (Flemish, Hungarian, 1542 - 1600); Vienna, Austria; about 1591 - 1596; Watercolors, gold and silver paint

Guide Constructing Letter Y Joris Hoefnagel Flemish
Guide for Constructing the Letter Y; Joris Hoefnagel (Flemish, Hungarian, 1542 - 1600); Vienna, Austria; about 1591 - 1596; Watercolors, gold and silver paint

Guide Constructing Letters Joris Hoefnagel Flemish
Guide for Constructing the Letter S; Joris Hoefnagel (Flemish, Hungarian, 1542 - 1600); Vienna, Austria; about 1591 - 1596; Watercolors, gold and silver paint

Guide Constructing Letters c tironian et Joris Hoefnagel
Guide for Constructing the Letters c and tironian et; Joris Hoefnagel (Flemish, Hungarian, 1542 - 1600); Vienna, Austria; about 1591 - 1596; Watercolors, gold and silver paint

Guide Constructing Letters q r Joris Hoefnagel
Guide for Constructing the Letters q and r; Joris Hoefnagel (Flemish, Hungarian, 1542 - 1600); Vienna, Austria; about 1591 - 1596; Watercolors, gold and silver paint

Guide Constructing Letters r Joris Hoefnagel
Guide for Constructing the Letters r and s; Joris Hoefnagel (Flemish, Hungarian, 1542 - 1600); Vienna, Austria; about 1591 - 1596; Watercolors, gold and silver paint

Guide Constructing Letters o p Joris Hoefnagel
Guide for Constructing the Letters o and p; Joris Hoefnagel (Flemish, Hungarian, 1542 - 1600); Vienna, Austria; about 1591 - 1596; Watercolors, gold and silver paint

Guide Constructing Letter V Joris Hoefnagel Flemish
Guide for Constructing the Letter V; Joris Hoefnagel (Flemish, Hungarian, 1542 - 1600); Vienna, Austria; about 1591 - 1596; Watercolors, gold and silver paint

Guide Constructing Letter R Joris Hoefnagel Flemish
Guide for Constructing the Letter R; Joris Hoefnagel (Flemish, Hungarian, 1542 - 1600); Vienna, Austria; about 1591 - 1596; Watercolors, gold and silver paint

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In the year 1596, a remarkable era of discovery and innovation unfolded. Johannes Kepler, an influential astronomer, unveiled his groundbreaking model of the universe in his renowned work "Mysterium Cosmographicum. " This line engraving depicted Kepler's revolutionary understanding of celestial bodies and their movements. Meanwhile, in the realm of art, Caravaggio mesmerized audiences with his captivating masterpiece "Head of Medusa. " Painted with meticulous detail on canvas, this oil painting showcased Caravaggio's unparalleled skill in capturing emotions and creating lifelike representations. The scientific world also witnessed significant advancements during this time. Andreas Cellarius presented his magnificent "Atlas Coelestis, " a celestial atlas that mapped out the intricacies of our cosmos. This extraordinary piece served as a valuable resource for astronomers seeking to unravel the mysteries of space. On another front, Francis Drake left an indelible mark on history through his daring voyages across uncharted waters. A miniature portrait immortalized him as a fearless explorer who defied boundaries and expanded horizons. In philosophy and mathematics, René Descartes emerged as a prominent figure during this period. His intellectual prowess was captured in depictions such as him sitting at his desk deep in thought or statues commemorating his contributions to these fields. Amidst all these achievements stood symbols representing Sir Francis Drake's legacy – from the majestic Golden Hind ship he commanded to his burial at sea near Portobelo, Panama. These reminders paid homage to Drake's audacious spirit that propelled him towards greatness. Closer to home in Exeter, Devonshire resided Mols Coffee House and Keetch Gallery – vibrant spaces where intellectuals gathered to exchange ideas and engage in stimulating conversations about art and science alike. As we reflect upon 1596 today, we are reminded not only of humanity's thirst for knowledge but also its boundless creativity across various domains.