1621 Collection (page 6)

Israa'l Silvestre (French, 1621 - 1691), Veue de Larcenal, 1655, etching

Jacques Callot (French, 1592 - 1635), Gluttony, probably after 1621, etching and engraving

Jacques Callot (French, 1592 - 1635), Lust, probably after 1621, etching and engraving

Jacques Callot (French, 1592 - 1635), Envy, probably after 1621, etching and engraving

Jacques Callot (French, 1592 - 1635), Anger, probably after 1621, etching and engraving

Jacques Callot (French, 1592 - 1635), Greed, probably after 1621, etching and engraving

Jacques Callot (French, 1592 - 1635), Two Turks, 1617 and 1621, etching

Jacques Callot (French, 1592 - 1635), Man in Cloak, Seen from Behind, 1617 and 1621, etching

Jacques Callot (French, 1592 - 1635), Officer, Front View, 1617 and 1621, etching

Gerolamo Bassano (Italian, 1566 - 1621), Domestic Scene, red, black, and white chalk on blue-gray paper

Jacob van der Ulft, Dutch (1621-1689), A Coastal Scene with a Fortified Town, c. 1670
Jacob van der Ulft (Dutch, 1621 - 1689), A Coastal Scene with a Fortified Town, c. 1670, pen and brown ink with brown, gray, and yellow washes over graphite on laid paper

Ottavio Leoni, Giuseppe Cesari, Italian, c. 1578 - 1630, 1621, engraving

Gerbrand van den Eeckhout (Dutch, 1621 - 1674), The Levite at Gibeah, probably late 1650s, oil on canvas

Ambrosius Bosschaert the Elder (Dutch, 1573 - 1621), Bouquet of Flowers in a Glass Vase, 1621, oil on copper

Isack van Ostade (Dutch, 1621 - 1649), Workmen before an Inn, 1645, oil on panel

Mercury in conversation with Argus, Moyses van Wtenbrouck, Claes Jansz. Visscher (II), 1621

Johannes Baptista Franck, ca. 1599-1663, Anthony van Dyck, c. 1621

Portrait of a man, possibly Joris van Cats (c. 1590-1654), Anonymous, c. 1621

Friedrich V, Elector Palatine, Frederick I, King of Bohemia, The Winter King, copy after Michiel Jansz van Mierevelt, in or after 1621

Prince Maurice in the Society of Prince Frederick Henry, Frederick V and his Consort Elizabeth Stuart, King and Queen of Bohemia, and others at his Buitenhof in The Hague, Pauwels van Hillegaert, c

Self-Portrait, Abraham de Vries, 1621

Still Life with Fruit and Flowers, Balthasar van der Ast, 1620 - 1621

Venus, Bacchus and Ceres with Mortals in a Love Garden (Elegant Companionship under a Garden Bower), Louis de Caullery, 1590 - 1621

Mercury is pointing to the cow Io and looks at Argus, which sits on a stone block, scene from Ovids Metamorphoses, Met. I, 679-688, print maker: Moyses van Wtenbrouck (mentioned on object)

Allegory installation of Ernst Casimir, Count of Nassau, stadtholder of Friesland, August 5 1620, Count Ernst Casimir hand over his heart to the province of Friesland virgin

Fountain with Frisian Virgin, Pieter Serwouters, Jan van de Velde, Paulus Aertsz. van Ravesteyn, 1621

Portrait of Cardinal Robert Bellarmine, at the age of 74, print maker: Antonie Wierix III, Jan van Mechelen, unknown, 1621

Tobias heals his fathers blindness, Moyses van Wtenbrouck, Broer Jansz (Den Haag), 1621

The Queen of Sheba kneels before King Solomon in the throne room, on either side of the throne of Solomon six lions, print maker: Nicolaes de Bruyn (mentioned on object), Dating 1621

Portrait of Jan van de Velde I, Jan van de Velde II, 1621

Equestrian procession of the six princes of the House of Orange-Nassau, Willem Jacobsz. Delff, Jan Pietersz. van de Venne, Staten-Generaal, 1621

The Judgment of Midas; Hermann Weyer, German, 1596 - after 1621; 1616; Pen and black ink, black, ochre, reddish and gray washes, with white gouache heightening; 22.1 x 27 cm (8 11/16 x 10 5/8 in.)

Portrait of Agostino Pallavicini; Anthony van Dyck, Flemish, 1599 - 1641; about 1621; Oil on canvas; Unframed: 216.2 x 141 cm (85 1/8 x 55 1/2 in.)

Moses and the Messengers from Canaan; Giovanni Lanfranco, Italian, 1582 - 1647; 1621 - 1624; Oil on canvas; Unframed: 217.8 x 246.4 cm (85 3/4 x 97 in.)

Elijah Receiving Bread from the Widow of Zarephath; Giovanni Lanfranco, Italian, 1582 - 1647; 1621 - 1624; Oil on canvas; Unframed: 203.2 x 243.8 cm (80 x 96 in.)

Goblet with the Arms of Bregenz and of Local Patricians; Unknown; after 1621 - about 1635; Free-blown colorless (slightly grayish-brown) glass with diamond point engraving; Object: H: 27.31 x Diam

Grey Brydges, 5th Baron Chandos, of Sudeley Castle, Gloucestershire Grey Brydges, 5th Baron Chandos of Sudeley (before 1581-1621), c.1615, William Larkin, active 1608-1619, British

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"1621: A Year of Gratitude and Celebration" In 1621, a significant event took place that would forever be etched in history - the first Thanksgiving. This momentous occasion occurred at Plymouth, Massachusetts, where Pilgrims gathered to express their gratitude for a bountiful harvest. Jennie A. Brownscombe captured the essence of this inaugural feast in her oil on canvas painting from 1914. The scene depicts Pilgrims and Native Americans coming together to share food and companionship, symbolizing unity amidst diversity. Jean Leon Gerome Ferris also immortalized this historic event through his artwork titled "Pilgrims: Thanksgiving, 1621. " His masterpiece portrays the joyous atmosphere as families gather around tables laden with delicious dishes, giving thanks for their blessings. During this time, Johann Arndt's teachings on spirituality resonated deeply with many individuals seeking solace and guidance. His writings inspired pilgrims to reflect on their faith and find strength in times of adversity. As winter approached, the Pilgrim Fathers celebrated their first Christmas in 1621. Amidst unfamiliar surroundings and challenges faced by settlers in a new land, they found comfort in each other's company during this festive season. The music of Michael Praetorius (1571-1621) filled the air with melodies that uplifted spirits during these joyous occasions. His compositions provided an enchanting backdrop for celebrations throughout the year. One can imagine life within The Old House located in Hereford during this era - its timeworn walls holding stories of resilience and perseverance. Similarly, Shaftesbury / 1st Earl / Min stood tall as a testament to endurance amidst changing times. On The First Sunday following Thanksgiving Day, communities came together once again to worship and give thanks for all they had received throughout the year. Heneage Nottingham's sermons offered spiritual nourishment while fostering unity among believers.