1623 Collection (page 7)

Robert Nanteuil after F. Cabouret (French, 1623 - 1678), Jean Fronteau, 1663, engraving

Guido Reni (Italian, 1575 - 1642), The Head of Christ, c. 1623, black, red, and white chalks on gray-green laid paper

Francesco Brizio (Italian, c. 1575 - 1623), An Elegant Young Man Personifying Vanity, pen and brown ink over black chalk on laid paper

Ottavio Leoni, Marcello Provenzale, Italian, c. 1578 - 1630, 1623, engraving

The holy family with St. Margaret and a bishop, Trento, Antonio da, approximately 1508-approximately 1550, artist, Vicentino, Giuseppe Niccolo, approximately 1510-, Parmigianino, 1503-1540

The Virgin, Child, and saints, Andreani, Andrea, approximately 1560-1623

Eve after the Fall, Andreani, Andrea, approximately 1560-1623

The entombment, Andreani, Andrea, approximately 1560-1623

Ritual in honor of Psyche / a [monogram of Andrea Andreani] in Mantoua 1602. Vicentino, Giuseppe Niccolo, approximately 1510-, artist, Salviati, Francesco, 1510-1563

Jason returning with the golden fleece / a [monogram of Andrea Andreani, approximately 1560-1623] in Mantoua 160, Carpi, Ugo da, 1480-approximately 1532, artist, Parmigianino, 1503-1540

Temperance / a [monogram of Andrea Andreani], between 1540 and 1560. Vicentino, Giuseppe Niccolo, approximately 1510-, artist, Parmigianino, 1503-1540. Andreani, Andrea, approximately 1560-1623

The Blessed Virgin, Andreani, Andrea, approximately 1560-1623, Vanni, Francesco, 1563-1610, between 1590 and 1610, chiaroscuro woodcut, Print showing the Blessed Virgin Mary with the infant Jesus

Christ carrying the cross, Andreani, Andrea, approximately 1560-1623

The Virgin, Child, and a bishop, Andreani, Andrea, approximately 1560-1623

Virtue, 1585, Andreani, Andrea, approximately 1560-1623

The adoration of the Magi / a [monogram of Andrea Andreani] MDCV. Vicentino, Giuseppe Niccolo, approximately 1510-, artist, Parmigianino, 1503-1540. Andreani, Andrea, approximately 1560-1623

Circe, dating from between 1500 and 1530, Carpi, Ugo da, 1480-approximately 1532, artist, Parmigianino, 1503-1540. Andreani, Andrea, approximately 1560-1623

Mutius Scaevola, between 1584 and 1610, Andreani, Andrea, approximately 1560-1623

Nymphs bathing / a [monogram of Andrea Andreani], between 1500 and 1530, printed 1605. Carpi, Ugo da, 1480-approximately 1532, artist, Parmigianino, 1503-1540

St. Cecilia / a [monogram of Andrea Andreani], between 1530 and 1550. Trento, Antonio da, approximately 1508-approximately 1550, artist, Parmigianino, 1503-1540

Portrait of Ferdinand Alvarez de Toledo, Duke of Alva, Crispijn van den Queborn, H. Jacobsen, 1623

Matchmaker, copy after Dirck van Baburen, after 1623

Hatchment with the coat of arms of Boudaen and Fourmenois, 1623, het wapen van Fourmenois omgewend, Anonymous, 1623

Portrait of a man, Anonymous, 1623

View of a Village, Willem van den Bundel, 1623

Portrait of Sir John Burroughs (1587-1627), Jan Antonisz van Ravesteyn, c. 1620 - c. 1623

Portrait of Mertijntje van Ceters, Anonymous, 1623

Saint Martin Divides his Cloak (The Charity of St Martin), Joost Cornelisz. Droochsloot, 1623

Christ before Pilate, Ludovicus Siceram, Hendrick Goltzius, 1623

Christ in the Garden of Gethsemane, Ludovicus Siceram, Hendrick Goltzius, 1623

Crowning with Thorns, Ludovicus Siceram, Hendrick Goltzius, 1623

Entombment of Christ, Ludovicus Siceram, Hendrick Goltzius, 1623

Pleading for unity and reconciliation, 1623, Jan van de Velde II, Jan Jansz Starter, Jan Amelisz, 1623

Portrait of Daniel Souterius, print maker: Jacob Matham, 1623

Portrait of Johan Sems, Jacob Matham, 1623

Portrait of Peter Ernst (II), Count of Mansfeld, print maker: Simon van de Passe, Simon van de Passe, 1623

Panel with leaf tendrils and dragon, Johan Barra, Nicasius Rousseel, Wendel Dietterlin II, 1623

Title page for: Opera omnia qvae extant, 1623, Claes Jansz. Visscher (II), Johannes Janssonius, 1623

Title page for M. Hamconius, Frisia seu the viris rebusque Frisiae illustribus, 1623

The tomb or mausoleum of William of Orange in the New Church in Delft, The Netherlands, completed in 1623, with visitors around the fence, print maker: Jan Luyken (mentioned on object)

Portrait of Jan van de Velde I, Jan van de Velde (II), Arbeyd om rust, 1623

Portrait of Peter Costerius, Jan van de Velde (II), D. J. Carbasi, 1623
Portrait of Peter Costerius, Jan van de Velde (II), D.J. Carbasi, 1623

Portrait of Simon Episcopius at the age of 40, Willem Jacobsz. Delff, Dirck Pietersz. Bontepaert, 1623

Francesco Brizio (Italian, ca. 1574-1623) after Annibale Carracci (Italian, 1560 - 1609). The Virgin with the White Raven (La Vierge du Corbeau Blanc). Etching

David with the Head of Goliath (recto), Two Studies, one of a Woman (verso); Domenico Fetti, Italian, about 1589 - 1623; about 1620; Red, black

A Banquet; Morazzone (Pier Francesco Mazzuchelli), Italian, 1573 - 1626; about 1623; Gray and brown wash over black chalk, heightened with white gouache, lightly squared in black chalk

Mountain Landscape with River and Wagon; Herman Nauwincx, Dutch, about 1623 - after 1651, and Willem Schellinks, Dutch, about 1627 - 1678; third quarter of 17th century; Oil on panel; Unframed

The Virgin as the Woman of the Apocalypse; Peter Paul Rubens, Flemish, 1577 - 1640; about 1623 - 1624; Oil on panel; Unframed: 63.5 x 49.2 cm (25 x 19 3/8 in.)

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"1623: A Time of Art, Science, and Exploration" Step back in time to the year 1623, a period filled with remarkable individuals and significant events that shaped history. Among them was William Byrd (1543-1623), an influential composer whose music continues to captivate audiences today. Jan Brueghel the Elder (1568-1625), a renowned Flemish painter known for his exquisite landscapes, brought scenes of humble peasants to life on canvas. In this era, Sir William Waad played a crucial role as an English statesman and diplomat. Meanwhile, a statue commemorated the brilliant mathematician Blaise Pascal's contributions to science and philosophy. The Boers found themselves entrenched in battle during this time, displaying their resilience and determination. On another front, Sir Alexander Fraser made his mark as an influential figure in England's history. Across the seas on Canvey Island, England witnessed its own unique charm amidst stunning natural beauty. The McLaren Showman's Road Locomotive number 1623 Goliath roared through these picturesque landscapes. Royal festivities took center stage at Plaza Mayor in 1623 - a vibrant celebration that showcased grandeur and opulence fit for royalty. Every detail meticulously planned to create unforgettable memories. Transportation also underwent exciting advancements during this period with the introduction of Hawker Siddeley HS. 748 Srs 2A G-AVXI - revolutionizing air travel for generations to come. Galileo Galilei (1564-1642) emerged as one of history's greatest minds during this era; his groundbreaking discoveries forever changed our understanding of astronomy. As we reflect upon the year 1623, we are reminded of how artistry flourished alongside scientific exploration and societal progress. It serves as a testament to humanity's unyielding spirit in pursuit of knowledge and beauty throughout history.